New Releases by William Nicholson

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In "The Doubts of Infidels," William Nicholson crafts a thought-provoking exploration of faith, skepticism, and the intricate intersections between belief systems. The narrative employs a blend of rich prose and incisive dialogue, engaging readers in a philosophical discourse that examines the foundations of religion and individual conviction. Set against a backdrop of historical and contemporary debates, Nicholson'Äôs literary style melds character-driven storytelling with dispassionate analysis, encouraging readers to reflect on the complexities of belief and doubt in a rapidly changing world. William Nicholson, an accomplished novelist and playwright, brings to this work a deep understanding of the human condition'Äîa trait honed through his diverse career spanning literature and theater. His ability to articulate nuanced philosophical questions likely stems from his own inquiries into belief and meaning, influenced by various literary traditions and personal experiences. Nicholson's thoughtful engagement with themes of faith versus reason illuminates the timeless struggle between adherence and skepticism, drawing from his rich literary background. This book is recommended for anyone intrigued by the philosophical dilemmas surrounding faith and reason. Whether you are a believer, skeptic, or somewhere in between, "The Doubts of Infidels" invites you to confront your own assumptions, making it a vital addition to contemporary discussions on belief.

The third and final book in William Nicholson's award-winning epic fantasy series, Wind on Fire. 'Gloriously cinematic and completely enthralling' - Independent "I hate school! I hate ratings! I won't reach higher! I won't strive harder! I won't make tomorrow better than today!" In the walled city state of Aramanth, rules are everything. When Kestrel Hath dares to rebel, the Chief Examiner humiliates her father and sentences the whole family to the harshest punishment. Desperate to save them, Kestrel learns the secret of the wind singer, and she and her twin brother, Bowman, set out on a terrifying journey to the true source of evil that grips Aramanth . . . Fantasy books for children don't get more spectacular than The Wind Singer. Since first publication, William Nicholson's Wind on Fire trilogy has been translated into over 25 languages and won prizes including the Blue Peter Book Award and Smarties Prize Gold Award. One of the greatest writers of our time, William Nicholson's has not only sold millions of children's books worldwide, he also written for the screen and the stage, including the Oscar-winning film Gladiator and the BAFTA-winning play Shadowlands.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

From an Oscar-nominated screenwriter, “a wonderfully smooth, sinuous, enigmatic, and sexy tale of two love affairs” (Providence Journal) set in Amherst and illuminated by the presence of Emily Dickinson. Alice Dickinson, a young advertising executive in London, decides to take time off work to research her idea for a screenplay: the true story of the scandalous, adulterous love affair between Emily Dickinson’s married brother, Austin, and a young, Amherst College faculty wife named Mabel Loomis Todd. Austin, twenty-four years Mabel’s senior and the college treasurer, lived next door to his reclusive sister, who allowed her home to be used for Austin and Mabel’s trysts. Alice travels to Amherst, staying in the house of Nick Crocker, a married English academic in his fifties. As Alice researches Austin and Mabel’s story and Emily’s role in their affair, she embarks on her own affair with Nick, an affair that, of course, they both know echoes the one that she’s writing about. Using the poems of Emily Dickinson throughout, historically accurate and meticulously recreated from their voluminous letters and diaries, “William Nicholson deftly weaves Mabel’s story with Alice’s, shedding light on the timeless longing, lust, and loneliness of love” (People). Amherst is a provocative and remarkable novel: “The poetry and history go down easy, the lovers fall hard, and the tragic, treacherous terrain of romantic entanglement is well explored” (Elle).

"Summer, 1942. Kitty, an army driver stationed in Sussex, meets Ed, a Royal Marine commando, and Larry, a liaison officer with Combined Ops. She falls instantly in love with Ed, who falls in love with her. So does Larry. Both men go off to war, and Ed wins the highest military honor for his bravery. But sometimes heroes don''t make the best husbands. [This novel] follows Kitty, Ed, and Larry from wartime England and the brutally tragic Dieppe raid to Nazi-occupied France, India after the war, and Jamaica before independence. Against this ever-changing backdrop--as they witness history being made and participate in the smaller dramas of romance, friendship, and parenthood--these three friends make choices that will determine the challenges and triumphs of their lives"--Dust jacket flap.

