New Releases by Robertson Davies

A collection of speeches on literature, academia, and more by the " extremely entertaining novelist and public speaker" ( The Washington Post). These public addresses by the acclaimed Canadian man of letters and New York Times-bestselling author Robertson Davies provides portraits of literary personalities, advice on writers and writing, and comments on academia and the modern world. Whether giving advice to schoolgirls, discussing the Age of Aquarius as seen by alchemists, exploring Jungian psychology in the theater and insanity in literature, or telling us how to design a haunted house, Davies brings to all his subjects the same intensity and marvelous craftsmanship that are the hallmarks of his fictional creations.

"A splendid gallimaufry of the eminent Canadian''s talks and essays, mostly about literature and the creative life . . . a thought-filled and amusing book."— The Washington Post For devotees of Davies and all lovers of literature and language, here is the "urbanity, wit, and high seriousness mixed by a master chef," vintage delights from an exquisite literary menu ( Cleveland Plain Dealer). Robertson Davies''s rich and varied collection of writings on the world of books and the miracle of language captures his inimitable voice and sustains his presence among us. Coming almost entirely from Davies''s own files of unpublished material, these twenty-four essays and lectures range over themes from "The Novelist and Magic" to "Literature and Technology," from "Painting, Fiction, and Faking," to "Can a Doctor Be a Humanist?" and "Creativity in Old Age." Davies himself says merely: "Lucky writers . . . like wine, die rich in fruitiness and delicious aftertaste, so that their works survive them." "Splendid—wise, witty, wide-ranging."— The New York Times Book Review "Some of Davies''s ideas are iconoclastic, and will delight those who share them while stimulating those who do not. All his judgments are interesting, steeped in humanism, and most elegantly put."— The Atlantic Monthly "The inimitable novelist gives an exuberant posthumous performance in this eclectic collection of (mostly) previously unpublished addresses, talks, and incidental pieces . . . Davies diffuses his opinions entertainingly, if occasionally superficially, but never loses his audience."— Kirkus Reviews

Versatile and prolific, Robertson Davies was an actor, journalist and newspaper publisher, playwright, essayist, founding master of Massey College at the University of Toronto, and one of Canada’s greatest novelists. He was also an obsessive, complex, and self-revealing diarist. His diaries, which he began as a teenager, grew to over 3 million words and are an astonishing literary legacy. This first published selection of his diaries spans 1959 to 1963, years in which Davies, in mid-life, experienced both daunting failure and unexpected success. Born in Thamesville, Ontario, in 1913, he was educated at local schools, then Upper Canada College, Queen’s University and Oxford University. He worked in England at the famous Old Vic theatre as an actor and literary advisor before returning to Canada where he became the editor and publisher of the Peterborough Examiner, established himself as a prominent Canadian playwright, and published his first three novels now known as the Salterton Trilogy. By 1959, at the age of forty-five, Robertson Davies was already one of Canada’s leading literary figures. Even so the diaries show that he was frustrated by the limitations of his literary success, often exasperated with the distractions of his daily life and buffeted by his mental and emotional state. They also show that he enjoyed life, was deeply interested in the society he lived in, and in the people he encountered. More often than not he found comedy in the world around him and delighted in recording it. He kept not only a daily journal, but also more focused diaries such as his accounts of the Toronto and New York production of his play Love and Libel, when he worked closely with the great British director Tyrone Guthrie, and of the founding of Massey College, the brainchild of Vincent Massey. The descriptions of backstage and academic politics are invariably entertaining, but in his diaries Davies also reveals himself as intensely self-critical, frequently insecure, and with a highly changeable nature that he described as his “celtic temperament.” We also see him as a partner in an intensely happy and creative marriage, and as a man with an astonishing capacity for hard work. By the end of 1963 his life had taken a new direction. As master of Massey College, he finds himself a public figure, but he is increasingly preoccupied with a new novel he wants to write which he is calling Fifth Business. The publication of A Celtic Temperament establishes Robertson Davies as one of the great diarists. In their range, variety, intimacy, and honesty his diaries present an extraordinarily rich portrait of the man and his times.

Available as an eBook for the first time, The Rebel Angels is the first book in the celebrated Cornish Trilogy. Gypsies, defrocked monks, mad professors, and wealthy eccentrics—a remarkable cast peoples Robertson Davies’ brilliant spectacle of theft, perjury, murder, scholarship, and love at a modern university. Only Davies, author of Fifth Business, could have woven together their destinies with such wit, humour, and wisdom.

