Search "Ernest Hemingway"

Ernest Hemingway lived in Cuba for more than two decades, longer than anywhere else. He bought a home—naming it the Finca Vigia—with his third wife, Martha Gellhorn and wrote his masterpiece The Old Man and the Sea there. In Cuba, Papa Hemingway found a sense of serenity and enrichment that he couldn’t find anywhere else. Now, through more than a hundred color photographs and accompanying text, Robert Wheeler takes us through the streets and near the water’s edge of Havana, and closer to the relationship Hemingway shared with the Cuban people, their landscape, their politics, and their culture. Wheeler has followed Hemingway’s path across continents—from La Closerie des Lilas Café in Paris to Sloppy Joe’s Bar in Key West to El Floridita in Havana—seeking to capture through photography and the written word the essence of one of the greatest writers in the English language. In Hemingway’s Havana, he reveals the beauty and the allure of Cuba, an island nation whose deep connection with the sea came to fascinate and inspire the writer. The book includes a foreword by América Fuentes who is the granddaughter of the late Gregorio Fuentes, the captain of Hemingway’s boat Pilar and his loyal and close friend.

Now including a foreward by Bill Buford and photographs of Gellhorn with Hemingway, Dorothy Parker, Madame Chiang Kai-shek, Gary Cooper, and others, this new edition rediscovers the voice of an extraordinary woman and brings back into print an irresistibly entertaining classic. "Martha Gellhorn was so fearless in a male way, and yet utterly capable of making men melt," writes New Yorker literary editor Bill Buford. As a journalist, Gellhorn covered every military conflict from the Spanish Civil War to Vietnam and Nicaragua. She also bewitched Eleanor Roosevelt''s secret love and enraptured Ernest Hemingway with her courage as they dodged shell fire together. Hemingway is, of course, the unnamed "other" in the title of this tart memoir, first published in 1979, in which Gellhorn describes her globe-spanning adventures, both accompanied and alone. With razor-sharp humor and exceptional insight into place and character, she tells of a tense week spent among dissidents in Moscow; long days whiled away in a disused water tank with hippies clustered at Eilat on the Red Sea; and her journeys by sampan and horse to the interior of China during the Sino-Japanese War.

Set in Oregon in the early years of the twentieth century, H. L. Davis''s Honey in the Horn chronicles the struggles faced by homesteaders as they attempted to settle down and eke out subsistence from a still-wild land. With sly humor and keenly observed detail, Davis pays homage to the indomitable character of Oregon''s restless people and dramatic landscapes without romanticizing or burnishing the myths. An essential book for all serious readers of Northwest literature, this classic coming-of-age novel has been called the "Huckleberry Finn of the West." It is the only Oregon book that has ever won a Pulitzer Prize for fiction. With a new introduction by Richard W. Etulain, this path-breaking work from one of Oregon''s premier authors is once again available for a new generation to enjoy.

Speaking in 1957, Evelyn Waugh commented that Hemingway was "really at heart a Catholic author." In this groundbreaking study, Matthew Nickel explores Hemingway''s Catholic faith through close scrutiny of his fiction and other writings. Using previously unpublished Hemingway letters, Nickel reveals how Hemingway''s profound sacramental sense of ritual, pilgrimage and sacrifice informed his work ... and his life. "Matthew Nickel is a thorough and careful scholar. He has delved beneath the surface and has found a treasure trove of meaning. This book will enrich every reader''s understanding of Hemingway, the man and his work." - Valerie Hemingway, author of Running with the Bulls: My Years with the Hemingways "Nickel''s scholarship is impeccable, thoroughgoing and perspicacious. ... A cutting-edge study of the most urgent concerns of one of our greatest writers." - H.R. Stoneback, Distinguished Professor English, SUNY New Paltz "Nickel has written a very strong Catholic reading of all of Hemingway, grounded in lucid textuality and exhaustive research." - Allen Josephs, past president of the Hemingway Foundation and Society, author of Ritual and Sacrifice in the Corrida

Examines the life and writing of twentieth-century American author Ernest Hemingway, featuring information about the major events that took place during his life, and providing insight into the experiences that may have influenced his subject matter and writing style.

"Being the surprising true histories of some forgotten American women -- all beautiful, rich, and Loyalists -- whose lives were shaped by scandal and turned upside down by the War for Independence"--Jacket.

