New Releases by Julian Barnes

On the occasion of his eightieth birthday, one of our great novelists delivers a playful and profound work about memory, love and the writer's endgame. Shortly after our narrator, a writer named Julian, begins this compact book by discussing the workings of involuntary memory, he interrupts himself with a bulletin to the reader: "There will be a story—or a story within the story—but not just yet.” Of course, whether Departure(s) is mostly a fictional story or not, there is a lot of its author in it, including Barnes's reckoning with the blood disorder he has been living with since he was diagnosed in 2020, his long preoccupation with dying and grief and his mordant sense of the indignities and lost opportunities we're prey to in love. The story he promises to deliver is a love story, that of two friends he met at university in the 1960s, that time of touted but rarely experienced sexual freedom. Julian played matchmaker to Stephen (tall, gangling, uncertain) and Jean (tart and attractive); as the third wheel, he was deeply invested in the success of their love and insulted when they broke up. Time is swift, and forty years later, he tries again, watching as their rekindled affair produces joys, betrayals and disappointments of a different order. Barnes uses both his novelistic memory and his (real?) personal diary entries to examine not just the quixotic relationship of Jean and Stephen but his writer's eye upon it, and how his efforts on their behalf add up in the end. Despite promising them he'd never write about them, he breaks that promise to fulfill another one, amply, to his readers, in this delightful and poignant novelist’s game that only Julian Barnes knows how to play.

Bestselling author Julian Barnes illuminates the process of how minds are changed—about politics, books, words, memories, and more—in this wise and fascinating new book. “We always believe that changing our mind is an improvement, bringing a greater truthfulness to our dealings with the world and other people. It puts an end to vacillation, uncertainty, weak-mindedness. It seems to make us stronger and more mature. Well, we would think that, wouldn't we?” In these engaging and erudite essays, critically acclaimed writer Julian Barnes explores what is involved when we change our minds: about words, about politics, about books, about memories, about age and time.

In 'Flauberts papegaai' van Julian Barnes raakt Geoffrey Braithwaite, een ouder wordende arts wiens vrouw is overleden, gefascineerd door het leven en werk van Flaubert en reist regelmatig naar Frankrijk om alle plekken te bezoeken waar de schrijver gewoond en gewerkt heeft. Hij beschrijft zijn bevindingen in een poging te ontdekken wat er nu eigenlijk te weten valt over iemands leven – of het nu dat van Flaubert, van zijn overleden vrouw of van hemzelf is. 'Flauberts papegaai' is een briljant en bijzonder geestig hoogtepunt in het oeuvre van Julian Barnes. Het is een roman, het is een biografie van Flaubert, het is literaire kritiek en het is tevens een commentaar op deze drie genres.

From the bestselling, Booker Prize-winning author of The Sense of an Ending comes an extraordinary fictional portrait of the relentlessly fascinating Russian musician and composer Dmitri Shostakovich and a stunning meditation on the meaning of art and its place in society. • “Brilliant…. As elegantly constructed as a concerto.” —NPR 1936: Dmitri Shostakovich, just thirty years old, reckons with the first of three conversations with power that will irrevocably shape his life. Stalin, hitherto a distant figure, has suddenly denounced the young composer’s latest opera. Certain he will be exiled to Siberia (or, more likely, shot dead on the spot), Shostakovich reflects on his predicament, his personal history, his parents, his daughter—all of those hanging in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, he will twice more be swept up by the forces of despotism: coerced into praising the Soviet state at a cultural conference in New York in 1948, and finally bullied into joining the Party in 1960. All the while, he is compelled to constantly weigh the specter of power against the integrity of his music.

Part history, part fiction, part memoir, Levels of Life is a powerfully personal and unforgettable book, and an immediate classic on the subject of grief. Levels of Life opens in the nineteenth century with balloonists, photographers and Sarah Bernhardt, whose adventures lead seamlessly into an entirely personal account of the author's own great loss. "You put together two things that have not been put together before. And the world is changed." Levels of Life is about ballooning, photography, love and grief; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded him the Booker Prize described Barnes as "an unparalleled magus of the heart." This book confirms that opinion.

Grotesque visionary Sir Jack Pitman has an idea. Since most people are too lazy to travel from landmark to landmark, why not simplify things and create a new England on the Isle of Wight? Unfortunately, his idea is a huge success, and the resulting theme park threatens to supersede the original. Called England, England, it has all the elements of "Old England" in one convenient location. Wander into the new Sherwood Forest and you may spot Robin Hood and his now sexually ambiguous Merrie Men. Or take a stroll to see Stonehenge and Anne Hathaway's Cottage, enjoy a ploughman's lunch atop the White Cliffs of Dover, then pop over to see the Royals, now on contract to Sir Jack, in their scaled-down version of Buckingham Palace. Every detail has been considered: even the postcards come pre-stamped! Julian Barnes' first novel in six years is a ferociously funny examination of the search for authenticity and truth in a fabricated world.

