New Releases by Russell Banks

From one of America's most celebrated storytellers come three dark, interlocking tales about the residents of a rural New York town, and the shocking headlines that become their local mythologies. A husband sells property to a mysterious, temperamental stranger, and is hounded on social media when he publicly questions the man's character. A couple grow concerned when an enigmatic family move next door, and the children start sneaking over to beg for help. Two dangerous criminals kidnap an elderly couple and begin blackmailing their grandson, demanding that he pay back what he owes them. Suspenseful, thrilling, and expertly crafted, American Spirits explores the hostile undercurrents of our communities and politics at large, as well as the ways local tragedies can be both devastating and, somehow, everyday. Ushering the reader through the town of Sam Dent, Russell Banks has etched yet another brilliant entry into the bedrock of American fiction.

From one of America’s most beloved storytellers: a dazzling tapestry of love and faith, memory and imagination that questions what it means to look back and accept one’s place in history. In 1971, Harley Mann revisits his childhood, recounting his family's move to Florida’s swamplands—mere miles away from what would become Disney World—to join a community of Shakers. “Eerily timely. Can what’s gone wrong in the past offer keys to the future? The Magic Kingdom confronts our longings for Paradise; also the inner serpents that are to be found in all such enchanted gardens.” —Margaret Atwood, author of The Testaments, via Twitter Property speculator Harley Mann begins recording his life story onto a reel-to-reel machine, reflecting on his youth in the early twentieth century. He recounts that after his father’s sudden death, his family migrated down to Florida to join a Shaker colony. Led by Elder John, a generous man with a mysterious past, the colony devoted itself to labor, faith, and charity, rejecting all temptations that lay beyond the property. Though this way of life initially saved Harley and his family from complete ruin, when Harley began falling in love with Sadie Pratt, a consumptive patient living on the grounds, his loyalty to the Shakers and their conservative worldview grew strained and, ultimately, broke. As Harley dictates his story across more than half a century—meditating on youth, Florida’s everchanging landscape, and the search for an American utopia—the truth about Sadie, Elder John, and the Shakers comes to light, clarifying the past and present alike. With an expert eye and stunning vision, Russell Banks delivers a wholly captivating portrait of a man navigating Americana and the passage of time.

Au seuil de la mort, le célèbre documentariste Leonard Fife, qui a fui au Canada pour éviter la conscription pendant la guerre du Vietnam, accepte l'interview souhaitée par son disciple Malcolm. Il exige le noir complet sur le plateau ainsi que la présence constante de sa femme. Après une vie de mensonges, il entend lever le voile sur ses secrets mais sa confession ne se déroule pas comme prévu.

The inspiration for the Major Motion Picture O, Canada directed by Paul Schrader and starring Richard Gere, Uma Thurman, Jacob Elordi, and Michael Imperioli. A searing novel about memory, abandonment, and betrayal from the acclaimed and bestselling Russell Banks "During a career stretching almost half a century, Russell Banks has published an extraordinary collection of brave, morally imperative novels. . . . In this complex and powerful novel, we come face to face with the excruciating allure of redemption." —Washington Post At the center of Foregone is famed Canadian American leftist documentary filmmaker Leonard Fife, one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Fife, now in his late seventies, is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologize his mythologized life. The interview is filmed by his acolyte and ex–star student, Malcolm MacLeod, in the presence of Fife’s wife and alongside Malcolm’s producer, cinematographer, and sound technician, all of whom have long admired Fife but who must now absorb the meaning of his astonishing, dark confession. Imaginatively structured around Fife’s secret memories and alternating between the experiences of the characters who are filming his confession, the novel challenges our assumptions and understanding about a significant lost chapter in American history and the nature of memory itself. Russell Banks gives us a daring and resonant work about the scope of one man’s mysterious life, revealed through the fragments of his recovered past.

“Banks’s narrative seductively juxtaposes rambles through lush volcanic mountains, white sand beaches and coral reefs with a barrage of memories of the hash he’s made of his private life.” —The New York Times Book Review Now in his mid-seventies, Russell Banks has indulged his wanderlust for more than half a century. This longing for escape has taken him from the “bright green islands and turquoise seas” of the Caribbean islands to peaks in the Himalayas, the Andes, and beyond. In each of these remarkable essays, Banks considers his life and the world. In Everglades National Park this “perfect place to time-travel,” he traces his own timeline. Recalling his trips to the Caribbean in the title essay, “Voyager,” Banks dissects his relationships with the four women who would become his wives. In the Himalayas, he embarks on a different quest of self-discovery. “One climbs a mountain not to conquer it, but to be lifted like this away from the earth up into the sky,” he explains. Pensive, frank, beautiful, and engaging, Voyager brings together the social, the personal, and the historical, opening a path into the heart and soul of this revered writer.