Whether revered for his masculinity, condemned as an icon of machismo, or perceived as possessing complex androgynous characteristics, Ernest Hemingway is acknowledged to be one of the most important twentieth-century American novelists. For Debra A. Moddelmog, the intense debate about the nature of his identity reveals how critics'' desires give shape to an author''s many guises. In her provocative book, Moddelmog interrogates Hemingway''s persona and work to show how our perception of the writer is influenced by society''s views on knowledge, power, and sexuality. She believes that recent attempts to reinvent Hemingway as man and as artist have been circumscribed by their authors'' investment in heterosexist ideology; she seeks instead to situate Hemingway''s sexual identity in the interface between homosexuality and heterosexuality. Moddelmog looks at how sexual orientation, gender, race, nationality, able-bodiedness—and the intersections of these elements—contribute to the formation of desire. Ultimately, she makes a far-reaching and suggestive argument about multiculturalism and the canons of American letters, asserting that those who teach literature must be aware of the politics and ethics of the authorial constructions they promote.

NATIONAL BESTSELLER “Ms. Haigh is an expertly nuanced storyteller long overdue for major attention. Her work is gripping, real, and totally immersive, akin to that of writers as different as Richard Price, Richard Ford, and Richard Russo.”—Janet Maslin, New York Times The highly praised, “extraordinary” (New York Times Book Review) novel about the disparate lives that intersect at a women’s clinic in Boston, by New York Times bestselling author Jennifer Haigh For almost a decade, Claudia has counseled patients at Mercy Street, a clinic in the heart of the city. The work is consuming, the unending dramas of women in crisis. For its patients, Mercy Street offers more than health care; for many, it is a second chance. But outside the clinic, the reality is different. Anonymous threats are frequent. A small, determined group of anti-abortion demonstrators appears each morning at its door. As the protests intensify, fear creeps into Claudia’s days, a humming anxiety she manages with frequent visits to Timmy, an affable pot dealer in the midst of his own existential crisis. At Timmy’s, she encounters a random assortment of customers, including Anthony, a lost soul who spends most of his life online, chatting with the mysterious Excelsior11—the screenname of Victor Prine, an anti-abortion crusader who has set his sights on Mercy Street and is ready to risk it all for his beliefs. Mercy Street is a novel for right now, a story of the polarized American present. Jennifer Haigh, “an expert natural storyteller with a keen sense of her characters’ humanity” (New York Times), has written a groundbreaking novel, a fearless examination of one of the most divisive issues of our time.

This carefully crafted ebook: " The Blue Hotel + The Bride Comes to Yellow Sky + The Open Boat (3 famous stories by Stephen Crane)" is formatted for your eReader with a functional and detailed table of contents. This omnibus contains the 3 famous stories by Stephen Crane: The Blue Hotel The Bride Comes to Yellow Sky The Open Boat Stephen Crane (1871-1900) was an American novelist, short-story writer, and poet who is often called the first modern American writer. Crane was a correspondent in the Greek-Turkish War and the Spanish American War, penning numerous articles, war reports and sketches.

The appearance of these stories in one volume is an event in our literature. To have built up so distinguished a collection, each story excellent in its own way and each an original departure in relation to the others, is a triumph. --Guy Davenport, New York Times Book Review Miss Stafford''s craftsmanship and her mastery of the short story form are by now so well known that it seems superfluous to praise these stories. That they are impeccably done is obvious. --Joyce Carol Oates, Book World She writes about people whom loneliness has driven slightly mad, but also about people who are secure and comforted; she explores childhood and old age, poverty and wealth, tragedy and comedy. The comedy is usually wry... but often moves one to laughter. Above all, Miss Stafford will not be hurried... To me, this book is most solidly achieved. --John Wain, New York Review Of Books Winner of the 1970 Pulitzer Prize for fiction, this collection of thirty stories includes some of Jean Stafford''s best short fiction from the period 1944-1968. Including such favorites as In the Zoo, Children Are Bored on Sunday, and Beatrice Trueblood''s Story, the collection offers the work of this popular writer of the 1940s and 1950s to a new generation of readers and critics.

