New Releases by ANDREW LANG

Aladdin‘s wonderful lamp, which he took from inside the earth where it burned in the niche of a pavilion in an enchanted garden, is certainly the most famous lamp in the world. Its wish-fulfilling power has spread around the world in 1001 Nights in all languages and has been retold in many variations and illustrated by famous artists. This book contains the text version from “The Blue Fairy Book” edited by Andrew Lang and is illustrated by famous illustrators from the Art Nouveau period. It is set in large print for easy reading.

It is almost impossible to envision what childhood would be like without the enchanting world of fairyland. Cinderella, Little Red Riding Hood, giants and dwarfs, monsters and magicians, fairies and ogres - these are the companions who will thrill young boys and girls of all lands and all times, as Andrew Lang''s phenomenally successful collections of stories have proved. From the day that they were first printed, the Lang fairy tale books of many colors have entertained thousands of boys and girls, as they have also brought pleasure to the many parents who have read these unforgettable classics to their children. The Blue Fairy Book was the first volume in the series and so it contains some of the best known tales, taken from a variety of sources: not only from Grimm, but exciting adventures by Charles Perrault and Madame d''Aulnoy, The Arabian Nights, and other stories from popular traditions. Here in one attractive paperbound volume - with enlarged print - are \"Sleeping Beauty,\" \"Rumpelstiltskin,\" \"Beauty and the Beast,\" \"Hansel and Gretel,\" \"Puss in Boots,\" \"Trusty John,\" \"Jack the Giantkiller,\" \"Goldilocks,\" and many other favorites that have become an indispensable part of our cultural heritage. All in all, this collection contains 37 stories, all narrated in the clear, lively prose for which Lang was famous. Not only are Lang''s generally conceded to be the best English versions of standard stories, his collections are the richest and widest in range. His position as one of England''s foremost folklorists as well as his first-rate literary abilities makes his collections unmatchable in the English language.

The Arabian Nights Andrew Lang - One Thousand and One Nights is a collection of stories collected over many centuries by various authors, translators and scholars in various countries across the Middle East and South Asia. These collections of tales trace their roots back to ancient Arabia and Yemen, ancient Indian literature and Persian literature, ancient Egyptian literature and Mesopotamian mythology, ancient Syria and Asia Minor, and medieval Arabic folk stories from the Caliphate era. Though the oldest Arabic manuscript dates from the fourteenth century, scholarship generally dates the collection''s genesis to somewhere between AD 800900.

Originally published in 1897, The Pink Fairy Book is a dynamic collection of world-renown stories that are deeply rooted in Japanese, Italian and Scandinavian culture. These rich and compelling stories are staples within the children’s genre. The Pink Fairy Book is a continuation of Andrew Lang’s popular fairy tale book series. This edition includes more international fare such as \"The Slaying of the Tanuki,\" \"I Know What I Have Learned,\" \"The Jackal, the Dove, and the Panther\" and \"How the Hermit Helped to Win the King''s Daughter.\" With more than 40 stories to choose from, The Pink Fairy Book offers a delightful assortment of classic children’s fare. A rich collection of morality tales for readers of all ages. These narratives are populated by evil witches, spiteful kings and selfish trolls forced to confront the error of their ways. Andrew Lang’s The Pink Fairy Book delivers memorable stories with powerful messages. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Pink Fairy Book is both modern and readable.

\"It is almost impossible to envision what childhood would be like without the enchanting world of fairyland. Cinderella, Little Red Riding Hood, giants and dwarfs, monsters and magicians, fairies and ogres - these are the companions who will thrill young boys and girls of all lands and all times, as Andrew Lang''s phenomenally successful collections of stories have proved. From the day that they were first printed, the Lang fairy tale books of many colors have entertained thousands of boys and girls, as they have also brought pleasure to the many parents who have read these unforgettable classics to their children.The Blue Fairy Book was the first volume in the series and so it contains some of the best known tales, taken from a variety of sources: not only from Grimm, but exciting adventures by Charles Perrault and Madame d''Aulnoy, The Arabian Nights, and other stories from popular traditions. Here in one attractive paperbound volume - with enlarged print - are \"\"Sleeping Beauty,\"\" \"\"Rumpelstiltskin,\"\" \"\"Beauty and the Beast,\"\" \"\"Hansel and Gretel,\"\" \"\"Puss in Boots,\"\" \"\"Trusty John,\"\" \"\"Jack the Giantkiller,\"\" \"\"Goldilocks,\"\" and many other favorites that have become an indispensable part of our cultural heritage.All in all, this collection contains 37 stories, all narrated in the clear, lively prose for which Lang was famous. Not only are Lang''s generally conceded to be the best English versions of standard stories, his collections are the richest and widest in range. His position as one of England''s foremost folklorists as well as his first-rate literary abilities makes his collections unmatchable in the English language. \"

Andrew Lang''s Fairy Books or Andrew Lang''s \"Coloured\" Fairy Books constitute a twelve-book series of fairy tale collections. Although Andrew Lang did not collect the stories himself from the oral tradition, the extent of his sources, who had collected them originally (with the notable exception of Madame d''Aulnoy), made them an immensely influential collection, especially as he used foreign-language sources, giving many of these tales their first appearance in English. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife and other translators did a large portion of the translating and telling of the actual stories.

