Best Selling Books by Robertson Davies

The first book in Robertson Davies''s acclaimed The Deptford Trilogy, with a new foreword by Kelly Link Ramsay is a man twice born, a man who has returned from the hell of the battle-grave at Passchendaele in World War I decorated with the Victoria Cross and destined to be caught in a no man''s land where memory, history, and myth collide. As Ramsay tells his story, it begins to seem that from boyhood, he has exerted a perhaps mystical, perhaps pernicious, influence on those around him. His apparently innocent involvement in such innocuous events as the throwing of a snowball or the teaching of card tricks to a small boy in the end prove neither innocent nor innocuous. Fifth Business stands alone as a remarkable story told by a rational man who discovers that the marvelous is only another aspect of the real. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The second book in Robertson Davies''s acclaimed The Deptford Trilogy, with a new foreword by Kelly Link Hailed by the Washington Post Book World as "a modern classic," Robertson Davies’s acclaimed Deptford Trilogy is a glittering, fantastical, cunningly contrived series of novels, around which a mysterious death is woven. The Manticore—the second book in the series after Fifth Business—follows David Staunton, a man pleased with his success but haunted by his relationship with his larger-than-life father. As he seeks help through therapy, he encounters a wonderful cast of characters who help connect him to his past and the death of his father. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The third book in Robertson Davies''s acclaimed The Deptford Trilogy, with a new foreword by Kelly Link Hailed by the Washington Post Book World as "a modern classic," Robertson Davies’s acclaimed Deptford Trilogy is a glittering, fantastical, cunningly contrived series of novels, around which a mysterious death is woven. World of Wonders—the third book in the series after The Manticore—follows the story of Magnus Eisengrim—the most illustrious magician of his age—who is spirited away from his home by a member of a traveling sideshow, the Wanless World of Wonders. After honing his skills and becoming better known, Magnus unfurls his life’s courageous and adventurous tale in this third and final volume of a spectacular, soaring work. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

, defrocked monks, mad professors, and wealthy eccentrics-a remarkable cast peoples Robertson Davies'' brilliant spectacle of theft, perjury, murder, scholarship, and love at a modern university. Only Mr. Davies, author of Fifth Business, The Manticore, and World of Wonders, could have woven together their destinies with such wit, humour-and wisdom.

Witty collection of some of the best of [Davies] newspaper and magazine articles.

In this perceptive and entertaining memoir of a doctor’s life, we encounter at least one miraculous cure, a bad breath contest of Olympian standards, tales of cannibals and Tsarist bordellos, medical solutions to literary mysteries—and startling insights into the secrets of a doctor’s consulting room.

An Ottawa civil servants royal connection and a letter to the editor are the themes from two of Davies best plays.

“A splendid gallimaufry of the eminent Canadian’s talks and essays, mostly about literature and the creative life . . . a thought-filled and amusing book.”—The Washington Post For devotees of Davies and all lovers of literature and language, here is the “urbanity, wit, and high seriousness mixed by a master chef,” vintage delights from an exquisite literary menu (Cleveland Plain Dealer). Robertson Davies’s rich and varied collection of writings on the world of books and the miracle of language captures his inimitable voice and sustains his presence among us. Coming almost entirely from Davies’s own files of unpublished material, these twenty-four essays and lectures range over themes from “The Novelist and Magic” to “Literature and Technology,” from “Painting, Fiction, and Faking,” to “Can a Doctor Be a Humanist?” and “Creativity in Old Age.” Davies himself says merely: “Lucky writers . . . like wine, die rich in fruitiness and delicious aftertaste, so that their works survive them.” “Splendid—wise, witty, wide-ranging.”—The New York Times Book Review “Some of Davies’s ideas are iconoclastic, and will delight those who share them while stimulating those who do not. All his judgments are interesting, steeped in humanism, and most elegantly put.”—The Atlantic Monthly “The inimitable novelist gives an exuberant posthumous performance in this eclectic collection of (mostly) previously unpublished addresses, talks, and incidental pieces . . . Davies diffuses his opinions entertainingly, if occasionally superficially, but never loses his audience.”—Kirkus Reviews

Francis Cornish was always good at keeping secrets. From the well-hidden family secret of his childhood to his mysterious encounters with a small-town embalmer, a master art restorer, a Bavarian countess, and various masters of espionage, the events in Francis''s life were not always what they seemed.