Seminar paper from the year 2002 in the subject American Studies - Literature, grade: 1,0 (A), University of Marburg (Institute for Anglistics/ American Studies), course: PS The Initiation Theme in American Fiction, language: English, abstract: Initiation in Ernest Hemingway’s A Farewell to Arms Since it was published in the late 1920s, Ernest Hemingway’s novel A Farewell to Arms has mostly been read as a love story against the background of the First World War (Brooks 81; Matthews 77; Ross 90; Smith 78). This is right insofar as the novel deals with the young American Frederic Henry who, while being involved in the war on the side of the Italian Army, falls in love with a beautiful British nurse, Catherine Barkley. There is, however, more to this book: When looking at the world in which the protagonist finds himself, it becomes clear that it is one in which people are lacking proper, stable values. Everything that Frederic Henry learned in his teenage years, the world he grew up in and its complex value system based on such values as honor and dignity, has fallen apart. Frederic himself expresses this on several occasions, for example in Book Three, when he says, I was always embarrassed by the words sacred, glorious, and sacrifice and the expression in vain. We had heard them, sometimes standing in the rain almost out of earshot, so that only the shouted words came through, and had read them, on proclamations that were slapped up by billposters over other proclamations, now for a long time, and I had seen nothing sacred, and the things that were glorious had no glory and the sacrifices were like the stockyards at Chicago if nothing was done with the meat except to bury it. [...] Abstract words such as glory, honor, courage, or hallow were obscene beside the concrete names of villages, the number of roads, the names of rivers, the number of regiments and the dates. (Hemingway 184-5) Because of the meaninglessness of those old values, A Farewell to Arms is also a story dealing with a quest that was typical for Frederic Henry’s generation: a quest for knowledge and a way of living in a world whose foundations have been shaken by the chaos created by World War I. At the beginning of the novel, Frederic Henry is, in many ways, lost: He neither knows where he belongs nor where he is going. He seeks pleasure in activities such as drinking huge quantities of alcohol and going to a whorehouse with his comrades. As it depicts his growth from immaturity to maturity, or, in a way, completion of his character, A Farewell to Arms should be read as his initiation story. [...]

Some of the greatest writers in the history of the art-Hart Crane, Ernest Hemingway, Jerzy Kosinski, Sylvia Plath, Anne Sexton, and Virginia Woolf-all chose to silence themselves by suicide, leaving their families and friends with heartbreak and the world of literature with gaping holes. Their reasons for killing themselves, when known, were varied and, quite often, unreasonable. Some were plagued by depression or self-doubt, and others by frustration and helplessness in a world they could neither change nor tolerate. Profoundly moving and morbidly attractive, Final Drafts is a necessary historical record, biographical treatment, and psychological examination of the authors who left this "cruel world" by their own hands, either instantly or over long periods of relentless self-destructive behavor. It is also a devoted examination of references to suicide in literature, both by those who took their own lives and those who decided to live. Mark Seinfelt has selected many well-known (mostly fiction) writers, from those whose work dates to over a century ago-when the medical community was ill-equipped to deal with substance abuse and depression-to more recent writers such as Kosinski, Michael Dorris, and Eugene Izzi, who have left a puzzled literary community with a sad legacy. Seinfelt reveals that many authors contemplated ending their lives in their work; were obsessed with destroying themselves; were unable-in the case of the Holocaust-to live with the fact that their contemporaries had been killed; believed death to be a freedom from the horrors that forced them to create; and, sometimes, were simply unable to withstand rejection or criticism of their work. Other noted authors discussed in this volume include John Berryman, Ambrose Bierce, Harry Crosby, John Davidson, William Inge, Randall Jarrell, Arthur Koestler, T.E. Lawrence, Primo Levi, Jack London, Jay Anthony Lukas, Tom McHale, Yukio Mishima, Henry de Montherlant, Seth Morgan, George Sterling, Sara Teasdale, Ernst Toller, John Kennedy Toole, Sergey Yesenin, and many others.

