New Releases by Royal Ontario Museum

A study of the Daoist murals owned by the Royal Ontario Museum.

This book of landscape and genre paintings by the 19th-century Korean artist Gisan documents traditional daily life in Korea around 1900. Gisan worked in Korean port cities and as a result his work was disseminated and sold internationally. In fact, the number of his works in North American and European collections far surpasses that found in Korea. Korea Around 1900 includes 27 poster-format paintings from the collections of the Royal Ontario Museum as well as 23 small-format paintings from the National Museum of Ethnology in Leiden, Netherlands. The ink-and-colour paintings depict a vanished Korea of pastoral landscapes, traditional customs and costume, and the rhythm of the seasons.

The Bernard & Sylvia Ostry Collection has helped to establish the Royal Ontario Museum Toronto as the most significant repository of early 20th century decorative arts in Canada and one of the premier institutions in this area of collecting in North Ameri

"Published in association with NRC Research Press, Canada Institute for Scientific and Technical Information, and the Royal Ontario Museum."

The latest in the ROM''s acclaimed series of beautiful and authoritative field guides Guaranteed to appeal to everyone from the casual Sunday stroller to the most dedicated amateur botanist, The ROM Field Guide to Wildflowers of Ontario is researched, written, and designed specifically for the Ontario reader and visitor. It is the most authoritative, easy to use, and beautifully designed guide to Ontario wildflowers available, with a stunning selection of photographs unsurpassed anywhere. This landmark publication features: - Detailed and clearly written descriptions of 400 of Ontario''s most common wildflowers, including notes on habitat, characteristic features of each species'' leaves, flowers, and fruits; description of similar species; and in many cases interesting additional information about the plant, such as traditional uses, origin of its name, and biology. - Approximately 1,000 stunning full-colour photographs drawn from the ROM''s celebrated collection of more than 50,000 botanical photos. - Specially designed colour-coded key to assist identification. - Handy size and format, with photos and description for each species all on one page. - Sized to fit in a backpack or pocket, with stitched binding and rugged cover for extra durability. - Glossary of botanical terms and index.

The 1950s were the golden years of haute couture, captured by iconic images of glamorous models wearing dramatic clothes. Yet the real women who wore these clothes adapted them to suit their own tastes, altered them to extend their life, and often could not bear to part with them long after the dresses had outlived their use. This gorgeously illustrated book demonstrates why so many of these designs are still in existence and why we are fascinated by them fifty years later. Couture and Commerce investigates how and why postwar couture fashion was important in its own day. The Paris couture houses survived due to the enthusiasm of the North American fashion press and commercial buyers. Alexandra Palmer traces the European haute couture trade with North America by following actual surviving couture dresses from the design house sketch, through the model used in New York fashion shows and as a template for copies and knock-offs, and finally to the consumer. Couture and Commerce is a remarkable mixture of accessible text, color photographs of the original garments, design house sketches and photographs, retailers’ advertisements, and society page images. Weaving together analysis of the clothes and interviews with those who traded, sold, and wore couture, Alexandra Palmer vividly recreates the 1950s fashion world.

This unique publication, produced in association with the Royal Ontario Museum, is the guide Ontario birders have been waiting for... The ROM Field Guide to Birds of Ontario is researched and written specifically for the Ontario bird watcher. It is the most authoritative, easy to use, and beautifully designed guide to Ontario birds available. This landmark publication features: - Detailed and clearly written descriptions of more than 300 migrant and resident Ontario bird species and accidentals, including notes on Appearance, Voice, Habitat and Behaviour, and Status. - Close to 400 stunning full-colour photographs from Canada''s top wildlife photographers, carefully selected for quick and easy identification in the field. - Over 300 easy-to-read colour distribution maps, showing summer and winter ranges and breeding grounds. - Handy page-per-species format, with photo, description, and range map all in one place. - Glossary, Checklist of Ontario Birds, and Index.

An exploration of the arctic sky--its constellations, legends and mythology, the sun, moon, planets, and ''shooting stars, '' as well as atmospheric phenomena such as aurora borealis. Combining interviews with the Inuit elders and the historical records of arctic explorers and other keen observers, The Arctic Sky is a guided tour of the arctic universe.

