New Releases by Adam Roberts

What makes for a good short story? Being short, you might think the story''s structure would yield an answer to this question more readily than, say, the novel. But for as long as the short story has been around, arguments have raged as to what it should and shouldn''t be made up of, what it should and shouldn''t do. Here ,15 leading contemporary practitioners offer structural appreciations of past masters of the form as well as their own perspectives on what the short story does so well. The best short stories don''t have closure, argues one contributor, ''because life doesn''t have closure''; ''plot must be written with the denouement constantly in view,'' quotes another. Covering a century of writing that arguably saw all the major short forms emerge, from Hawthorne''s ''Twice Told Tales'' to Kafka''s modernist nightmares, these essays offer new and unique inroads into classic texts, both for the literature student and aspiring writer.

Computers are changing. Soon the silicon chip will seem like a clunky antique amid the bounty of more exotic processes on offer. Robots are changing too; material evolution and swarm intelligence are creating a new generation of devices that will diverge and disperse into a balanced ecosystem of humans and ‘robjects’ (robotic objects). Somewhere in between, we humans will have to change also… in the way we interact with technology, the roles we adopt in an increasingly ‘intelligent’ environment, and how we interface with each other. The driving motors behind many of these changes will be artificial life (A-Life) and unconventional computing. How exactly they will impact on our world is still an open question. But in the spirit of collective intelligence, this anthology brings together 38 scientists and authors, working in pairs, to imagine what life (and A-Life) will look like in the year 2070. Every kind of technology is imagined: from lie-detection glasses to military swarmbots, brain-interfacing implants to synthetically ‘grown’ skyscrapers, revolution-inciting computer games to synthetically engineered haute cuisine. All artificial life is here. Featuring scientific contributions from: Martyn Amos, J. Mark Bishop, Seth Bullock, Stephen Dunne, James Dyke, Christian Jantzen, Francesco Mondada, James D. O''Shea, Andrew Philippides, Lenka Pitonakova, Steen Rasmussen, Thomas S. Ray, Micah Rosenkind, James Snowdon, Susan Stepney, Germán Terrazas, Andrew Vardy and Alan Winfield. Supported by TRUCE (Training and Research in Unconventional Computation in Europe).

Originally published: Great Britain: Gollancz, 2014.

YOUR COMPLETE GUIDE TO WRITING AWESOME AND AMAZING FICTION FROM ANOTHER DIMENSION. This is an authoritative and engaging introduction to writing science fiction and fantasy for the complete beginner. This book provides all the information, guidance, and advice you need to write great science fiction to captivate your readers. It will help you understand how the genre works, the big dos and don''ts - as well as giving you the inspiration and motivation you actually need to write. Written by a leading science fiction novelist and a Professor in Creative Writing at the University of London - you''ll discover how to let your creativity flow, create incredible worlds, and get your novel finished. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children''s books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.

Nichts zu verlieren Ae wird für ein Verbrechen bestraft, das in der zukünftigen Gesellschaft, in der er lebt, nur noch selten vorkommt: Mord. Nanotechnologie macht es beinahe unmöglich, einen Menschen zu töten, und dementsprechend fällt Aes Strafe aus: In dem High-Tech-Gefängnis wird ihm nach und nach seine eigene Nanotechnik entfernt, sodass er eines natürlichen Todes sterben wird. Er hat also nichts mehr zu verlieren, und als eine geheimnisvolle Agentur an ihn herantritt und ihm einen Deal vorschlägt, der Millionen Menschen das Leben kosten könnte, willigt er ein ...

Nichts ist, wie es scheint Stellen Sie sich ein Universum vor, das nach ganz anderen physikalischen Regeln funktioniert. In dem die Planeten so eng aneinander liegen, dass man mit Flugzeugen und Zeppelinen zwischen ihnen hin- und herfliegen kann. In dem sich die menschliche Zivilisation wie Nomaden von einer Welt zur nächsten bewegt. Und in dem es ein wohlgehütetes Geheimnis gibt. Denn dieses Universum ist eine perfide Illusion ...

Humanity Among The Stars What happens when we reach out into the vastness of space? What hope for us amongst the stars? Multi-award winning editor Jonathan Strahan brings us fourteen new tales of the future, from some of the finest science fiction writers in the field. The fourteen startling stories in this anthology feature the work of Greg Egan, Aliette de Bodard, Ian McDonald, Karl Schroeder, Pat Cadigan, Karen Lord, Ellen Klages, Adam Roberts, Linda Nagata, Hannu Rajaniemi, Kathleen Ann Goonan, Ken MacLeod, Alastair Reynolds and Peter Watts.

