New Releases by Rabih Alameddine

Named a Most Anticipated Book of 2026 by Literary Hub The best in short fiction from around the world, from celebrated anthologist and author John Freeman and award-winning novelist Rabih Alameddine In The Penguin Book of the International Short Story, writers from different nations, languages, and sensibilities come together in a globe-spanning and long overdue tour of modern fiction. In “Super-Frog Saves Tokyo,” Haruki Murakami brings us a man who believes a giant amphibian is enlisting him to protect his city from an impending earthquake. In “War of the Clowns,” Mozambique’s Mia Couto sketches a perfect allegory for our divided culture. In the predecessor story to her iconic novel The Vegetarian, Han Kang depicts a protagonist quietly undergoing an unlikely transformation. A Colm Tóibín character thinks, “I do not even believe in Ireland,” while Carol Bensimon reflects from Brazil, “All great ideas seem like bad ones at some point.” Salman Rushdie brings us to unsettled rural India, Olga Tokarczuk to an ugly woman exhibit at the circus, Abdellah Taïa to the queer Arab world, Ted Chiang to a far-off galaxy. The United States is far from the center of the literary universe. This anthology is reminiscent of iconic director Bong Joon Ho’s line about overcoming “the one-inch-tall barrier of subtitles” to enter a new world of film—the work of thoughtful and accomplished translators opens the door wide for those curious about what lies beyond the Western canon and classroom. Writers from six continents, ranging from new voices to literary icons, each offer a window into a distinct point of view, both transcending and illuminating their place of origin. They offer not only captivating prose, but a reminder of the power of the imagination across space and time.

WINNER OF THE NATIONAL BOOK AWARD “Alameddine is a writer with a boundless imagination.”—NPR From the winner of the PEN/Faulkner Award for Fiction comes a tragicomic love story set in Lebanon, a modern saga of family, memory, and the unbreakable attachment of a son and his mother In a tiny Beirut apartment, sixty-three-year-old Raja and his mother live side by side. A beloved high school philosophy teacher and “the neighborhood homosexual,” Raja relishes books, meditative walks, order, and solitude. Zalfa, his octogenarian mother, views her son’s desire for privacy as a personal affront. She demands to know every detail of Raja’s work life and love life, boundaries be damned. When Raja receives an invite to an all-expenses-paid writing residency in America, the timing couldn’t be better. It arrives on the heels of a series of personal and national disasters that have left Raja longing for peace and quiet away from his mother and the heartache of Lebanon. But what at first seems a stroke of good fortune soon leads Raja to recount and relive the very disasters and past betrayals he wishes to forget. Told in Raja’s irresistible and wickedly funny voice, the novel dances across six decades to tell the unforgettable story of a singular life and its absurdities—a tale of mistakes, self-discovery, trauma, and maybe even forgiveness. Above all, The True True Story of Raja the Gullible (and His Mother) is a wildly unique and sparkling celebration of love.

A timely and urgent inquiry by one of global literature''s leading lights In this concisely argued and illuminating book, the PEN/Faulkner Award–winning author Rabih Alameddine takes the subject of politics and art head-on, questioning the very premise of dividing these two pillars of culture into an either/or proposition. He reveals how a political dimension enlarges a work of art rather than making it less beautiful or reducing it to a polemic, as we are so often and carelessly taught. But he also ponders what makes art political to begin with: how essential is the artist’s conscious political intent, and what does the reader or viewer contribute to the work’s political capability or significance? In exploring these questions, Alameddine engages intensely with his role as an immigrant and a gay author writing inside a globally dominant, often oblivious culture, and invokes the work of numerous writers, from Tayeb Salih and Aleksandar Hemon to Teju Cole and Salman Rushdie, who also struggle to be heard as something more than an “other.” The book features throughout Alameddine’s brilliantly relatable voice—shrewd, humorous, challenging, and as honest about his own limitations as he is about his passions.

WINNER OF THE 2022 PEN/FAULKNER AWARD FOR FICTION By National Book Award and the National Book Critics'' Circle Award finalist for An Unnecessary Woman, Rabih Alameddine, comes a transporting new novel about an Arab American trans woman''s journey among Syrian refugees on Lesbos island. Mina Simpson, a Lebanese doctor, arrives at the infamous Moria refugee camp on Lesbos, Greece, after being urgently summoned for help by her friend who runs an NGO there. Alienated from her family except for her beloved brother, Mina has avoided being so close to her homeland for decades. But with a week off work and apart from her wife of thirty years, Mina hopes to accomplish something meaningful, among the abundance of Western volunteers who pose for selfies with beached dinghies and the camp''s children. Soon, a boat crosses bringing Sumaiya, a fiercely resolute Syrian matriarch with terminal liver cancer. Determined to protect her children and husband at all costs, Sumaiya refuses to alert her family to her diagnosis. Bonded together by Sumaiya''s secret, a deep connection sparks between the two women, and as Mina prepares a course of treatment with the limited resources on hand, she confronts the circumstances of the migrants'' displacement, as well as her own constraints in helping them. Not since the inimitable Aaliya of An Unnecessary Woman has Rabih Alameddine conjured such a winsome heroine to lead us to one of the most wrenching conflicts of our time. Cunningly weaving in stories of other refugees into Mina''s singular own, The Wrong End of the Telescope is a bedazzling tapestry of both tragic and amusing portraits of indomitable spirits facing a humanitarian crisis.