The long-awaited guide to writing long-form nonfiction by the legendary author and teacher Draft No. 4 is a master class on the writer’s craft. In a series of playful, expertly wrought essays, John McPhee shares insights he has gathered over his career and has refined while teaching at Princeton University, where he has nurtured some of the most esteemed writers of recent decades. McPhee offers definitive guidance in the decisions regarding arrangement, diction, and tone that shape nonfiction pieces, and he presents extracts from his work, subjecting them to wry scrutiny. In one essay, he considers the delicate art of getting sources to tell you what they might not otherwise reveal. In another, he discusses how to use flashback to place a bear encounter in a travel narrative while observing that “readers are not supposed to notice the structure. It is meant to be about as visible as someone’s bones.” The result is a vivid depiction of the writing process, from reporting to drafting to revising—and revising, and revising. Draft No. 4 is enriched by multiple diagrams and by personal anecdotes and charming reflections on the life of a writer. McPhee describes his enduring relationships with The New Yorker and Farrar, Straus and Giroux, and recalls his early years at Time magazine. Throughout, Draft No. 4 is enlivened by his keen sense of writing as a way of being in the world.

A deeply panoramic tour of the night, from its brightest spots to the darkest skies we have left. A starry night is one of nature''s most magical wonders. Yet in our artificially lit world, three-quarters of Americans'' eyes never switch to night vision and most of us no longer experience true darkness. In The End of Night, Paul Bogard restores our awareness of the spectacularly primal, wildly dark night sky and how it has influenced the human experience across everything from science to art. From Las Vegas'' Luxor Beam -- the brightest single spot on this planet -- to nights so starlit the sky looks like snow, Bogard blends personal narrative, natural history, science, and history to shed light on the importance of darkness -- what we''ve lost, what we still have, and what we might regain -- and the simple ways we can reduce the brightness of our nights tonight.

“A real contribution to the study of Faulkner’s work.” —Edmund Wilson A Penguin Classic In prose of biblical grandeur and feverish intensity, William Faulkner reconstructed the history of the American South as a tragic legend of courage and cruelty, gallantry and greed, futile nobility and obscene crimes. He set this legend in a small, minutely realized parallel universe that he called Yoknapatawpha County, Mississippi. No single volume better conveys the scope of Faulkner’s vision than The Portable Faulkner. The book includes self-contained episodes from the novels The Sound and the Fury, Light in August, and Sanctuary; the stories “The Bear,” “Spotted Horses,” “A Rose for Emily,” and “Old Man,” among others; a map of Yoknapatawpha County and a chronology of the Compson family created by Faulkner especially for this edition; and the complete text of Faulkner’s 1950 address upon receiving the Nobel Prize in literature. Malcolm Cowley’s critical introduction was praised as “splendid” by Faulkner himself. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A guide to reading "The Old Man and the Sea" with a critical and appreciative mind. Includes background on the author''s life and times, sample tests, term paper suggestions, and a reading list.

A chance encounter in Spain in 1959 brought young Irish reporter Valerie Danby-Smith face to face with Ernest Hemingway. The interview was awkward and brief, but before it ended something had clicked into place. For the next two years, Valerie devoted her life to Hemingway and his wife, Mary, traveling with them through beloved old haunts in Spain and France and living with them during the tumultuous final months in Cuba. In name a personal secretary, but in reality a confidante and sharer of the great man’s secrets and sorrows, Valerie literally came of age in the company of one of the greatest literary lions of the twentieth century. Five years after his death, Valerie became a Hemingway herself when she married the writer’s estranged son Gregory. Now, at last, she tells the story of the incredible years she spent with this extravagantly talented and tragically doomed family. In prose of brilliant clarity and stinging candor, Valerie evokes the magic and the pathos of Papa Hemingway’s last years. Swept up in the wild revelry that always exploded around Hemingway, Valerie found herself dancing in the streets of Pamplona, cheering bullfighters at Valencia, careening around hairpin turns in Provence, and savoring the panorama of Paris from her attic room in the Ritz. But it was only when Hemingway threatened to commit suicide if she left that she realized how troubled the aging writer was–and how dependent he had become on her. In Cuba, Valerie spent idyllic days and nights typing the final draft of A Moveable Feast, even as Castro’s revolution closed in. After Hemingway shot himself, Valerie returned to Cuba with his widow, Mary, to sort through thousands of manuscript pages and smuggle out priceless works of art. It was at Ernest’s funeral that Valerie, then a researcher for Newsweek, met Hemingway’s son Gregory–and again a chance encounter drastically altered the course of her life. Their twenty-one-year marriage finally unraveled as Valerie helplessly watched her husband succumb to the demons that had plagued him since childhood. From lunches with Orson Welles to midnight serenades by mysterious troubadours, from a rooftop encounter with Castro to numbing hospital vigils, Valerie Hemingway played an intimate, indispensable role in the lives of two generations of Hemingways. This memoir, by turns luminous, enthralling, and devastating, is the account of what she enjoyed, and what she endured, during her astonishing years of living as a Hemingway.