We know Stanislaw Lem, whether or not we consciously know that we do. He may only be recognised in the West as the author of the twice-filmed novel, Solaris, but the influence of his other work is legion. From computer games (The Sims was inspired by one of his short stories), to films (the red and blue pills of The Matrix owe much to his Futurological Congress); from the space comedies of Red Dwarf to the metaphysical satires of Douglas Adams... the presence of this masterly Polish writer can be traced far and wide. Nor was his genius confined to fiction. Lem''s essays and pseudo-essays borne out of the military industrial tensions of the Cold War have outlived their original context and speak to the most current developments in virtual reality, nanotechnology, and artificial intelligence. To celebrate his name, as well as his vision, this anthology brings together writers, critics and scientists who continue to grapple with his concerns. British and Polish novelists join screenwriters, poets, computer engineers, and artists, to celebrate and explore Lem''s legacy through short stories and essays - two literary forms that, as Lem knew well, can blend together to create something altogether new. As one of the barriers to Lem''s fame was language, this book also features specially commissioned translations: three stories never to have appeared in English before. Lem was always ahead of us. It''s time we caught up.

''Highly engaging and fascinating... this thought-provoking collection reminded me why I used to like science fiction so much... Eventually, one hopes, science fiction will regain its rightful place - as once again stranger than science.'' - The Guardian, 20 Dec 09. ''All hit, no miss... thought-provoking at worst, and stunning at best... shows that science can inspire anyone and everyone.'' – New Scientist, 5 Dec 09. ''Inspiring'' – THE, 19 Nov 09. ''A diamond of compression.'' – Financial Times, 20 Dec 09. When It Changed is an attempt to put authors and scientists back in touch with each other, to re-introduce research ideas with literary concerns, and to re-forge the alloy that once made SF great. Composed collaboratively – through a series of visits and conversations between leading authors and practicing scientists – it offers fictionalised glimpses into the far corners of current research fields, be they in nanotechnology, invertebrate physiology, particle physics, or software archaeology. From Planck''s Length (the smallest indivisible distance) to Plankton (potential saviours of the Earth''s ecosystem), from virtual encounters between Witgenstein and Turing, to future civilisations torn asunder by different readings of the Standard Model, together these stories represent a literary ''experiment'' in the true sense of the word, and endeavour to isolate a whole new strain of the SF bug. * * Featuring Sara Maitland''s ''Moss Witch'' - Runner Up in the BBC National Short Story Prize 2009.* *

Here, collected together for the first time in eBook (because quite frankly, who would want to carry all of these around as actual books? Imagine the scorn on the bus!) are seven of Adam Roberts'' superb parodies of popular culture. From the Soddit and his not-a-shameless-cash-in journey to the cavern of Smug the dragon - during which he finds a ring, which may well feature in later books and/or films - to the dragon with a girl tattoo (look, it was very popular at the time, OK?), here you will find lovingly crafted, affectionate (well, sometimes) takes on some of the most loved - or at least financially successful - "works of art" of our time. Contains THE SODDIT, DOCTOR WHOM, THE DRAGON WITH THE GIRL TATTOO, THE McATRIX DERIDED, STAR WARPED, THE SELLAMILLION and THE VA DINCI COD.

Riddles are threaded through The Hobbit , and are key to Tolkien''s creative imagination. The Riddles of The Hobbit situates this novel and the rest of Tolkien''s writing in the context of Old English riddling culture, and more modern day examples; it sets out to solve the many riddles of the novel in original and often surprising ways.

In contrast to the common perception that the United Nations is, or should become, a system of collective security, this paper advances the proposition that the UN Security Council embodies a necessarily selective approach. Analysis of its record since 1945 suggests that the Council cannot address all security threats effectively. The reasons for this include not only the veto power of the five permanent members, but also the selectivity of all UN member states: their unwillingness to provide forces for peacekeeping or other purposes except on a case-by-case basis, and their reluctance to involve the Council in certain conflicts to which they are parties, or which they perceive as distant, complex and resistant to outside involvement. The Council’s selectivity is generally seen as a problem, even a threat to its legitimacy. Yet selectivity, which is rooted in prudence and in the UN Charter itself, has some virtues. Acknowledging the necessary limitations within which the Security Council operates, this paper evaluates the Council’s achievements in tackling the problem of war since 1945. In doing so, it sheds light on the division of labour among the Council, regional security bodies and states, and offers a pioneering contribution to public and governmental understanding of the UN’s past, present and future roles.