Murther & Walking Spirits is available as an eBook for the first time. “I was never so amazed in my life as when the Sniffer drew his concealed weapon from its case and struck me to the ground, stone dead.” So begins the unusual story of Connor “Gil” Gilmartin when he catches his wife in flagrante with the Sniffer, his former colleague and now his murderer. Though he is struck dead in the very first line of this novel, death is only the first indignity Gil is about to suffer. For he lingers on as a ghost, and from this bleak vantage–made even less endurable by the fact that he must spend the afterlife sitting beside his killer at a film festival–he is forced to view the exploits and failures of his ancestors, from the forerunners who sailed up the Hudson to Canada during the American Revolution right up to his university-professor parents.

La apertura del testamento de Louisa Bridgetower deja atónita a la ciudad de Salterton: su hijo Solly no herederá un centavo hasta que haya tenido un hijo y buena parte de su fortuna se deberá destinar a la educación de una joven artista. Los albaceas seleccionarán a Monica Gall, la solista de un peculiar conjunto de gospel local a la que enviarán a estudiar a Inglaterra. El arte, el genio, la formación artística, la música, el amor, las relaciones paternofiliales, las peculiaridades canadienses... son temas recurrentes en la obra de Davies que aquí son tratados magistralmente a través de la figura de Monica Gall, la joven cantante de Salterton a la que la herencia de la señora Bridgetower cambiará hasta extremos que ella jamás hubiera imaginado. Tercera entrega del ciclo de novelas independientes que se terminará conociendo como Trilogía de Salterton, la pluma de Davies logra en esta novela un vivo retrato del alma humana, que acaso no sea en verdad otra cosa que una mezcla de flaquezas. «Davies es uno de esos narradores –de ahí que lo suyo suene tan vital y despierto—que producen la sensación de estar a nuestro lado, yendo apenas dos o tres líneas por delante, soltando risitas de placer anticipando lo que nos espera.» Rodrigo Fresán (ABC) «Davies es un mago cuya puesta en escena no tiene tramoya ni apela a la superstición; sus herramientas son la imaginación y la felicidad, ambas afinadas por lo que él mismo calificaba de “compromiso vitalicio con la compasión”. (...) En las novelas de Robertson Davies, como en los mitos que tanto lo fascinaban, cabe el mundo.»Nadal Suau «Ingenioso, erudito, entretenido... Davies despliega todas las cualidades de un Trollope tardío y nos muestra cómo es el Canadá moderno..»Anthony Burgess (The Observer)

La fundación constituida con el legado del mecenas Francis Cornish ha decidido acometer uno de sus primeros proyectos: la representación de Arturo de Britania, una ópera inconclusa de E.T.A. Hoffmann. La encargada de realizar la tarea será Hulda Schnakenburg, una brillante y peculiar estudiante de doctorado, que contará con la ayuda de Simon Darcourt en la redacción del libreto. Desgraciadamente los trabajos se complican de tal manera que los involucrados en el proyecto parecen estar representando el argumento de la ópera y hacen buena la cita de Hoffmann que dice «La lira de Orfeo abre las puertas del otro mundo». En esta novela Davies muestra su extraordinario conocimiento de las artes escénicas plasmando con especial brillantez los entresijos de las producciones teatrales y musicales, a la vez que reflexiona sobre cómo a menudo, y pese a la apariencia de educación y urbanidad que nos envuelve, nuestros más bajos instintos se imponen y nos conducen a actuar insospechadamente. Una brillante conclusión de la Trilogía de Cornish en la que el talento narrativo del autor volverá a asombrar tanto a sus fieles lectores como a quien se acerque a su obra por primera vez. «Davies en su novelística se explica y explica a la persona en sus pasiones, ambiciones, deseos ocultos, verdades trascendentes y mentiras.»Miguel Sánchez-Ostiz (ABC) «Uno de los grandes novelistas modernos.»Malcolm Bradbury «El lector no ve el momento de contar a sus amigos las excelencias de este novelista (...) suspira de placer cada vez que pasa una página.»The Washington Post