A bestselling modern classic—both poignant and funny—narrated by a fifteen year old autistic savant obsessed with Sherlock Holmes, this dazzling novel weaves together an old-fashioned mystery, a contemporary coming-of-age story, and a fascinating excursion into a mind incapable of processing emotions. Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. Although gifted with a superbly logical brain, Christopher is autistic. Everyday interactions and admonishments have little meaning for him. At fifteen, Christopher’s carefully constructed world falls apart when he finds his neighbour’s dog Wellington impaled on a garden fork, and he is initially blamed for the killing. Christopher decides that he will track down the real killer, and turns to his favourite fictional character, the impeccably logical Sherlock Holmes, for inspiration. But the investigation leads him down some unexpected paths and ultimately brings him face to face with the dissolution of his parents’ marriage. As Christopher tries to deal with the crisis within his own family, the narrative draws readers into the workings of Christopher’s mind. And herein lies the key to the brilliance of Mark Haddon’s choice of narrator: The most wrenching of emotional moments are chronicled by a boy who cannot fathom emotions. The effect is dazzling, making for one of the freshest debut in years: a comedy, a tearjerker, a mystery story, a novel of exceptional literary merit that is great fun to read.

What do all great stories have in common? What techniques do great writers use? How do you take your writing to the next level?There are no storytelling rules-but there are patterns. The Structure of Story details the specific writing tools that will help you recognize and apply the patterns of great stories.You will learn how to shift your focus from storytelling rules to storytelling tools. By applying these tools, you''ll be able to keep the reader on the edge of their seat while delivering an emotional, meaningful story.In The Structure of Story, you''ll learn the four dramatic tools that keep the reader engaged, the two things every story must accomplish, how to write multi-dimensional characters that drive plot, how a story''s theme can be conveyed through a character arc, how to create an organic plot driven by cause and effect, the critical things that your opening must accomplish, what goes in the middle of a story, how to write an emotional climax, how subtext works and when to use it, how to create a twist ending, tools for showing rather than telling, how to pace your story properly, how to write an ending that''s both satisfying and inevitable, and how to avoid a repetitive plot.No matter where you are in your writing career, The Structure of Story will give you new techniques to take your writing to the next level.

Giosue Carducci: Presentation address. Poems. The life and works of Giosue Carducci. The 1906 Prize.--Grazia Deledda: Presentation address. The mother. The life and works of Grazia Deledda. The 1926 Prize.--Jose Echegaray: Presentation address. The great Galeoto. The life and works of Jose Echegaray. The 1904 Prize.--T.S. Eliot: Presentation address. Acceptance speech. Poems. The elder statesman. Tradition and the individual talent. The life and works of t. S. Eliot. The 1948 Prize.

An account of the making of Ernest Hemingway''s The Sun Also Rises, the larger-than-life people that inspired it, and the vast changes it wrought on the literary world

Published in 1948, "How to Box" was the first instructional book developed and written by one of the greatest fighters of his time, Joe Louis. The nuts and bolts of Louis'' brilliant engineering are here in this book. Legend has it that before beginning the fighter-trainer relationship that would help define him, Louis worked with one Holman Williams who is credited by some with supplying Louis with perhaps the most precious gift he ever received-his jab. But Williams is also said to have taught Louis the rudiments of the defense and was supposedly the first man to encourage Louis to punch in combination. "Boxing is built upon punching and footwork," says How to Box. "If the stance is too narrow for balance, move the right foot a few inches to the right to widen the stance; if too wide, glide the right foot forwards a few inches. Don''t lock the left leg but keep it straight."Freddie Roach described Joe Louis as the "best textbook fighter of all time." Here we see the first great foundation of that inch-perfect style. Louis hardly ever made small adjustments with his left foot. His left jab is always perched over that lead foot, ready to be thrown. A boxing training manual intent on conveying the art of boxing, physical fitness knowledge, and the power of the sport to the general public. A great historical reference and a valuable addition to any library concerned with the history of boxing and martial arts.