Gathered together for the first time from a major publisher - a collection of short stories by Adam Roberts. Unique twisted visions from the edges and the centre of the SF genres. Stories that carry Adam Roberts'' trademark elegance of style and restless enquiry of the genre he loves so much. Acclaimed stories, some that have appeared in magazines, some in anthologies, some appearing for the first time. Stories to make you think, to make you laugh, to make you wonder, to make you uneasy. Stories that ask questions, stories that sow mysteries. But always stories that entertain.

La naissance d''un tout nouveau type d''IA avec son premier specimen, SoieVerte...

Bingo Pacquet est un posstit menant une existence paisible. À part ses pieds,atrophiés, arthritiques et éléphantiasiques -, rien ne semble pouvoir troubler la quiétude de ses jours. Mais son bonheur prend fin lorsque le magicien Glandalf et une compagnie de nains gallois l''embarquent pour l''aventure. Ils projettent de faire main basse sur un trésor gardé par Snob, un dragon d''un ennui mortel. Ah oui : Bingo découvre aussi une espèce d''anneau,mais est-ce vraiment important...

Solaris Rising 1.5 continues the exciting new series of SF anthologies from Solaris and editor Ian Whates, with an exclusive ebook! An anthology of nine short stories from some of the most exciting names in science fiction today. From both sides of the Atlantic – and further afield – these nine great writers offer you everything from a mystery about the nature of the universe to an inexplicable transmission to everyone on Earth, and from engineered giant spiders to Venetian palaces in space. So settle in, and enjoy yet more proof of the extraordinary breadth and depth of contemporary SF. Featuring Adam Roberts, Aliette de Bodard, Gareth L. Powell, Mike Resnick, Sarah Lotz, Phillip Vine, Tanith Lee, Paul Cornell, Paul di Filippo.

In a world where we have been genetically engineered so that we can photosynthesise sunlight with our hair, hunger is a thing of the past, food an indulgence. The poor grow their hair, the rich affect baldness and flaunt their wealth by still eating. But other hungers remain ... The young daughter of an affluent New York family is kidnapped. The ransom demands are refused. A year later a young woman arrives at the family home claiming to be their long lost daughter. She has changed so much, she has lived on light, can anyone be sure that she has come home? Adam Roberts'' new novel is yet another amazing melding of startling ideas and beautiful prose. Set in a New York of the future it nevertheless has echoes of a Fitzgeraldesque affluence and art-deco style. It charts his further progress as one of the most important writers of his generation.

Lizbreath Salamander is young and beautiful. Her scales have an iridescent sheen, her wings arch proudly, her breath has a tang of sulfur. And on her back a tattoo of a mythical creature: a girl. But when Lizbreath is drawn into a dark conspiracy she will have to rely on more than her beauty and her vicious claws the size of sabres ... A dragon has disappeared, one of a secretive clan. As Lizbreath delves deeper into their history she realises that these dragons will do anything to defend their secrets. Welcome to the world of The Dragon With The Girl Tattoo. A world of gloomy Nordic dragons leading lives uncannily like our own (despite their size, despite the need for extensive fireproofing of home furnishings), a world of money hoarded, a world of darkness and corruption. A world where people are the fantasy.

Two narrators tell the story of the simmering tensions between their two communities as they travel out to a new planet, colonise it, then destroy themselves when the tensions turn into outright war. Adam Roberts is a new writer completely in command of the SF genre. This is a novel that is at once entertaining and philosophical. The attitudes and prejudices of its characters are subtlety drawn and ring completely true despite the alien circumstances they find themselves in. The grasp of science and its impact on people is instinctive. But above all it is the epic and colourful world building that marks SALT out - the planet Salt rivals Dune in its desolation and is a suitably biblical setting for a novel that is powered by the corrupting influence of imperfectly remembered religions on distant societies. From the early scenes set on a colony ship towed by a massive ice meteorite, to the description of a planet covered in sodium chloride, to the chilling narrative of a world sliding into its first war, this is a novel from a writer who shouts star quality.

A long time ago in galaxy far, far away a really quite good SF film, a sort of western in space, was launched. The special effects were pretty shoddy but it did have some quite good actors in it. And Mark Hammill. A second and third film that were actually the fifth and sixth films followed and they weren''t quite so good but they were still quite fun (especially when the teddies got blasted by the Imperial stormtroopers). Then, the first, second and third films followed and they were actually fairly dreadful though by now the special effects were much better. And the actors were still better than average too. And Mark Hammill was too old to be in it plus his character hadn''t been born yet so that was OK. A Gollancz parody was inevitable. And here it is. An epic told in six chapters. An epic of good versus evil. Of dark versus light. Of hairy co-pilots and green gurus. Of bizarre hair styles, steel bras and camp robots. An epic that starts in the middle. And that''s the original!

