New Releases by William Nicholson

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Originally published in 1922, The Velveteen Rabbit has delighted young readers for nearly a century. The story follows a young boy who’s given a stuffed rabbit as a Christmas gift. After the rabbit befriends other nursery toys, he comes to the realization that he wants to become a real rabbit. Eventually, the boy becomes ill and is relocated; his room is then disinfected and all the boy’s toys are thrown out, including the velveteen rabbit. The rabbit sheds a real tear causing a fairy to appear and turn him into a real rabbit. In 2007, the book was named one of “Teachers’ Top 100 Books for Children” by the National Education Association. This elegant, affordable edition includes beautiful, full-color illustrations throughout the book from the original illustrator, William Nicholson. Each image accompanies the text to enhance young readers’ experience and immerse them in this captivating story. Reprinted hundreds of times since its initial publication, The Velveteen Rabbit is a timeless children’s classic lets young readers experience the true magic of friendship, love, and being honest with oneself.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

We are proud to introduce seven powerful, original, and irresistible novels coming in 2013 from Simon & Schuster: The Love Song of Jonny Valentine, Y, Middle Men, Motherland, The Why of Things, The Gravity of Birds, and Snow Hunters. This sample features exclusive excerpts, interviews with the writers, and commentary from the books’ editors. · In The Love Song of Jonny Valentine by Teddy Wayne, an eleven-year-old pop megastar searches for his identity in the dark heart of America''s monstrous obsession with fame. · Marjorie Celona’s highly acclaimed and exquisitely rendered debut, Y, follows a wise-beyond-her-years foster child abandoned as a newborn on the doorstep of the local YMCA. · From an Academy Award-nominated screenwriter, Motherland is a powerful story of a love triangle set in England, France, India, and Jamaica against the backdrop of World War II. · In Middle Men, Stegner Fellow and New Yorker contributor Jim Gavin delivers a hilarious and panoramic vision of California, portraying a group of men, from young dreamers to old vets, as they make valiant forays into middle-class respectability. · Tracy Guzeman''s compelling debut novel, The Gravity of Birds, follows the ordeal of an art authenticator and an art historian employed by a famous, reclusive painter to sell a never-before-seen portrait, leading them to discover devastating secrets two sisters have kept from each other, and from the artist. · In Snow Hunters, an elegant, haunting, and highly anticipated debut novel from 5 Under 35 National Book Foundation honoree Paul Yoon, a North Korean war refugee confronts the wreckage of his past. · From the critically acclaimed author of December comes The Why Of Things, a buoyant and beautiful new novel about a family struggling in the aftermath of a suicide. Each author is an accomplished artist and has created a lasting work you’ll want to read and relish and talk about.

“He has nowhere to go. So he goes there.” T o escape the pressures of family life and alienation from his contemporaries, the unnamed narrator of this existential novel heads out from home to hitchhike without destination. But his journey soon turns into an orgy of violence. A truck picks him up and soon we are at a checkpoint in some totalitarian European state riddled with terrorists. The driver hands the narrator a slip of paper and then tells him to jump — he does, just before the driver is shot and the truck is blown up, revealing its cargo of books. Thus begins a novel that is part spy story, part philosophical treatise — one that sweeps the reader along. Hypnotic, intellectually challenging, with all the pace and thrust of a thriller, The Society of Others introduces an important novelist with a long career ahead.

How well do we know the people we marry? Is it wrong to decide it’s time to be honest? Is love enough to save a family? In The Retreat from Moscow, William Nicholson, the celebrated author of Shadowlands, tells the powerful story of a husband who decides to be truthful in his marriage, and of the wife and son whose lives will never be the same again. Edward and Alice have been married for thirty-three years. He is a teacher at a boys school, perfectly at home with his daily crossword and lately engrossed in reading about Napoleon’s costly invasion of Moscow. She is an observant Catholic, exacting and opinionated, and has been collecting poems about lost love for a new anthology. Jamie, their diffident thirty-two year old son, is visiting for the weekend when Edward announces he has met another woman. With the coiled intensity of Tom Stoppard’s The Real Thing and the embracing empathy of Edward Albee’s best family dramas, The Retreat from Moscow shines a breathtakingly natural light on the fallout of a shattered marriage.

Seeker, who is obsessed with his increasingly perilous quest to kill the last of the Old Ones, finds that his mission has placed him at odds with a new leader who preaches peace and joy.

Seeker, the Wildman, and Morning Star discover that the mysterious warrior sect they had been so desperate to join is not quite what it appears from the outside.

Having been rejected by the Nomana--the revered warrior-monk order they long to join--sixteen-year-olds Seeker and Morning Star, along with a curious pirate named Wildman, attempt to prove that they are worthy of joining the community, after all.

"Bron is a thirty-year-old writer living in London, a seemingly incurable heartbreaker and dodger of commitment. He is fascinated by the symbolist artist Paul Marotte and has made the artist the center of a book he is writing about love at first sight. On a visit to a friend''s country house, Bron enounters the beautiful, enigmatic Flora, and suddenly the theme of his book takes on a completely new, intensely personal dimension."--Jacket.

After Kestrel Hath rebels against the stifling rules of Amaranth society and is forced to flee, she, along with her twin brother and a tagalong classmate, follow an ancient map in quest of the legendary silver voice of the wind singer, in an attempt to heal Amaranth and its people.

In Aramanth, exams are everything. When Kestrel rebels, her family are sentenced to the harshest punishment. To save them, Kestrel learns the secret of the wind singer and she sets out to discover the true source of the evil that grips Aramanth

William Nicholsons Tony nominated stage adaptation of his award-winning BBC Teleplay relates the story of shy Oxford don and childrens author C.S. Lewis and American poet Joy Gresham. Shadowlands shows how love, and the risk of loss, transformed this great mans relationships, even with God. A full-cast production featuring: Arthur Hanket, Harriet Harris, Nicholas Hormann, Martin Jarvis, Christopher Neame, Kenneth Schmidt and W. Morgan Sheppard.

October 2001