In the aftermath of the Second World War, Churchill sought to lead Europe into an integrated union, but just over seventy years later, Britain is poised to vote on leaving the EU. Benjamin Grob-Fitzgibbon here recounts the fascinating history of Britain's uneasy relationship with the European continent since the end of the war. He shows how British views of the United Kingdom's place within Europe cannot be understood outside of the context of decolonization, the Cold War, and the Anglo-American relationship. At the end of the Second World War, Britons viewed themselves both as the leaders of a great empire and as the natural centre of Europe. With the decline of the British Empire and the formation of the European Economic Community, however, Britons developed a Euroscepticism that was inseparable from a post-imperial nostalgia. Britain had evolved from an island of imperial Europeans to one of post-imperial Eurosceptics.

Since 1984, Literary Arts has welcomed many of the world's most renowned authors and storytellers to its stage. In celebration of their thirty-year anniversary, Tin House Books has collected highlights from the series in a single volume. Since 1984, Literary Arts has welcomed many of the world’s most renowned authors and storytellers to its stage for one of the country’s largest lectures series. Sold-out crowds congregate at Portland’s Arlene Schnitzer Concert Hall to hear these writers’ discuss their work and their thoughts on the trajectory of contemporary literature and culture. In celebration of Literary Arts’ thirty-year anniversary, Tin House Books has collected highlights from the series in a single volume. Whether it’s Wallace Stegner exploring how we use fiction to make sense of life or Ursula K. Le Guin on where ideas come from, Margaret Atwood on the need for complex female characters or Robert Stone on morality and truth in literature, Edward P. Jones on the role of imagination in historical novels or Marilynne Robinson on the nature of beauty, these essays illuminate not just the world of letters but the world at large.

The underlying theme of this story is the attraction of violence. The attraction to violence by young men who feel disconnected or under threat in their society and the particular attraction such men can have for women. The attraction between the two protagonists develops into a tense thriller and a love story which becomes threaded with suspicion and mistrust. Although the story is located in Ireland the issues raised have a universal resonance. It also illuminates two voices in the Irish conflict often misunderstood or dismissed, namely the partitionist voice in the south of Ireland which does not want a United Ireland, and the loyalist voice in Northern Ireland.

“Banks has skillfully used his repertoire of contemporary techniques to write a novel that is classically American—a dark, but sometimes funny, romance with echoes of Poe and Melville.” — Washington Post "A marvelously written little book, fascinatingly intricate, yet deceptively simple. Well worth reading more than once." — New York Times Book Review From acclaimed author Russell Banks comes a work of fiction utilizing a form invented in the seventeenth century by imprisoned Puritan divines Designed to be exemplary, works of this type were aimed at brethren outside the prison walls and functioned primarily as figurative dramatizations of the tests of faith all true believers must endure. These “relations,” framed by scripture and by a sermon explicating the text, were usually read aloud in weekly or monthly installments during religious services. Utterly sincere and detailed recountings of suffering, they were nonetheless highly artificial. To use the form self-consciously, as Banks has done, is not to parody it so much as to argue good-humoredly with the mind it embodies, to explore and, if possible, to map the limits of that mind, the more intelligently to love it.

"A truly excellent novel. . . . The morbidly fascinating little twists of human existence are all here: love, sex, life and death, beauty and horror—the works." — Chicago Sun-Times In The Book of Jamaica, Russell Banks explores the complexities of political life in the Caribbean and its ever-present racial conflicts. His narrator, a thirty-five-year-old college professor from New Hampshire, goes to Jamaica to write a novel and soon becomes embroiled in the struggles between whites and Blacks. He is especially interested in an ancient tribe called the Maroons, descendants of the Ashanti, who had been enslaved by the Spanish and then fought the British in a hundred-year war. Despite this history of oppression, the Maroons have managed to maintain a relatively autonomous existence in Jamaica. Partly out of guilt and an intellectual sense of social responsibility, Banks's narrator gets involved in reuniting two clans who have been feuding for generations. Unfortunately, his attempt ends in disaster, and the narrator must deal with his feelings of alienation, isolation, and failure.