Adam Roberts'' fourth novel is his most ambitious yet. In a feat of extraordinary world building he creates a universe where a breathable atmosphere extends out between the planets, where aristocrats cruise interstellar space in biplanes and skywhals make mysterious distant orbits. Then, with bravura plotting, he undermines our own notions of reality and leaves the reader unsure which universe to believe in. Gaining a reputation as one of the UK''s leading SF stylists and masters of the high-concept, Roberts, shortlisted for the Arthur C. Clarke award with his debut novel SALT, confirms his extraordinary potential with POLYSTOM.

Sprung from a prison in the centre of a star, the universe''s last criminal is employed to kill the population of a planet. It is a crime that will tear apart an interstellar utopia. Keeping ahead of detection and preparing the crime, the killer voyages to numerous worlds and hones the instincts required for murder. And wonders who is behind the contract. Roberts'' new novel is an extraordinary fusing of ideas, exotic locations, personal drama and an enquiry into the nature of crime in a society that thinks it has forgotten how to commit it.

It is 1848 and the British Empire has grown rich exploiting Lilliputian slaves - the finesse of their working allowing unheard of feats of minature engineering; even Babbage''s computing device has been made to work. But now the French have formed a regiment of previously peaceful Brobdingnagian giants and invasion looms. In a world where humanity is both smaller and larger than it once was, love and hate loom large. Mankind discovers itself at the centre of scale. Lilliputians are twelve times smaller than us but there are those twelve times smaller than them, and twelve times smaller again and so on. And the scale of being goes up from Swift''s giants also ... Adam Roberts has written both a rip roaring 19th century adventure, a love story and a thought-provoking pre-atomic SF novel about our place in the universe.

Bingo Sac Grabbins is asked by the coughing wizard Gandef and some (oddly Welsh) dwarves to help them relieve the great dragon Smug of his gold. SF author and Tolkien scholar Adam Roberts has written a parody that is both hilarious and intelligent. With knowing digs at the fantasy genre in general and the mystique that has built around Middle Earth in particular this will make Tolkien''s 21st century readers laugh in a way that BORED OF THE RINGS made his fans of 1969 laugh.

THE SELLAMILLION is NOT a parody of Tolkien''s THE SILMARILLION. That would be pointless because although all Tolkien fans have a copy, only three of them have read past page 40. It is, however, a parody of all that Tolkien created as he worked on LORD OF THE RINGS. The history of the elderly days. Early missing drafts of LORD OF THE RINGS. A correspondence between the author and publisher on whether it should be a Bellybutton Stud of Doom rather than a Ring of Power. An experimental version of LOTR as if written by Dr Seuss. That sort of thing. It''ll be funny. Possibly hilarious. The author''s told us it will be. Promised even. And he did write THE SODDIT. And that was quite funny.

THE LAND OF THE HEADLESS is set in a far future where mankind has taken his religious dogma and the divsions that result from it out into space. On a planet where society is shaped by a strict adherance to the word of God as laid out in the Old Testament and Quran a poet is accused of the rape of a woman. Found guilty he must face the punishment laid down in the Good Book; beheading. Beheaded, he is fitted with a neck valve, ordinator and basic sensory equipment and sent out into the world. But he bears a terrible and very visible stigma. the only way he can make a living is to join the army and serve in the war against the neighbouring planet. And plan his revenge against the man he believes is really guilty. LAND OF THE HEADLESS is a searing satire of religious fundamentalism, a novel of love and war and a study of self-delusion. It is an elegantly written, thought-provoking and unique SF novel.

Something fishy is going on in the world of artistic scholarship. How can there possibly be a link between the hidden cod of Leonardo Da Vinci''s paintings and the over fishing of the North Atlantic fish stocks? Could it be that Leonardo Da Vinci, the greatest genius of his age and inventor of the photocopier and mouse mat, had a chilling insight into European Union Fishing policies. Only one man can find out. Robert Hangdog, international scholar, master spy and action hero. Oh and Bezu Fish.

Adam Roberts'' new novel is a terrifying vision of a near future war - a civil war that tears the UK apart as new technologies allow the world''s first truly democratic army to take on the British army and wrest control from the powers that be. Taking advances in modern communication and the new eagerness for power from the bottom upwards, Adam Roberts has produced a novel that is at once an exciting war novel and a philosophical examination of war and democracy. It shows one of the UK''s most exciting and innovative literary voices working at the height of his powers and investing SF with literary significance that is its due.