"Laura is a happily married mother of two. But when her college boyfriend resurfaces after twenty years, she''s forced to compare the passion of that first love with the domesticity of her suburban life in a gentrified English village. What if she''d stayed with him? Would she be happier? And what is happiness, really?"--P. 4 of cover.

“He has nowhere to go. So he goes there.” T o escape the pressures of family life and alienation from his contemporaries, the unnamed narrator of this existential novel heads out from home to hitchhike without destination. But his journey soon turns into an orgy of violence. A truck picks him up and soon we are at a checkpoint in some totalitarian European state riddled with terrorists. The driver hands the narrator a slip of paper and then tells him to jump — he does, just before the driver is shot and the truck is blown up, revealing its cargo of books. Thus begins a novel that is part spy story, part philosophical treatise — one that sweeps the reader along. Hypnotic, intellectually challenging, with all the pace and thrust of a thriller, The Society of Others introduces an important novelist with a long career ahead.

Seeker, who is obsessed with his increasingly perilous quest to kill the last of the Old Ones, finds that his mission has placed him at odds with a new leader who preaches peace and joy.

Having been rejected by the Nomana--the revered warrior-monk order they long to join--sixteen-year-olds Seeker and Morning Star, along with a curious pirate named Wildman, attempt to prove that they are worthy of joining the community, after all.

When the ruthless soldiers of the Mastery strike, the Manth people are taken into slavery. Kestral is separated from her brother Bowman and must find him again, while Bowman must learn the secrets of the Singer people. Only then will they break the power of the Mastery.

The celebrated author of Shadowlands tells the powerful story of a husband who decides to be truthful in his marriage, and of the wife and son whose lives will never be the same again. “A finely perceptive, eloquently tender and exquisite new play.” —New York How well do we know the people we marry? Is it wrong to decide it’s time to be honest? Is love enough to save a family? Edward and Alice have been married for thirty-three years. He is a teacher at a boys school, perfectly at home with his daily crossword and lately engrossed in reading about Napoleon’s costly invasion of Moscow. She is an observant Catholic, exacting and opinionated, and has been collecting poems about lost love for a new anthology. Jamie, their diffident thirty-two year old son, is visiting for the weekend when Edward announces he has met another woman. With the coiled intensity of Tom Stoppard’s The Real Thing and the embracing empathy of Edward Albee’s best family dramas, The Retreat from Moscow shines a breathtakingly natural light on the fallout of a shattered marriage.

Fifteen-year-old Bowman uses his newly-discovered powers to join with his twin sister Kestrel in an attempt to liberate their people from the "beautiful but cruel" civilization which has enslaved them.

In Aramanth, exams are everything. When Kestrel rebels, her family are sentenced to the harshest punishment. To save them, Kestrel learns the secret of the wind singer and she sets out to discover the true source of the evil that grips Aramanth

In his first novel for young adults, Nicholson blends fast-paced adventure, suspense, humor, and warmth. With its unforgettable characters and vivid, magical world, "The Wind Singer" is the exciting beginning to a compelling new fantasy trilogy.

Kestrel Hath's schoolroom rebellion against the stifling caste system of Aramanth leads to explosive consequences for her and her family: they are relegated to the city's lowest caste and are ostracized. With nothing left to lose, Kestrel and her twin brother, Bowman, do the unthinkable: they leave the city walls. Their only hope to rescue the rest of their family is to find the key to the wind singer, a now-defunct device in the city's center, which was once the course of happiness and harmony in Aramanth. But the key was given to an evil spirit-lord, the Morah, in exchange for the Morah's calling off its terrible army of Zars. Armed with desperate bravery, wits, and determination, Kestrel, Bowman, and a tagalong classmate set off to find the key. Along the way they meet allies and foes, but in order to succeed in their quest, they must face the most sinister force of all: the powerful Morah.

Features the letters of the alphabets with lithographs based on the original woodcut portraits of characters like: a dandy, a publican, a quaker, an urchin, a lady, etc.