En Lo que arraiga en el hueso Robertson Davies nos sumerge en la fascinante historia de Francis Cornish, un acaudalado y misterioso mecenas y coleccionista de arte canadiense que acaba de morir. Desde las azarosas circunstancias que propician el matrimonio de sus padres pasando por su heterodoxa formación artística -iniciada en el taller de un embalsamador- o su iniciación amorosa, la novela va recorriendo las distintas etapas de su vida y dando cuenta del desarrollo de su carácter. Es así como se descubre el origen de su fabulosa fortuna y se desvela su pasado como restaurador de pintura y falsificador, habilidades que durante la segunda guerra mundial le llevarían a formar parte del espionaje británico y a participar en una trama de venta de obras de arte falsas a los nazis. Robertson Davies crea en esta novela un ingenioso relato sobre las razones, pasiones e intrigas que mueven el mundo del arte. Esta segunda parte de la Trilogía de Cornish, que por su trama se lee como un relato independiente, supone una sabia indagación sobre el secreto último que hay detrás de toda existencia y sobre cómo se forja el carácter de un hombre. «Somos felices espectadores de un vodevil intelectual que se disfruta como el más vertiginoso de los policiales y se asimila como el más sesudo de los tratados.» Rodrigo Fresán (Vanity Fair) «Lo que arraiga en el hueso tiene todo lo que convirtió en éxito a El quinto en discordia: una trama imposible de resumir (...), una sobredosis de información de todos los hábitos y colores (...) y la creación de un personaje seductor y voluptuoso, que complementa su azarosa vida con todas las que va encontrando en su camino, componiendo un cuadro cubista que, por supuesto, ha nacido para entretener a todos aquellos que aman la palabra escrita.» Sergi Sánchez (El Periódico) «El placer que suscita su lectura es uno de los muchos prodigios de la literatura: difuntos desconocidos que pasan a formar parte de nuestras fantasías, nuestras risas y nuestras conversaciones. Con argumentos de menos peso se han creado religiones.» Nuria Barrios, Babelia (El País) «La suma de intelectualidad vigorosa y sentido práctico hace que la lectura de este libro -y de los demás- se convierta en una fiesta de la inteligencia, una arrebatadora sesión espiritista hecha de puras palabras.» Carolina León (Go Mag) «Una lectura deliciosa (...) Una creación notable en su conjunto, su mejor novela hasta el momento.» The New York Times «He aquí el inspiradísimo producto de un sabueso literario: con la erudición suficiente para satisfacer al purista y una comprensión de lo humano poco común.» Newsweek «Divertido y sorprendente de cabo a rabo.» The Wall Street Journal «Esta novela alimenta el cerebro y cautiva los sentidos.» Time

Robertson Davies wrote in most forms: plays, novels, diaries, articles, book reviews, play reviews, editorials, children’s and adult short stories (including ghost stories), television plays, libretti, an oratorio, poems, and speeches. The greater part of this collection is speeches, made throughout his life; also included are three articles and a poem.

La Universidad de San Juan y el Espíritu Santo, adormecida en su absorbente vida académica, se revoluciona con el regreso del brillante y malvado profesor Parlabane a sus góticos muros y con el complicado legado que la universidad acaba de recibir de Arthur Cornish, uno de los más importantes coleccionistas de arte canadienses del siglo XX. Las suspicacias entre los albaceas del testamento de Cornish -los profesores Hollier, McVarish y Darcourt- se acrecientan al descubrir entre los objetos del legado un manuscrito inédito de Rabelais. La codicia que va a desatar el preciado manuscrito revelará el verdadero carácter de cada uno de los personajes de la novela. Con su prodigiosa habilidad para combinar los más variados temas, Davies urde una intriga en la que nos pasea por la vida académica, el mecenazgo, la alquimia, el coleccionismo, la tradición gitana o el apasionante mundo de los lutieres. Esta novela, la siguiente que Davies escribiría tras la Trilogía de Deptford, abre la Trilogía de Cornish: una serie de tres novelas unidas por la figura de Francis Cornish, aunque concebidas para ser leídas de manera independiente.

Robertson Davies gave many speeches over the years, and one of his favourite topics at these events was reading. The greater part of this collection is speeches, made throughout his life; also included are essays, ghost stories, and a children''s short story.

La trama d’aquesta novel·la gira al voltant de la misteriosa mort del magnat canadenc Boy Staunton. Dunstan Ramsay, amic de Staunton des de la infantesa, n’és el narrador que, en l’intent d’esbrinar les circumstàncies d’aquesta mort, es veurà abocat a enfrontar-se al relat de la pròpia vida. Des del principi de la història, Ramsay exerceix una influència mística i no del tot innòcua en aquells que l’envolten: accions en aparença innocents una baralla amb boles de neu o l’aprenentatge de trucs de cartes es revelaran com esdeveniments decisius en la vida d’altres. El cinquè en joc és una mostra del domini de Davies en l’art de la novel·la: la seva erudició li permet tractar els temes més diversos el circ, l’hagiografia, la primera guerra mundial o la vida en un internat amb una naturalitat sorprenent; així com la seva imaginació teatral li permet captivar el lector des de l’inici. La primera novel·la de la Trilogia de Deptford, la més aclamada de l’autor, s’erigeix com la història d’un home racional que descobreix en allò màgic un aspecte més de la realitat.