Conversations with Robertson Davies is a long overdue anthology of interviews with Canada''s most respected literary figure. Journalist, essayist, reviewer, playwright, and novelist, Robertson Davies has not only been a leading figure in Canadian literature since World War II, but, since the publication of Fifth Business in 1970, he has become known throughout the world. Conversations with Robertson Davies will be of interest both to the student of Canadian literature and culture and to the scholar examining Davies''s plays and novels as well as to the general reader who would like to know more about the awesome man behind the Salterton and Deptford trilogies, What''s Bred in the Bone, and The Lyre of Orpheus. A majority of this anthology of twenty-eight interviews has never before appeared in print. Along with these previously unpublished interviews, the reader finds a selection of the best print interviews: Tom Harpur of the Toronto Star proves Davies''s spiritual beliefs, Ann Saddlemyer looks into his dreams, and author Terence M. Green questions Davies on the supernatural.

A collection of essays “filled with pleasantly rambling opinions about everything from self-help books to erotica” from the celebrated Canadian author (The Chronicle Journal). An urbane, robust, and wonderfully opinionated voice from Canada, sometimes called “America’s attic,” speaks here of the delights of reading, and of what mass education has done to readers today, to taste, to books, to culture. With his usual wit and breadth of vision, Robertson Davies ranges through the world of letters—books renowned and obscure, old and recent; English, Irish, Canadian, and American writers both forgotten and fondly remembered. “Sweet reason in the raiment of well-woven prose? Most assuredly. Good humor agraze over broad literary demesnes? No doubt of it. Forgotten popular favorites rescued and rehabilitated? Certainly. A parade of agreeable prejudices? He would not be a true Canadian if he did not have them. Lightheartedness where needed? Yes. Seriousness where it counts? Yes. Wit, satirical touches, firm indignations, sound sense, good taste, judiciousness, cosmopolitan breadth of view, urbanity, sanity, unexpected eccentricities, educated humanism? By all means. It is indeed by all these means and more that this book of essays and observations bestows its multiple benefactions, and anyone picking it up is bound north to pleasure and profit.”—The New York Times

Versatile and prolific, Robertson Davies was an actor, journalist and newspaper publisher, playwright, essayist, founding master of Massey College at the University of Toronto, and one of Canada’s greatest novelists. He was also an obsessive, complex, and self-revealing diarist. His diaries, which he began as a teenager, grew to over 3 million words and are an astonishing literary legacy. This first published selection of his diaries spans 1959 to 1963, years in which Davies, in mid-life, experienced both daunting failure and unexpected success. Born in Thamesville, Ontario, in 1913, he was educated at local schools, then Upper Canada College, Queen’s University and Oxford University. He worked in England at the famous Old Vic theatre as an actor and literary advisor before returning to Canada where he became the editor and publisher of the Peterborough Examiner, established himself as a prominent Canadian playwright, and published his first three novels now known as the Salterton Trilogy. By 1959, at the age of forty-five, Robertson Davies was already one of Canada’s leading literary figures. Even so the diaries show that he was frustrated by the limitations of his literary success, often exasperated with the distractions of his daily life and buffeted by his mental and emotional state. They also show that he enjoyed life, was deeply interested in the society he lived in, and in the people he encountered. More often than not he found comedy in the world around him and delighted in recording it. He kept not only a daily journal, but also more focused diaries such as his accounts of the Toronto and New York production of his play Love and Libel, when he worked closely with the great British director Tyrone Guthrie, and of the founding of Massey College, the brainchild of Vincent Massey. The descriptions of backstage and academic politics are invariably entertaining, but in his diaries Davies also reveals himself as intensely self-critical, frequently insecure, and with a highly changeable nature that he described as his “celtic temperament.” We also see him as a partner in an intensely happy and creative marriage, and as a man with an astonishing capacity for hard work. By the end of 1963 his life had taken a new direction. As master of Massey College, he finds himself a public figure, but he is increasingly preoccupied with a new novel he wants to write which he is calling Fifth Business. The publication of A Celtic Temperament establishes Robertson Davies as one of the great diarists. In their range, variety, intimacy, and honesty his diaries present an extraordinarily rich portrait of the man and his times.

