Most Popular Books by Rachel Kushner

Arriving in New York to pursue a creative career in the raucous 1970s art scene, Reno joins a group of dreamers and raconteurs before falling in love with the estranged son of an Italian motorcycle scion and succumbing to a radical social movement in 1977 Italy.

From twice National Book Award–nominated Rachel Kushner, whose Flamethrowers was called “the best, most brazen, most interesting book of the year” (Kathryn Schulz, New York magazine), comes a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America. It’s 2003 and Romy Hall is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: the San Francisco of her youth and her young son, Jackson. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, which Kushner evokes with great humor and precision. Stunning and unsentimental, The Mars Room demonstrates new levels of mastery and depth in Kushner’s work. It is audacious and tragic, propulsive and yet beautifully refined. As James Wood said in The New Yorker, her fiction “succeeds because it is so full of vibrantly different stories and histories, all of them particular, all of them brilliantly alive.” “Kushner is going to be one we turn to for our serious pleasures and for the insight and wisdom we’ll be needing in hard times to come. She is a novelist of the very first order.” —Robert Stone “Kushner is a young master. I honestly don’t know how she is able to know so much and convey all of this in such a completely entertaining and mesmerizing way.” —George Saunders

An American infiltrates a French anarchist group and develops a bond with its enigmatic leader.

An astonishingly wise, ambitious, and riveting first novel set in the American community in Cuba during the years leading to Castro''s revolution, this masterful debut is a compelling tour de force.

Three early stories of myth, regime, and harlotry by the acclaimed author of The Flamethrowers. An explorer’s whereabouts keeps a queen in waiting; a faith healer’s illegal radio broadcasts give hope to an oppressed people; a president’s offer of ice cream surprises a prostitute expecting to cooperate fully — the three short fictions gathered in The Great Exception build into a vision of Cuba that is black-humored, brutal, and beautiful. Written prior to the publication of Rachel Kushner’s first acclaimed novel Telex From Cuba, these stories, like Roberto Bolaño’s Antwerp, burst forth with the genesis of her fictional universe as though fired from a cannon. From the mythical title story, to the ominous “Debouchment” — originally published in her too short-lived journal Soft Targets — to the sexy and noirish “Strange Case of Rachel K,” this is Kushner saddling up for a journey into the wilds of the modern novel.

Now includes a new essay, “Naked Childhood,” about Kushner’s family, their converted school bus, and the Summers of Love in Oregon and San Francisco! “The Hard Crowd is wild, wide-ranging, and unsparingly intelligent throughout.” —Taylor Antrim, Vogue From a writer celebrated for her “chops, ambition, and killer instinct” (John Powers, Fresh Air), a career-spanning collection of spectacular essays about politics and culture. Rachel Kushner has established herself as “the most vital and interesting American novelist working today” (The Millions) and as a master of the essay form. In The Hard Crowd, she gathers a selection of her writing from over the course of the last twenty years that addresses the most pressing political, artistic, and cultural issues of our times—and illuminates the themes and real-life experiences that inform her fiction. In twenty razor-sharp essays, The Hard Crowd spans literary journalism, memoir, cultural criticism, and writing about art and literature, including pieces on Jeff Koons, Denis Johnson, and Marguerite Duras. Kushner takes us on a journey through a Palestinian refugee camp, an illegal motorcycle race down the Baja Peninsula, 1970s wildcat strikes in Fiat factories, her love of classic cars, and her young life in the music scene of her hometown, San Francisco. The closing, eponymous essay is her manifesto on nostalgia, doom, and writing. These pieces, new and old, are electric, vivid, and wry, and they provide an opportunity to witness the evolution and range of one of our most dazzling and fearless writers. “Kushner writes with startling detail, imagination, and gallows humor,” said Leah Greenblatt in Entertainment Weekly, and, from Paula McLain in the Wall Street Journal: “The authority and precision of Kushner’s writing is impressive, but it’s the gorgeous ferocity that will stick with me.”

Um livro ácido e cortante sobre a rotina de uma prisão para mulheres. Romy Hall está no ônibus que irá levá-la para uma prisão na Califórnia, onde encontrará um mundo novo, repleto de regras próprias, em que centenas de mulheres vivem em meio à violência dos guardas e das próprias circunstâncias. Enquanto aprende os códigos e os macetes para sobreviver, Romy pensa em sua vida anterior e em tudo que a levou até ali. Pensa, sobretudo, em seu filho Jackson. Com uma notável capacidade para descrever os absurdos da vida carcerária, Rachel Kushner criou um romance antissentimental, audacioso e trágico.

Essay by Rachel Kushner. Foreword by Carlo McCormick.

In ‘Club Mars’ van Rachel Kushner is de 29-jarige Romy Hall onlangs veroordeeld tot tweemaal levenslang plus zes jaar. Ze slijt haar dagen in een maximaal beveiligde vrouwengevangenis in Noord-Californië. Buiten is het San Francisco van haar jeugd en Club Mars, de stripclub waar ze ooit danste voor de kost. En haar zevenjarige zoontje Jackson. Binnen is de nieuwe, absurde realiteit: duizenden vrouwen die hun levensbehoeften bij elkaar proberen te scharrelen, dagelijks geweld door zowel bewakers als gevangenen. Romy ziet de toekomst voor zich uitstrekken in een lange, onverbiddelijk rechte lijn. Totdat ze uit haar sleur wordt gerukt door nieuws vanbuiten, en haar lot naar eigen hand moet proberen te zetten. Een hartverscheurend en onvergetelijk boek, aldus Publishers Weekly.

An acidic portrait of the grifters and pretenders of the art world, from the celebrated author of The Mars Room In Rachel Kushner''s latest work of fiction, The Mayor of Leipzig, an unnamed artist recounts her travels from New York City to Cologne--where she contemplates German guilt and art-world grifters, and Leipzig--where she encounters live "adult entertainment" in a business hotel. The narrator gossips about everyone, including the author. "Taking a time out from what happened to me in Cologne and in Leipzig," Kushner writes, "I want to let you in on a secret: I personally know the author of this story you''re reading. Because she fancies herself an art world type, a hanger-on. Who would do that voluntarily? I mean, it''s not like someone held a gun to my head and said, Be an artist. I chose it, but I still can''t imagine having anything to do with the art world if you don''t have to. Also, people who don''t make stuff, who instead try to catalogue, periodize, and understand art, they never understand the first thing. Art is about taste, a sense of humor, and most writers lack both." Rachel Kushner (born 1968) is the author of The Flamethrowers (2013) and The Mars Room (2018). Her debut novel, Telex from Cuba, was a finalist for the 2008 National Book Award and a New York Times bestseller and Notable Book. A collection of her early work, The Strange Case of Rachel K, was published by New Directions in 2015. Her fiction has appeared in the New Yorker, Harper''s and the Paris Review.