The Red Fairy Book was the second of the series of Fairy Books by Andrew Lang. Stories in this collection include: The Twelve Dancing Princesses; The Princess Mayblossom; The Death Of Koshchei The Deathless; The Black Thief And Knight Of The Glen; Princess Rosette; The Norka; Jack And The Beanstalk; Graciosa And Percinet; The Three Princesses Of Whiteland; The Voice Of Death; The True History Of Little Golden Hood; The Three Dwarfs; Rapunzel; Farmer Weatherbeard, and many more.

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a ''fresh and newly'' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a ''fresh and newly'' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Collection of fairy and folktales.

The Red Fairy Book: Large Print by Andrew LangAndrew Lang''s Fairy Books or Andrew Lang''s \"Coloured\" Fairy Books constitute a twelve-book series of fairy tale collections. Although Andrew Lang did not collect the stories himself from the oral tradition, the extent of his sources, who had collected them originally (with the notable exception of Madame d''Aulnoy), made them an immensely influential collection, especially as he used foreign-language sources, giving many of these tales their first appearance in English. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife and other translators did a large portion of the translating and telling of the actual stories.The Red Fairy Book is the second in the series.

The Crimson Fairy Book by Andrew Lang

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This charming early work, first published in 1900, is the sixth book in a series of twelve ‘coloured’ fairy books published by Andrew Lang between 1889 and 1910. Each volume is distinguished by its own colour, and all in all, 437 tales from a wide array of cultures and countries are presented. The Grey Fairy Book is illustrated with numerous black and white illustrations by the master artist H.J. Ford. This book is thoroughly recommended for inclusion on the shelf of all folklorists and lovers of fairy tales. A delightful read for both adult and child. There are 35 stories in this volume from many oral traditions. Many of them from French, German and Italian collections. Tales include: Donkey Skin, The Magicians Horse, The Jackal and the Spring, The Unlooked for Prince, The Street Musicians, The Twin Bothers, Prunella and more. Andrew Lang (1844 – 1912) was a Scots poet, novelist and literary critic, with a passion for folkloric storytelling. Most of his volumes (including this, ‘The Grey Fairy Book’) are beautifully illustrated by Henry J. Ford (1860 – 1941), an inordinately talented artist who came to public attention with his illustrations for Lang. The books captured the imagination of British children and later became worldwide bestsellers in the 1880s and 1890s.

The stories in the Fairy Books have generally been such as old women in country places tell to their grandchildren. Nobody knows how old they are, or who told them first. The children of Ham, Shem and Japhet may have listened to them in the Ark, on wet days. Hector''s little boy may have heard them in Troy Town, for it is certain that Homer knew them, and that some of them were written down in Egypt about the time of Moses.People in different countries tell them differently, but they are always the same stories, really, whether among little Zulus, at the Cape, or little Eskimo, near the North Pole. The changes are only in matters of manners and customs; such as wearing clothes or not, meeting lions who talk in the warm countries, or talking bears in the cold countries. There are plenty of kings and queens in the fairy tales, just because long ago there were plenty of kings in the country. A gentleman who would be a squire now was a kind of king in Scotland in very old times, and the same in other places. These old stories, never forgotten, were taken down in writing in different ages, but mostly in this century, in all sorts of languages. These ancient stories are the contents of the Fairy books.

The Arabian Nights, written by legendary author Andrew Lang is widely considered to be one of the greatest books of all time. This great classic will surely attract a whole new generation of readers. For many, The Arabian Nights is required reading for various courses and curriculums. And for others who simply enjoy reading timeless pieces of classic literature, this gem by Andrew Lang is highly recommended. Published by Quill Pen Classics and beautifully produced, The Arabian Nights would make an ideal gift and it should be a part of everyone''s personal library.

Andrew Lang''s Fairy Books or Andrew Lang''s Fairy Books constitute a twelve-book series of fairy tale collections. Although Andrew Lang did not collect the stories himself from the oral tradition, the extent of his sources, who had collected them originally (with the notable exception of Madame d''Aulnoy), made them an immensely influential collection, especially as he used foreign-language sources, giving many of these tales their first appearance in English. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife and other translators did a large portion of the translating and telling of the actual stories.