The American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman in this “forceful, beautifully written” (Associated Press) collection that brings together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case. On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays “full of struggle, emotion, fear, resilience, hope, and triumph” (Los Angeles Review of Books) about landmark cases in the organization’s one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in—Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona—need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue. Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights—which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU’s spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU’s stance on campaign finance. These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.

Le temps d''une nuit, dans la salle d''attente d''un hôpital psychiatrique, Jacob, poète d''origine yéménite, revient sur les événements qui ont marqué sa vie : son enfance dans un bordel égyptien, son adolescence sous l''égide d''un père fortuné, puis sa vie d''adulte homosexuel à San Francisco dans les années 1980, point culminant de l''épidémie du sida. Mais Jacob n''est pas seul : Satan et la Mort se livrent un duel et se disputent son âme, l''un le forçant à se remémorer son passé douloureux, l''autre le poussant à oublier et à renoncer à la vie.

A gay poet is haunted by war and the AIDs crisis in this "sprawling fever dream of a novel" by the Dos Passos Prize-winning author of An Unnecessary Woman (NPR.org). Set over the course of one night in the waiting room of a psych clinic, The Angel of History follows Yemeni-born poet Jacob as he revisits the events of his life. His memories take him from his maternal upbringing in an Egyptian whorehouse to his adolescence under the aegis of his wealthy father and his life as a gay Arab man in San Francisco at the height of AIDS. Haunted by an alluring, sassy Satan, who taunts Jacob to remember his painful past, and by dour, frigid Death, who urges him to forget and give up on life, Jacob is also attended to by fourteen saints. With Jacob recalling his life in Cairo, Beirut, Sana''a, Stockholm, and San Francisco, Alameddine gives us a charged philosophical portrayal of a brilliant mind in crisis. This is a profound story that "marks the triumph of memory over oblivion" ( Bookforum).

Lors de l''été 2013, dans le Colorado, un groupe d''écrivains et de militants s''est réuni pour s''interroger sur le rôle de la littérature et ses liens avec l''action sociale. De cette rencontre est née Narrative 4, une association caritative voulue par Colum McCann autour d''un concept fort, celui de l''"empathie radicale". Sa philosophie ? Le partage. Son but ? Faire s''échanger les histoires à travers les pays. Son action ? Favoriser des rencontres entre des jeunes d''horizons, de cultures, de vécus différents, pour se raconter, pour écouter. Et ainsi repousser le cynisme et la désolation, donner une place à l''espérance.

Ze kent Lolita''s moeder beter dan de hare. Aldus Aalia Sohbi. Aalia, 72, woont haar hele leven in Beiroet, is gescheiden van haar man, ''de lusteloze muskiet met onmachtige slurf'', en ze hertrouwt niet. Liefde voor de literatuur bepaalt haar leven. Ze vertaalt één meesterwerk per jaar. Niemand krijgt de vertalingen ooit onder ogen. Een overbodige vrouw bestrijkt één dag, waarin een aantal confrontaties Aalia''s leven op de grondvesten doen schudden. Tegelijkertijd is de roman een gecomprimeerde geschiedenis van een halve eeuw Beiroet, én ruim een halve eeuw wereldliteratuur.

A happily misanthropic Middle East divorcee finds refuge in books in a "beautiful and absorbing" novel of late-life crisis ( The New York Times). Aaliya is a divorced, childless, and reclusively cranky translator in Beirut nurturing doubts about her latest project: a 900-page avant-garde, linguistically serpentine historiography by a late Chilean existentialist. Honestly, at seventy-two, should she be taking on such a project? Not that Aailiya fears dying. Women in her family live long; her mother is still going crazy. But on this lonely day, hour-by-hour, Aaliya''s musings on literature, philosophy, her career, and her aging body, are suddenly invaded by memories of her volatile past. As she tries in vain to ward off these emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left. In this "meditation on, among other things, aging, politics, literature, loneliness, grief and resilience" ( The New York Times), Alameddine conjures "a beguiling narrator . . . who is, like her city, hard to read, hard to take, hard to know and, ultimately, passionately complex" ( San Francisco Chronicle). A finalist for the National Book Critics Circle Award and the National Book Award, An Unnecessary Woman is "a fun, and often funny . . . grave, powerful . . . [and] extraordinary" Washington Independent Review of Books) ode to literature and its power to define who we are. "Read it once, read it twice, read other books for a decade or so, and then pick it up and read it anew. This one''s a keeper" ( The Independent)

Aaliya Sohbi bor alene i sin lejlighed i Beirut, som er fyldt med bøger. Hun tror ikke på Gud, har ingen far eller børn og er skilt. Aaliya bliver betragtet som familiens unødvendige vedhæng. Hvert år oversætter hun en ny favoritbog til arabisk og gemmer den så væk. Ingen har nogensinde læst nogen af Aaliyas 37 oversatte bøger