God created man to work, and His Word instructs men on how to engage and enjoy work, and 33 The Series: A Man and His Work is a six-session Bible study that provides insight into some of the ways men can find both their best fit and fulfillment in work. The study acknowledges the tensions and obstacles that men face in their work-lives and helps them move beyond the frustrations and dead ends. (6 sessions)

The "gonzo" political journalist presents his frankly subjective observations on the personalities and political machinations of the 1972 presidential campaign, in a new edition of the classic account of the dark side of American politics. Reprint.

Short stories by Ernest Hemingway.

In 1787, the beautiful Lucia is married off to Alvise Mocenigo, scion of one of the most powerful Venetian families. But their life as a golden couple will be suddenly transformed when Venice falls to Bonaparte. We witness Lucia''s painful series of miscarriages and the pressure on her to produce an heir; her impassioned affair with an Austrian officer; the glamour and strain of her career as a hostess in Vienna; and her amazing firsthand account of the defeat of Napoleon in 1814. With his brave and articulate heroine, Andrea di Robilant has once again reached across the centuries, and deep into his own past, to bring history to rich and vivid life on the page.

A ground-breaking and intensely revealing examination of the life of the 20th century''s most iconic writer. Ernest Hemingway was an involuntary chameleon, who would shift seamlessly from a self-cultivated image of hero, aesthetic radical, and existential non-conformist to a figure made up at various points of selfishness, hypocrisy, self-delusion, narcissism and arbitrary vindictiveness. Richard Bradford shows that Hemingway''s work is by parts erratic and unique because it was tied into these unpredictable, bizarre features of his personality. Impressionism and subjectivity always play some part in the making of literary works. Some authors try to subdue them while others treat them as the essentials of creativity but they endure as a ubiquitous element of all literature. They are the writer''s private signature, their authorial fingerprint. In this new biography, which includes previously unpublished letters from the Hemingway archives, Richard Bradford reveals how Hemingway all but erased his own existence through a lifetime of invention and delusion, and provides the reader with a completely new understanding of the Hemingway oeuvre.

Readers and students of Ayn Rand will value seeing in this collection of interviews how Ayn Rand applied her philosophy and moral principles to the issues of the day. Objectively Speaking includes half a century of print and broadcast interviews drawn from the Ayn Rand Archives. The thirty-two interviews in this collection, edited by Marlene Podritske and Peter Schwartz, include print interviews from the 1930s and edited transcripts of radio and television interviews from the 1940s through 1981. Selections are included from a remarkable series of radio broadcasts over a four-year period (1962-1966) on Columbia University''s station WKCR in New York City and syndicated throughout the United States and Canada. Ayn Rand''s unusual and strikingly original insights on a vast range of topics are captured by prominent interviewers in the history of American television broadcasting, such as Johnny Carson, Edwin Newman, Mike Wallace, and Louis Rukeyser. The collection concludes with an interview of Dr. Leonard Peikoff on his radio program in 1999, recalling his 30-year personal and professional association with Ayn Rand and discussing her unique intellectual and literary achievements. Ayn Rand is the best-selling author of Atlas Shrugged, The Fountainhead, Anthem, and We the Living. Fifty years or more after publication, sales of these novels continue to increase.

Percy Glossop was a pastry cook extraordinaire, a teller of tales, and a citizen of Europe during the twentieth century. He was in Paris at the same time as many of the Lost Generation because of his mother. When he was born she was very young and, as he later came to understand, inclined towards a cheerful promiscuity. Percy, a free spirit, grew up and participated in turbulent times: World War I, the 1919 Paris Peace Conference, the General Strike, the rise of Hitler and the civil war in Spain all leading up to his role in World War II. Enjoy Percy''s hotchpotch of memories, imaginings and reality concerning family, romance, war, the literary world, the wartime film industry, the London stage and how he managed to elude the famous American writer in Paris and Madrid in the 1920s and 1930s in, I Never Met Ernest Hemingway.

Roman om pionerer i Ohio dalen.

Manuscript written by Mary Hemingway with handwritten editoral changes by her husband, Ernest Hemingway. Dated approximately 1950-1960.