Andrew Lang (31 March 1844 - 20 July 1912) was a Scottish poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The stories in the Fairy Books have generally been such as old women in country places tell to their grandchildren. Nobody knows how old they are, or who told them first. The children of Ham, Shem and Japhet may have listened to them in the Ark, on wet days. Hector''s little boy may have heard them in Troy Town, for it is certain that Homer knew them, and that some of them were written down in Egypt about the time of Moses. People in different countries tell them differently, but they are always the same stories, really, whether among little Zulus, at the Cape, or little Eskimo, near the North Pole. The changes are only in matters of manners and customs; such as wearing clothes or not, meeting lions who talk in the warm countries, or talking bears in the cold countries. There are plenty of kings and queens in the fairy tales, just because long ago there were plenty of kings in the country.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Selected Works of Andrew Lang: Volume 1Anthropology: Fairy Tale, Folklore, the Origins of Religion, Psychical ResearchEdited by Andrew Teverson, Alexandra Warwick and Leigh WilsonThis is the first critical edition of the works of Andrew Lang (1844-1912), the Scottish writer whose enormous output spanned the whole range of late-nineteenth century intellectual culture. Neglected since his death, partly because of the diversity of his interests and the volume of his writing, his cultural centrality and the interdisciplinary nature of his work make him a vital figure for contemporary scholars.This volume covers Lang''s wide and influential engagement with the central areas of late nineteenth-century anthropology. Lang made decisive interventions in debates around the meaning of folk tales and the origins of religion, as well as being an important figure in the investigation of spiritualist claims through psychical research. The work reproduced here includes journalism, essays, extracts from books and previously unpublished letters which together articulate and challenge some of the central ideas and discussions of the period, including evolution, the relation between modern and non-modern cultures, the nature of scientific claims to truth, and the consequences of materialism. The volume will provide new and illuminating ways of understanding and assessing the period for scholars across a range of disciplines, including those interested in the histories of the fairy story, of science, of the occult, of colonialism and of anthropology.Key Features: Unpublished archival materialCritical introductions to the major areas of his workFull explanatory notesAndrew Teverson is Professor of English Literature and Associate Dean for the Faculty of Arts and Social Sciences at Kingston University, London. His research centres on the use and meaning of fairy tales, and he has published both on the employment of them in contemporary writing and on the historical development of the form. He is the author of Fairy Tale (Routledge, 2013).Alexandra Warwick is Professor of English Studies and Head of the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research is on Victorian culture, in particular the fin de sicle. Leigh Wilson is Reader in Modern Literature in the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research focuses on modernism, on the place of supernatural and occult beliefs and practices in the late nineteenth and early twentieth centuries, and on the contemporary British novel. She is the author of Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult (EUP, 2013).

GRANDMA''S TREASURES THE VIOLET FAIRY BOOK by Andrew Lang The Tales in this volume are intended for children, who will like, it is hoped, the old stories that have pleased so many generations. - Andrew Lang FAIRY BOOKS: CHILDREN''S STORIES FROM ALL AROUND THE WORLD. The Blue Fairy Book The Red Fairy Book The Green Fairy Book The Yellow Fairy Book The Pink Fairy Book The Grey Fairy Book The Violet Fairy Book The Crimson Fairy Book The Brown Fairy Book The Orange Fairy Book The Olive Fairy Book The Lilac Fairy Book

GRANDMA''S TREASURES THE GREY FAIRY BOOK by Andrew Lang The Tales in this volume are intended for children, who will like, it is hoped, the old stories that have pleased so many generations. - Andrew Lang FAIRY BOOKS: CHILDREN''S STORIES FROM ALL AROUND THE WORLD. The Blue Fairy Book The Red Fairy Book The Green Fairy Book The Yellow Fairy Book The Pink Fairy Book The Grey Fairy Book The Violet Fairy Book The Crimson Fairy Book The Brown Fairy Book The Orange Fairy Book The Olive Fairy Book The Lilac Fairy Book

GRANDMA''S TREASURES THE PINK FAIRY BOOK by Andrew Lang The Tales in this volume are intended for children, who will like, it is hoped, the old stories that have pleased so many generations. - Andrew Lang FAIRY BOOKS: CHILDREN''S STORIES FROM ALL AROUND THE WORLD. The Blue Fairy Book The Red Fairy Book The Green Fairy Book The Yellow Fairy Book The Pink Fairy Book The Grey Fairy Book The Violet Fairy Book The Crimson Fairy Book The Brown Fairy Book The Orange Fairy Book The Olive Fairy Book The Lilac Fairy Book

GRANDMA''S TREASURES THE YELLOW FAIRY BOOK by Andrew Lang The Tales in this volume are intended for children, who will like, it is hoped, the old stories that have pleased so many generations. - Andrew Lang FAIRY BOOKS: CHILDREN''S STORIES FROM ALL AROUND THE WORLD. The Blue Fairy Book The Red Fairy Book The Green Fairy Book The Yellow Fairy Book The Pink Fairy Book The Grey Fairy Book The Violet Fairy Book The Crimson Fairy Book The Brown Fairy Book The Orange Fairy Book The Olive Fairy Book The Lilac Fairy Book