Aaliya Sohbi lives alone in her Beirut apartment, surrounded by stockpiles of books. Godless, fatherless, childless, and divorced, Aaliya is her family''s ''unnecessary appendage.'' Every year, she translates a new favorite book into Arabic, then stows it away. The thirty-seven books that Aaliya has translated over her lifetime have never been read-- by anyone. After overhearing her neighbors, ''the three witches, '' discussing her too-white hair, Aaliya accidentally dyes her hair too blue. Readers follow Aaliya''s digressive mind as it ricochets across visions of past and present Beirut. Colorful musings on literature, philosophy, and art are invaded by memories of the Lebanese Civil War and Aaliya''s own volatile past. As she tries to overcome her aging body and spontaneous emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left.

Een meeslepende familiesaga vol mythen, legenden en verhalen Een jonge, getalenteerde muzikant ontvlucht de burgeroorlog in zijn thuisland Libanon en verhuist naar New York. Wanneer hij jaren later terugkeert, ligt zijn vader in het ziekenhuis. Terwijl familie, vrienden en zelfs vijanden de wacht houden aan het ziekbed, brengen ze de tijd door met herinneringen ophalen, ruzie maken en vrede sluiten, maar vooral met verhalen vertellen. De vertellers is een caleidoscopische roman die alle verhalen en legenden van het Midden-Oosten samenbrengt. Alameddine is een rasverteller die de lezer vanaf de eerste zin weet te betoveren.

Een in Beiroet geboren en in New York wonende computerdeskundige keert na dertig jaar terug naar zijn geboorteland om het offerfeest te vieren.

Volume 2 of this arts and literary publication brings together a collection of works ranging across the visual arts, prose, poetry, music, film and architecture, and includes a CD of music by Gerald Barry.

Maleren Sarah Nour El-Din er født i Beirut og har en amerikansk mor og en libanesisk far. Hun skriver på en selvbiografi, men lider af skriveblokering. En fortælling i første kapitler om identitet og splittelse mellem to kulturer.

Osama al-Kharrat left Lebanon at 16 to escape the civil war. He returns after some years, much changed, to find his father bedridden and his family, friends and enemies gathered close, gossiping, making peace, and above all telling stories. Hakawati means storyteller, and Osama''s grandfather was one of the best. From Uncle Jihad to the family doctor Tin Can, each member of Osama''s circle is joined in a vigil that crosses continents, spans centuries, celebrates love, recounts war, and creates an epic picture of the region: one that is both mythic and painfully real. "Listen. Let me take you on a journey beyond imagining. Let me tell you a story...''''

Raised in a hybrid family shaped by divorce and remarriage, and by Beirut in wartime, Sarah finds a fragile peace in self-imposed exile in the United States. Her extraordinary dignity is supported by a best friend, a grown-up son, occasional sensual pleasures, and her determination to tell her own story.

Een Libanese in Amerika wonende jonge vrouw probeert het verhaal van haar familie in Beiroet en haarzelf te schrijven, maar blijft telkens steken in het eerste hoofdstuk.

The contentious relationship between modernism and realism has powerfully influenced literary history throughout the twentieth century and into the present. In 1930s Korea, at a formative moment in these debates, a âeoecrisis of representationâe stemming from the loss of faith in language as a vehicle of meaningful reference to the world became a central concern of literary modernists as they operated under Japanese colonial rule. Christopher P. Hanscom examines the critical and literary production of three prose authors central to 1930s literary circlesâe"Pak Tâe(tm)aewon, Kim Yujong, and Yi Tâe(tm)aejunâe"whose works confront this crisis by critiquing the concept of transparent or âeoeempiricistâe language that formed the basis for both a nationalist literary movement and the legitimizing discourse of assimilatory colonization. Bridging literary and colonial studies, this re-reading of modernist fiction within the imperial context illuminates links between literary practice and colonial discourse and questions anew the relationship between aesthetics and politics. The Real Modern challenges Eurocentric and nativist perspectives on the derivative particularity of non-Western literatures, opens global modernist studies to the similarities and differences of the colonial Korean case, and argues for decolonization of the ways in which non-Western literatures are read in both local and global contexts.

A provocative first collection of stories by the author of Koolaids Following the publication of his critically acclaimed first novel, Koolaids, Rabih Alameddine offers a collection of stories that explores the experience of a number of Lebanese characters - men and women, gay and straight--whose lives have been blown apart by a disastrous civil war and the resulting international diaspora. Daring in style as well as content, these tales explore the relationships that anchor our hearts to the world -- father and son, grandson and grandmother, pedophile and 12-year-old boy, young man and woman of the streets, sister and sister, daughter and father, gay man and heterosexual, the quick and their dead. Suffused by a yearning for what has been lost, these narratives are both experimental and traditional, humorous and disturbing, and confirm without doubt that Alemeddine is one of the most original and accomplished young writers to emerge in some time.