"To understand the history of decorative arts and design it is necessary to study the ways in which designs are created and transmitted. Documenting Design seeks to show how prints and drawings can demonstrate numerous aspects of the role of works on paper in the history of design." "From early in the history of printmaking, prints were used to communicate designs both for specific objects and for ornamental patterns that could be applied to different kinds of objects, including architectural elements. A special category is the pattern- or model-book, intended to promote a particular style or approach to the design of furniture or decoration." "Printed ornament sheets may also be self-contained works of art, unsuited to direct application to objects. Here, printed ornament becomes simply a genre of fine art, like landscape and portraiture, for example. This was especially so during the Rococo era." "Countless buildings, rooms, objects, and decorative schemes - some of them famous in their day - no longer exist. Important design "events" such as festivities and ceremonies have often comprised great quantities of ephemeral architecture, decoration, and decorated objects. Such products of design can often only be studied in the prints and drawings that record their existence." "Unlike prints, drawings can document and therefore present a unique insight into the process by which a designer develops and finalizes an idea. Drawings can also demonstrate the collaborative nature of the decorative arts: designers and makers were (and are) rarely identical." "Many drawings have survived because they were contract drawings, meant to be shown to a potential customer or patron, and kept as a record of a transaction. Designs for metalwork were frequently drawn at full scale, both for maximum clarity and in order to create a vivid impression of the amounts of precious metal required." "Since the 15th century, prints have been designed to be used as objects themselves, either in conjunction with other objects or as devices of communication. The variety of such works is vast; Documenting Design includes a theatre program, a menu design, and posters, among other types. Products of graphic design are often collected as documents of stylistic movements. Examples as various as Japonisme (late 19th century) and Psychedelic (1960s) are included." "From Heinrich Aldegrever''s jewel-like engraving Two Spoons and a Hunting Whistle of 1539 to Neo-Op Psychedelic Revival handbills of 1988, Documenting Design illuminates the importance of prints and drawings as documents of design history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Mermaids and medicine women, spirits of the wind, water, and woods inhabit this book of Ojibwa myths, exquisitely illustrated by Maxine Noel, a member of Oglala Sioux.

While Black-Figure and Red-Figure vases appear in the CVA volumes, this catalogue presents 326 examples of other Greek painted traditions, ranging from the Aegean Bronze Age to the 1st century BC. The types range from regular shapes (hydria, kraters, aryballoi and so on) to some truly weird vases in the shapes of legs and helmeted heads. Extensive descriptions and crisp photos.

The shallow-shelf carbonates of the Lower Border group and equivalent strata of the Northumberland trough have yielded conodont elements belonging to 28 multielement species. Study of these cavusgnathid-dominated faunas highlights the need for major revision of the Cavusgnathidae. Cloghergnatus globenskii Austin is an ecophenotype of Taphrognathus varians Branson and Mehl; Cloghergnathus Austin is ajunior synonym of Taphrognathus Branson and Mehl, Capricornognathus Austin appears to be a junior synonym of Patrognathus Rhodes, Austin, and Druce. The appartuses of Cavusgnathus hudsoni (Metcalfe), Taphrognathus varians, Polygnathus mehli Thompson, and Apatognathus cuspidatus Varker are described for the first time. Patrognathus capricornis (Druce), Mestognathus beckmanni Bischoff, Polygnathus bischoffi Rhodes, Austin, and Druce, and "Apatognathus" sp. a are partially reconstructed. The assignment of C. hudsoni to Cavusgnathus extends the range of the genus into the Tournaisian Series in Britain.

A non-fiction book for children

The Scollard Formation is the uppermost division of the Edmonton Group, exposed in the valley of Red Deer River, Alberta, north of Drumheller and east of Red Deer. The lower portion of the formation contains fossil vertebrates, including dinosaurs and mammals that correlate with those of the Lance Formation of Wyoming and the Hell Creek Formation of Montana. The highest stratigraphic occurrence of this fauna is at the Henry Farm locality, west of Content Bridge, where a wide range of vertebrates is represented by isolated teeth and bones. This occurrence is well below the Ardley coal seam. Above this seam is a shell bed containing a fauna of freshwater molluscs, ostracods, and fish remains. The molluscs correlate with those of the Paskapoo and other nonmarine Paleocene formations, but one species is known elsewhere only from Cretaceous deposits. This fauna is assigned to the early Paleocene. On the basis of the highest occurence of dinosaur fossils, the Cretaceous-Tertiary boundary is taken to be about 11 m below the Ardley coal seam and about 20 m below the shell bed.

This catalogue traces black-glaze'' ceramics from the early Ionion cups'', through the true black-glaze'' of Classical Athens and its derivatives, to Roman Republican Campana wares and other Greek and Italian pots with added paint, including Gnathia ware. In his descriptions and introduction the author shows how disparate the types commonly referred to as black glaze'' really are. The 295 examples are well illustrated in line drawings and b/w photos.

Study of the fossil fauna of the Delorme platform facies of dolostone and argillaceous limestone in the Mackenzie mountains of Yukon.

Conodonts have been recovered from two sections through the Cambrian-Ordovician boundary beds of the upper Rabbitkettle Formation, near the headwaters of the Broken Skull River, western Mackenzie Mountains. This report contributes towards a biofacies evaluation of Cambrian-Ordovician boundary bed conodonts and illustrates the probable limitations on a highly resolved conodont-based correlation of this interval between strongly constrasting lithofacies.