A collection of speeches on literature, academia, and more by the “extremely entertaining novelist and public speaker” (The Washington Post). These public addresses by the acclaimed Canadian man of letters and New York Times-bestselling author Robertson Davies provides portraits of literary personalities, advice on writers and writing, and comments on academia and the modern world. Whether giving advice to schoolgirls, discussing the Age of Aquarius as seen by alchemists, exploring Jungian psychology in the theater and insanity in literature, or telling us how to design a haunted house, Davies brings to all his subjects the same intensity and marvelous craftsmanship that are the hallmarks of his fictional creations.

The complete volume of Robertson Davies''s acclaimed trilogy, featuring Fifth Business, The Manticore, and World of Wonders, with a new foreword by Kelly Link Fifth Business Ramsay is a man twice born, a man who has returned from the hell of the battle-grave at Passchendaele in World War I decorated with the Victoria Cross and destined to be caught in a no man''s land where memory, history, and myth collide. As Ramsay tells his story, it begins to seem that from boyhood, he has exerted a perhaps mystical, perhaps pernicious, influence on those around him. His apparently innocent involvement in such innocuous events as the throwing of a snowball or the teaching of card tricks to a small boy in the end prove neither innocent nor innocuous. Fifth Business stands alone as a remarkable story told by a rational man who discovers that the marvelous is only another aspect of the real. The Manticore Around a mysterious death is woven a glittering, fantastical, cunningly contrived trilogy of novels. Luring the reader down labyrinthine tunnels of myth, history and magic, THE DEPTFORD TRILOGY provides an exhilarating antidote to a world from where ''the fear and dread and splendour of wonder have been banished''. World of Wonders This is the third novel in Davies''s major work, The Deptford Trilogy. This novel tells the life story of the unfortunate boy introduced in The Fifth Business, who was spirited away from his Canadian home by one of the members of a traveling side show, the Wanless World of Wonders.

Eighteen spooky ghost stories from the acclaimed author of "Fifth Business" are now gathered in one haunting collection. Copyright © Libri GmbH. All rights reserved.

The Foundation, looking for a worthy undertaking upon which to expend its considerable monies, decides to fund the doctoral work of Hulda Schnakenburg, an extraordinarily talented music student. Her task is to complete the score of an unfinished opera.

Anthony Burgess listed Davies'' The Rebel Angels among the 99 best novels of our time and declared that Davies himself is "without doubt Nobel Prize material". In this unusual novel, Davies'' protagonist is murdered in the first sentence of the book, but he lingers as a ghost to view the exploits of his ancestors, from the American Revolution to the present.

The acclaimed playwright, novelist, and author of Fifth Business explores the performing arts in this witty and insightful essay collection. Though best known for his award-winning fiction, Robertson Davies enjoyed a long and varied career as an actor, playwright, journalist and critic. Happy Alchemy collects an equally diverse range of Davies’ writings—including speeches, articles, prologues to plays, a ghost story set to music, and even a scenario for a film. In this eclectic volume, Davies shares his many musings on music, theatre, opera, and more. These pieces, many of them published here for the first time, touch on topics from Greek tragedy to Scottish Folklore and from Lewis Carroll to Carl Jung.