It's a hilariously revisionist account of Noah's ark, narrated by a passenger who doesn't appear in Genesis. It's a sneak preview of heaven. It encompasses the stories of a cruise ship hijacked by terrorists and of woodworms tried for blasphemy in sixteenth-century France. It explores the relationship of fact to fabulation and the antagonism between history and love. In short, A History of the World in 10½ Chapters is a grandly ambitious and inventive work of fiction, in the traditions of Joyce and Calvino, from the author of the widely acclaimed Flaubert's Parrot.

Jean Serjeant, the heroine of Julian Barnes’s wonderfully provocative novel, seems ordinary, but has an extraordinary disdain for wisdom. And as Barnes—winner of the Man Booker Prize for The Sense of an Ending—follows her from her childhood in the 1920s to her flight into the sun in the year 2021, he confronts readers with the fruits of her relentless curiosity: pilgrimages to China and the Grand Canyon; a catalog of 1940s sexual euphemisms; and a glimpse of technology in the twenty-first century (when The Absolute Truth can be universally accessed). Elegant, funny and intellectually subversive, Staring at the Sun is Julian Barnes at his most dazzlingly original. “Brilliant. . . . A marvelous literary epiphany.” —Carlos Fuentes, The New York Times Book Review “Barnes’s literary energy and daring are nearly unparalleled.” —New Republic

From the bestselling, Booker Prize-winning author of The Sense of an Ending and one of Britain’s greatest writers: a brilliant collection of essays on the books and authors that have meant the most to him throughout his illustrious career. • "[A] blissfully intelligent gathering of literary essays." —Financial Times In these seventeen essays (plus a short story and a special preface, “A Life with Books”), Julian Barnes examines the British, French and American writers who have shaped his writing, as well as the cross-currents and overlappings of their different cultures. From the deceptiveness of Penelope Fitzgerald to the directness of Hemingway, from Kipling’s view of France to the French view of Kipling, from the many translations of Madame Bovary to the fabulations of Ford Madox Ford, from the National Treasure status of George Orwell to the despair of Michel Houellebecq, Julian Barnes considers what fiction is, and what it can do. As he writes, “Novels tell us the most truth about life: what it is, how we live it, what it might be for, how we enjoy and value it, and how we lose it.”

An Everyman's Library hardcover omnibus edition of two of the Booker Prize-winning author's earliest and most admired novels, neither of which has been available in hardcover for more than two decades. With full-cloth binding, a silk ribbon marker, a chronology, and a new introduction. Flaubert's Parrot, Julian Barnes's breakthrough book—shortlisted for the Booker Prize in 1984—is the story of Geoffrey Braithwaite, a retired doctor who is obsessed with the French author and with tracking down a stuffed parrot that once inspired him. Barnes playfully combines a literary detective story with a character study of its detective, embedded in a brilliant riff on literary genius. A History of the World in 10 1/2 Chapters is a mix of fictional and historical narratives of voyage and discovery—ranging from a woodworm's perspective on Noah's ark to a survivor from the sinking of the Titanic—that question our ideas of history. One of his most inventive works, it was praised by Salman Rushdie as "frequently brilliant, funny, thoughtful, iconoclastic, and a delight to read."

From Alan Bennett's Baffled at a Bookcase, to Lucy Mangan's Library Rules, famous writers tell us all about how libraries are used and why they're important. Tom Holland writes about libraries in the ancient world, while Seth Godin describes what a library will look like in the future. Lionel Shriver thinks books are the best investment, Hardeep Singh Kohli makes a confession and Julie Myerson remembers how her career began beside the shelves. Using memoir, history, polemic and some short stories too, The Library Book celebrates 'that place where they lend you books for free' and the people who work there. All royalties go to The Reading Agency, to help their work supporting libraries.

Sylvia Winstanley, the youngest and most competent resident in a home for the elderly and self-labelled maverick, begins a written correspondence with the author of Flaubert's Parrot. We are treated to one half of the confused and hilarious dialogue between the two. Sylvia's bout of 'epistolomania' offers a charming perspective on growing old, and the associated difficulty of continuing to look forward rather than back. Part of the Storycuts series, this short story was previously published in the collection The Lemon Table.