In Family Life, Russell Banks's first novel, he transforms the dramas of domesticity into the story of a royal family in a mythical contemporary kingdom. Life inside this kingdom includes the king (dubbed "the Hearty" or "the Bluff"), who squeals angrily as is his wont; the queen, who, while pondering the mirror in her chambers, decides to write a book; three adolescent princes who are, respectively, a superb wrestler, a fanatical sports car driver, and a sullen drunk. Then there are the mysterious Green Man with a thing for princes; the Loon, who lives in a tree house designed by Christopher Wren; and a whole slew of murders, mayhem, coups, debauches, world tours, and love and loss and laughter.

A collection of short stories from the contemporary American master whom the New York Times declared "the most compassionate fiction writer working today." Suffused with Russell Banks’s trademark lyricism and reckless humor, the twelve stories in A Permanent Member of the Family examine the myriad ways we try—and sometimes fail—to connect with one another, as we seek a home in the world. In the title story, a father looks back on the legend of the cherished family dog whose divided loyalties mirrored the fragmenting of his marriage. “A Former Marine” asks, to chilling effect, if one can ever stop being a parent. And in the haunting, evocative “Veronica,” a mysterious woman searching for her daughter may not be who she claims she is. Moving between the stark beauty of winter in upstate New York and the seductive heat of Florida, Banks’s acute and penetrating collection demonstrates the range and virtuosity of both his narrative prowess and his startlingly panoramic vision of modern American life.

Hamilton Stark is a New Hampshire pipe fitter and the sole inhabitant of the house from which he evicted his own mother. He is the villain of five marriages and the father of a daughter so obsessed that she has been writing a book about him for years. Hamilton Stark is a boor, a misanthrope, a handsome man: funny, passionately honest, and a good dancer. The narrator, a middle-aged writer, decides to write about Stark as a hero whose anger and solitude represent passion and wisdom. At the same time that he tells Hamilton Stark's story, he describes the process of writing the novel and the complicated connections between truth and fiction. As Stark slips in and out of focus, maddeningly elusive and fascinatingly complex, this beguiling novel becomes at once a compelling meditation on identity and a thoroughly engaging story of life on the cold edge of New England.

An Omnibus Edition of Three Classic Early Novels from the Critically Acclaimed Author of Cloudsplitter and Affliction Family Life: Russell Banks's first novel is an adult fairy tale of a royal family in a mythical contemporary kingdom where the myriad dramas of domesticity blend with an outrageous slew of murders, mayhem, coups, debauches, world tours, and love in all guises, transcendent or otherwise. Hamilton Stark: This tale of a solitary, boorish, misanthropic New Hampshire pipe fitter—the sole inhabitant of the house from which he evicted his own mother—is at once a compelling meditation on identity and a thoroughly engaging story of life on the cold edge of New England. The Relation of My Imprisonment: Utilizing a form invented by imprisoned seventeenth-century Puritan divines—an utterly sincere and detailed, if highly artificial, recounting of great suffering—Banks's novel is a remarkably inventive, lovingly good-humored argument, exploration, and map of the caged religious mind.

In Sucess Stories, an exceptionally varied yet coherent collection, Russell Banks proves himself one of the most astute and forceful writers in America today. Queen for a Day, Success Story, and Adultery trace fortunes of the Painter family in there pursuit of and retreat from the American dream. Banks also explores the ethos of rampant materialism in a group of contemporary moral fables. The Fish is an evocating parable of faith and greed set in a Southeast Asian village, The Gully tells of the profitability of violence and the ironies of upward mobility in a Latin American shantytown, and Chrildren's Story explores the repressed rage that boils beneath the surface of relationships between parents and children and between citizens of the first and third worlds.