Robertson Davies brought a great sense of style to everything he wrote. Whether it was a letter to his daughter ("Love from us both, Daddy") or a formal letter to the editor disembowelling a hostile reviewer that concludes humbly ("I am content to remain, Yours, writhing in deserved ignominy..."), he wrote with care, with zest, and in a clearly distinctive voice. Since these letters written by Davies have been selected from the years when he was at the height of his fame, the recipients range widely, from Sir John Gielgud to Margaret Atwood, and from Greg Gatenby ("You are a merciless man and God will punish you in the next world") to his publishers abroad. Naturally, like all the best letters, they contain fascinating gossip: ..."and Salvador Dali, at the next table, raised his eyebrows and popped his eyes to such a degree that I feared they might leave their moorings and bounce about the floor." The title of the book comes from a confidential letter to Jack McClelland and hints at the secrets to be learned from these letters. This "over the shoulder" look at his private correspondence shows us Davies in a variety of roles: as an old friend consoling Horace Davenport on the loss of his son; as a university administrator bewailing the miseries of fundraising; as a keen theatre-goer writing a letter of congratulations to an actor after a fine performance; as a professional writer advocating fair rates for authors to a cabinet minister; as a husband constructing a handwritten circular card to convey loving birthday greetings to his wife; as a bearer of health-giving good cheer to an ailing friend; and as a novelist struggling with his new books, and admitting to his doubts aboutthem. The letters are frequently testy, tart, and not always "politically correct." Among those who felt his sting are Judith Skelton Grant, his biographer, and Douglas Gibson, his publisher, but other, more deserving, targets are suitably chastised. And whether they are funny, moving, or thought-provoking, these private letters provide a new look at the private Davies, revealed in his own vigorous words.

Two plays from the 1940s by the most important Canadian playwright of the postwar period.

Murdered by his wife''s lover, Gil must spend his afterlife seated next to his murderer at a film festival, where he views the exploits of his ancestors from the Revolutionary era to his parents'' time

Now in paperback, the book that marked the first appearance in the United States of Robertson Davies''s mischievous alter ego, Samuel Marchbanks.

Out of spite, someone puts a false engagement notice in the local newspaper causing all parties great embarrassment.

Robertson Davies gave many speeches over the years, and one of his favourite topics at these events was reading. The greater part of this collection is speeches, made throughout his life; also included are essays, ghost stories, and a children''s short story.

Contents: Tempest Tost, A Mixture of Frailties, Leaven of Malice.

Fifth Business, which one critic said was "as masterfully executed as anything in the history of the novel," might be described simply as the life of a schoolteacher named Dunstan Ramsay. But such description would not even suggest the dark currents of love, ambition, vengeance, and death that flow through this powerful work, cast in the form of Ramsay''s memoirs. Fifth Business is the first novel in the celebrated Deptford Trilogy, which also includes The Manticore and World of Wonders--it also stands alone as the story of a rational man who discovers that the marvelous is only another aspect of the real.

If Hamlet was right, and the theatre does hold the mirror up to nature, what kind of nature did a play such as The Vampyre reflect in its glass? And what relation does it bear to the generally accepted master works of the nineteenth-century stage, the plays of Ibsen and Shaw, for example? In this book Robertson Davies explores in loving detail the world of nineteenth-century melodrama - the plays, the actors, and the theatres themselves - to find the answers to these and other questions. It is the distillation of a lifetime''s experience as audience, actor, teacher, and reader, and Davies shares with us this experience and the delights inherent in it. Explore with him the world of William the simple tailor and his black-eyed Susan; and of innumerable Millers'' Daughters, all with fatal attraction, no power of resistance, and uncommon fecundity. Discover the nature and causes of Heroine''s Disease. Watch for the Melancholy Man with his discreditable secret. And in the process learn a new or renew an old pleasure in the nineteenth-century stage.

amateur production of The Tempest provides a colourful backdrop for an hilarious look at unrequited love. Mathematics teacher Hector Mackilwraith, stirred and troubled by Shakespeare''s play, falls in love with the beautiful Griselda Webster. When Griselda shows that she has plans of her own, Hector despairs and tries to commit suicide on the play''s opening night.