Best Selling Books by Royal Ontario Museum

"To understand the history of decorative arts and design it is necessary to study the ways in which designs are created and transmitted. Documenting Design seeks to show how prints and drawings can demonstrate numerous aspects of the role of works on paper in the history of design." "From early in the history of printmaking, prints were used to communicate designs both for specific objects and for ornamental patterns that could be applied to different kinds of objects, including architectural elements. A special category is the pattern- or model-book, intended to promote a particular style or approach to the design of furniture or decoration." "Printed ornament sheets may also be self-contained works of art, unsuited to direct application to objects. Here, printed ornament becomes simply a genre of fine art, like landscape and portraiture, for example. This was especially so during the Rococo era." "Countless buildings, rooms, objects, and decorative schemes - some of them famous in their day - no longer exist. Important design "events" such as festivities and ceremonies have often comprised great quantities of ephemeral architecture, decoration, and decorated objects. Such products of design can often only be studied in the prints and drawings that record their existence." "Unlike prints, drawings can document and therefore present a unique insight into the process by which a designer develops and finalizes an idea. Drawings can also demonstrate the collaborative nature of the decorative arts: designers and makers were (and are) rarely identical." "Many drawings have survived because they were contract drawings, meant to be shown to a potential customer or patron, and kept as a record of a transaction. Designs for metalwork were frequently drawn at full scale, both for maximum clarity and in order to create a vivid impression of the amounts of precious metal required." "Since the 15th century, prints have been designed to be used as objects themselves, either in conjunction with other objects or as devices of communication. The variety of such works is vast; Documenting Design includes a theatre program, a menu design, and posters, among other types. Products of graphic design are often collected as documents of stylistic movements. Examples as various as Japonisme (late 19th century) and Psychedelic (1960s) are included." "From Heinrich Aldegrever''s jewel-like engraving Two Spoons and a Hunting Whistle of 1539 to Neo-Op Psychedelic Revival handbills of 1988, Documenting Design illuminates the importance of prints and drawings as documents of design history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"Published in association with NRC Research Press, Canada Institute for Scientific and Technical Information, and the Royal Ontario Museum."

This book of landscape and genre paintings by the 19th-century Korean artist Gisan documents traditional daily life in Korea around 1900. Gisan worked in Korean port cities and as a result his work was disseminated and sold internationally. In fact, the number of his works in North American and European collections far surpasses that found in Korea. Korea Around 1900 includes 27 poster-format paintings from the collections of the Royal Ontario Museum as well as 23 small-format paintings from the National Museum of Ethnology in Leiden, Netherlands. The ink-and-colour paintings depict a vanished Korea of pastoral landscapes, traditional customs and costume, and the rhythm of the seasons.

With vol. for 1973 the publication was divided into three streams: Archaeology; Ethnography; and: History, technology and art.

While Black-Figure and Red-Figure vases appear in the CVA volumes, this catalogue presents 326 examples of other Greek painted traditions, ranging from the Aegean Bronze Age to the 1st century BC. The types range from regular shapes (hydria, kraters, aryballoi and so on) to some truly weird vases in the shapes of legs and helmeted heads. Extensive descriptions and crisp photos.

The Bernard & Sylvia Ostry Collection has helped to establish the Royal Ontario Museum Toronto as the most significant repository of early 20th century decorative arts in Canada and one of the premier institutions in this area of collecting in North Ameri

This catalogue traces black-glaze'' ceramics from the early Ionion cups'', through the true black-glaze'' of Classical Athens and its derivatives, to Roman Republican Campana wares and other Greek and Italian pots with added paint, including Gnathia ware. In his descriptions and introduction the author shows how disparate the types commonly referred to as black glaze'' really are. The 295 examples are well illustrated in line drawings and b/w photos.