The author of Continental Drift, Rule of the Bone and The Sweet Hereafter returns with a very original, riveting mystery about a young outcast, and a contemporary tale of guilt and redemption. The perfect convergence of writer and subject, Lost Memory of Skin probes the zeitgeist of a troubled society where zero tolerance has erased any hope of subtlety and compassion. Suspended in a modern-day version of limbo, the young man at the centre of Russell Banks's uncompromising and morally complex new novel must create a life for himself in the wake of incarceration. Known in his new identity only as the Kid, he is shackled to a GPS monitoring device and forbidden to go near where children might gather. He takes up residence under a south Florida causeway, in a makeshift encampment with other convicted sex offenders. Barely beyond childhood himself, the Kid, despite his crime, is in many ways an innocent. Enter the Professor, a university sociologist of enormous size and intellect who finds in the Kid the perfect subject for his research. But when the Professor's past resurfaces and threatens to destroy his carefully constructed world, the balance in the two men's relationship shifts. Banks has long been one of our most acute and insightful novelists. Lost Memory of Skin is a masterful work of fiction that unfolds in language both powerful and beautifully lyrical.

A triumph of the imagination, rich in incident and beautiful in its detail, Cloudsplitter brings to life one of history's legendary figures--John Brown, whose passion to abolish slavery lit the fires of the American Civil War in a conflagration that changed civilization.

Throughout his career as a novelist, Banks has also been a master of the short form, publishing four story collections, and winning O. Henry and Best American Short Story Awards and other prizes. Now with The Angel on the Roof, he offers readers an astonishing collection of thirty years of short fiction, resonant with irony and compassion, honesty and insight, extending into the vast territory of the heart and world, from working-class New England to Florida, the Caribbean and Africa. Along with nine new stories that are among the finest fiction he has ever written, he has selected the best from his collections and revised them for this volume.

In this compelling novel – a cross between Lady Chatterley’s Lover and The Aviator – the acclaimed modern master takes us to riveting new territory. Part love story, part murder mystery, Russell Banks’s The Reserve is as gripping as it is beautifully written, set in a pre-WWII world of class, politics, art, love and madness. Vanessa Cole is a stunningly beautiful and wild heiress, her parents’ adopted only daughter. Twice-married, she has been scandalously linked to rich and famous men. On the night of July 4, 1936, inside the Cole family’s remote Adirondack Mountain enclave, known as the Reserve, Vanessa will lose her father to a heart attack – and meet Jordan Groves, a seductively carefree local artist whose leftist political loyalties to his working class neighbours are undercut by his wealth and his clientele. Jordan is easy prey for Vanessa’s electrifying charm. But the heiress carries a dark family secret. Unhinged by her father’s unexpected death, she begins to spin out of control, manipulating and destroying the lives of all who cross her path. Moving from the secluded beauty of the Adirondacks to war-torn Spain and fascist Germany, filled with characters that pierce the heart, The Reserve is a passionately romantic novel of suspense and drama that adds a new dimension to this acclaimed author’s extraordinary repertoire.

With America ever under global scrutiny, Russell Banks contemplates the questions of our origins, values, heroes, conflicts, and contradictions. He writes with conversational ease and emotional insight, drawing on contemporary politics, literature, film, and his knowledge of American history.

“After many years of believing that I never dream of anything, I dreamed of Africa.” Over a decade after leaving her three sons behind in Liberia, Hannah Musgrave realizes she has to leave her farm in the Adirondacks and find out what has happened to them and the chimpanzees for whom she created a sanctuary. The Darling is the story of her return to the wreckage of west Africa and the story of her past, from her middle-class American upbringing to her years in the Weather Underground. It is also one of the most powerful novels of the decade, an unforgettable tale of growth and loss, and an unstinting exploration of some of the most troubling issues of our time: terrorism, race, and the contact between the first world and the third. Hannah Musgrave, the narrator of The Darling, tells us she first travelled to Africa in the mid-1970s, to escape prosecution for her radical political activities with the Weathermen. Arriving in Liberia to work in a medical research lab, Hannah – also known by her alias, Dawn Carrington – meets Woodrow Sundiata, an official in the ministry of public health, and they fall immediately in love. Courting with Woodrow, an intelligent, ambitious man, means encountering his other life in his ancestral village of Fuama – a life that could scarcely be more different from Hannah’s affluent childhood as the daughter of a bestselling pediatrician. Hannah and Woodrow start a family, but she feels herself to be somehow estranged from her life in Liberia and curiously detached from her husband and three sons. Still in search of herself as her children grow older, Hannah develops a closer and closer bond with the chimpanzees at the lab, whom she calls “dreamers.” During the early 1980s, Liberian society grows more unstable, until an illiterate soldier named Samuel Doe brutally overthrows and assassinates the president. Hannah’s courageous intervention with Doe leads to Woodrow’s release from detention, but at a price: she must return to the US, leaving her family behind. Hannah feels that her dreamers will feel her absence more deeply than her family will. In the US Hannah briefly reconnects with her parents after years of estrangement before returning to her friends from her underground years. One of them, Zack Procter, is involved with a plan to spring Charles Taylor – an attractive Liberian politician – from jail, and Hannah involves herself with the plot, genuinely believing that Taylor will bring social democracy to west Africa. Hannah gets permission to return to her family in the mid-1980s, and decides that this time things will be different: she will take charge of her home life, ousting Woodrow’s young cousin Jeanette, and she will build a sanctuary for her chimpanzees. But Charles Taylor has also returned, and his slow and bloody rebellion against Doe leads, eventually, to a night of horrific violence in which Woodrow is murdered and Hannah’s teenaged children disappear. Amidst chaos and almost unbelievable bloodshed, Hannah has time only to move her dreamers to Boniface Island before facing the heartrending decision to escape Liberia, leaving her children behind. More than ten years will pass before she can return to discover their fate, and understand her own.