The second book in Robertson Davies''s acclaimed The Deptford Trilogy, with a new foreword by Kelly Link Hailed by the Washington Post Book World as "a modern classic," Robertson Davies’s acclaimed Deptford Trilogy is a glittering, fantastical, cunningly contrived series of novels, around which a mysterious death is woven. The Manticore—the second book in the series after Fifth Business—follows David Staunton, a man pleased with his success but haunted by his relationship with his larger-than-life father. As he seeks help through therapy, he encounters a wonderful cast of characters who help connect him to his past and the death of his father. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Robertson Davies, one of the twentieth century''s most distinguished authors, brought his characteristic great sense of style to everything he wrote. Whether it was a letter to his daughter or a formal letter to the editor disemboweling a hostile review, he wrote with care, zest, and in a distinctive voice. Penned during the height of his fame-between the years 1976 and 1995-these letters were sent to a wide range of recipients, from Sir John Gielgud to Margaret Atwood, from publishers to fans and critics of his writings. The letters are frequently testy, tart, and not always "politically correct"; but whether they are funny, moving, or thought provoking, they provide a rare glimpse of the private Davies, as r evealed in his own words.

An Ottawa civil servants royal connection and a letter to the editor are the themes from two of Davies best plays.

Woven around the pursuits of the energetic spirits and erudite scholars of the University of St. John and the Holy Ghost, this dazzling trilogy of novels lures the reader into a world of mysticism, historical allusion, and gothic fantasy that could only be the invention of Canada''s grand man of letters.

Hailed as a literary masterpiece, Robertson Davies'' The Cornish Trilogy comes to a brilliant conclusion in the bestselling Lyre of Orpheus. There is an important decision to be made. The Cornish Foundation is thriving under the directorship of Arthur Cornish when Arthur and his beguiling wife, Maria Theotoky, decide to undertake a project worthy of Francis Cornish -- connoisseur, collector, and notable eccentric -- whose vast fortune endows the Foundation. The grumpy, grimy, extraordinarily talented music student Hulda Schnakenburg is commissioned to complete E. T .A. Hoffmann''s unfinished opera Arthur of Britain, or The Magnanimous Cuckold; and the scholarly priest Simon Darcourt finds himself charged with writing the libretto. Complications both practical and emotional arise: the gypsy in Maria''s blood rises with a vengeance; Darcourt stoops to petty crime; and various others indulge in perjury, blackmail, and other unsavory pursuits. Hoffmann''s dictum, "the lyre of Orpheus opens the door of the underworld," seems to be all too true -- especially when the long-hidden secrets of Francis Cornish himself are finally revealed. Baroque and deliciously funny, this third book in The Cornish Trilogy shows Robertson Davies at his very considerable best. "Robertson Davies is the sort of novelist readers can hardly wait to tell their friends about." -- The Washington Post Book World

Conversations with Robertson Davies is a long overdue anthology of interviews with Canada''s most respected literary figure. Journalist, essayist, reviewer, playwright, and novelist, Robertson Davies has not only been a leading figure in Canadian literature since World War II, but, since the publication of Fifth Business in 1970, he has become known throughout the world. Conversations with Robertson Davies will be of interest both to the student of Canadian literature and culture and to the scholar examining Davies''s plays and novels as well as to the general reader who would like to know more about the awesome man behind the Salterton and Deptford trilogies, What''s Bred in the Bone, and The Lyre of Orpheus. A majority of this anthology of twenty-eight interviews has never before appeared in print. Along with these previously unpublished interviews, the reader finds a selection of the best print interviews: Tom Harpur of the Toronto Star proves Davies''s spiritual beliefs, Ann Saddlemyer looks into his dreams, and author Terence M. Green questions Davies on the supernatural.

Traduction française du roman publié par Macmillan en 1970 et fort bien accueilli par la critique de langue anglaise. Il s'agit d'un long mémoire justificatif dans lequel un professeur à la retraite raconte sa vie mouvementée, à l'intention du directeur de son ancienne école. Excellent narrateur, portraitiste et moraliste de talent, l'écrivain canadien-anglais Robertson Davies méritait mieux que cette traduction souvent gauche. Comme l'écrit le critique de ##Book World##, cette fiction théologique est digne d'un Graham Greene au meilleur de sa forme. L'auteur y réconcilie naturalisme et génie visionnaire. Autre édition en français, au Cercle du livre de France en 1975, même titre, même traducteur.