Chappie is a punked-out teenager rejected by his mother and abusive stepfather. Out of school and in trouble with the police, he drifts through crash pads, doper squats, and malls until he finally settles in an abandoned school bus with Rose, a seven-year-old child, and I-Man, an exiled Rastafarian who will dramatically change his life. Together they begin an amazing journey...

Over thirty years of interviews with the author of The Sweet Hereafter, Affliction, and the Pulitzer Prize finalist Cloudsplitter

A cinquante-neuf ans, Hannah Musgrave revient sur sa vie de jeune bourgeoise américaine contrainte par son engagement révolutionnaire à prendre la fuite vers l'Afrique au début des années 1970. Ayant tenté sa chance au Liberia, elle s'y est mariée à un bureaucrate local appartenant à une tribu puissante et promis à une brillante carrière politique. Quelques années plus tard, elle a, en catastrophe, repris le chemin de l'Amérique, laissant là leurs trois enfants, fuyant la guerre civile qui enflammait le pays. Au moment où commence ce livre, Hannah quitte sa ferme "écologique" des Adirondacks, car ce passé sans épilogue la pousse à retourner en Afrique... Evocation passionnante d'une turbulente période de l'histoire des Etats-Unis comme du destin d'un pays méconnu, le Liberia, le roman de Russell Banks tire sa force exceptionnelle de la complexité de son héroïne, et d'un bouleversant affrontement entre histoire et fiction.

When we first meet him, Chappie is a punked-out teenager living with his mother and abusive stepfather in an upstate New York trailer park. During this time, he slips into drugs and petty crime. Rejected by his parents, out of school and in trouble with the police, he claims and he gets a cross and bones tattoo on his arm, and adopts the moniker "Bone." He finds refuge with a group of biker-thieves, and then hides in a boarded-up summer house. Der 14-jährige Chappie schlägt sich allein durchs Leben, bis er dem schwarzen Rastafari I-man begegnet. Sein neuer Freund bringt ihm alles Wissenswerte über Hanfanbau, das Ich und den Kosmos im Allgemeinen bei. Die beiden brechen nach Jamaica auf - getragen von ihrer Abenteuerlust und dem festen Willen zu überleben ...

Raising serious philosophical questions about terrorism, political violence, and the clash of races and cultures, this political/historical thriller is Russell Banks at his best.

In this unique collaboration Arturo Patten, one of the most important portrait photographers of our time, and acclaimed writer Russell Banks visit the hardscrabble north country of Patten, Maine, to study its inhabitants. Patten's haunting portraits of the town's residents evoke characters who exist in Russell Banks's fiction. Banks, the author of Cloudsplitter, The Sweet Hereafter, and Affliction, observes Patten's "characters" from his remote cabin in the Adirondack hills of upstate New York, where he surrounds himself with the thirty-seven portraits and contemplates what they tell us about Patten, Maine, about portraiture, and ultimately about ourselves. The Invisible Stranger, therefore, becomes nothing less than a meditation on what it means to be human. By becoming the "invisible stranger" and obscuring himself behind the camera's lens, Patten allows his subjects to emerge and then presents them to the viewer, who, seeing these individuals, also sees himself. Banks, too, acts as the "invisible stranger," studying the townspeople from hundreds of miles away and reflecting on the complex relationships between photographer and subject, subject and observer. Taken together, Patten's portraits and Banks's commentary offer a dramatic and provocative combination of word and image.