BOOKER PRIZE NOMINEE • From the internationally bestselling author of The Sense of an Ending comes a literary detective story of a retired doctor obsessed with the 19th century French author Flaubert—and with tracking down the stuffed parrot that once inspired him. • “A high literary entertainment carried off with great brio.” —The New York Times Book Review Julian Barnes playfully combines a detective story with a character study of its detective, embedded in a brilliant riff on literary genius. A compelling weave of fiction and imaginatively ordered fact, Flaubert's Parrot is by turns moving and entertaining, witty and scholarly, and a tour de force of seductive originality.

The bestselling, Booker Prize-winning author of The Sense of an Ending delivers “a remarkably original and subtle book” (The New York Review of Books) about the nature of love and jealousy. At the start of this fiendishly comic and suspenseful novel, a mild-mannered English academic chuckles as he watches his wife commit adultery. The action takes place before she met him. But lines between film and reality, past and present become terrifyingly blurred in this sad and funny tour de force from the author of Flaubert's Parrot.

Julian Barnes continues to reinvigorate the novel with his pyrotechnic verbal skill and playful manipulation of plot and character. In Love, etc. he uses all the surprising, sophisticated ingredients of a delightful farce to create a tragicomedy of human frailties and needs. After spending a decade in America as a successful businessman, Stuart returns to London and decides to look up his ex-wife Gillian. Their relationship had ended years before when Stuart’s witty, feckless, former best friend Oliver stole her away. But now Stuart finds that the intervening years have left Oliver’s artistic ambitions in ruins and his relationship with Gillian on less than solid footing. When Stuart begins to suspect that he may be able to undo the results of their betrayal, he resolves to act. Written as an intimate series of crosscutting monologues that allow each character to whisper their secrets and interpretations directly to the reader, Love, etc. is an unsettling examination of confessional culture and a profound refection on the power of perspective.

Conversations with Julian Barnes collects eighteen interviews, conducted over nearly three decades, by journalists and correspondents throughout the world with the author (b. 1946) of such highly praised novels as Flaubert's Parrot and Arthur & George. The interviews collectively address the entirety of Julian Barnes's varied works and provide readers the most vivid portrait yet of contexts and influences behind his ten novels, his short stories, and his essays. The interviews focus not only on the author's fiction but also on his essays, translations, and pseudonymous writings. Barnes's evolving understanding of the themes developed in his works (history, truth, love, art, and death), his views on the art of the writing process, and the role of authors in contemporary society are also discussed at length.

NATIONAL BESTSELLER • From the bestselling, Booker Prize-winning author of Sense of an Ending, “an elegant memoir and meditation” (The New York Times Book Review) that grapples with the most natural thing in the world: the fear of death. A memoir on mortality as only Julian Barnes can write it, one that touches on faith and science and family as well as a rich array of exemplary figures who over the centuries have confronted the same questions he now poses about the most basic fact of life: its inevitable extinction. If the fear of death is “the most rational thing in the world,” how does one contend with it? An atheist at twenty and an agnostic at sixty, Barnes looks into the various arguments for, against, and with God, and at his own bloodline, which has become, following his parents’ death, another realm of mystery. Deadly serious, masterfully playful, and surprisingly hilarious, Nothing to Be Frightened Of is a riveting display of how this supremely gifted writer goes about his business and a highly personal tour of the human condition and what might follow the final diagnosis.

In this widely acclaimed collection of short stories, the bestselling, Booker Prize-winning author of The Sense of an Ending addresses the most poignant aspect of the human condition: growing old. "A master at work…. Sweet, sour, bitter, wistful, ruminative, comic, elegiac … A joy to read." —San Francisco Chronicle The characters in The Lemon Table are facing the ends of their lives—some with bitter regret, others with resignation, and others still with defiant rage. Their circumstances are just as varied as their responses. In 19th-century Sweden, three brief conversations provide the basis for a lifetime of longing. In today’s England, a retired army major heads into the city for his regimental dinner—and his annual appointment with a professional lady named Babs. Somewhere nearby, a devoted wife calms (or perhaps torments) her ailing husband by reading him recipes. In stories brimming with life and our desire to hang on to it one way or another, Barnes proves himself by turns wise, funny, clever, and profound—a writer of astonishing powers of empathy and invention.

SEGONA EDICIÓ Una obra magnífica, plena d'humor, profunditat i saviesa, finalista del Man Booker Prize. Probablement la millor creació de Julian Barnes. Un episodi real, oblidat, convertit en una magnífica novel·la: una obra que permet veure en acció el creador de Sherlock Holmes, Arthur Conan Doyle, en un interessant cas d'intriga i prejudicis. Arthur Conan Doyle i George Edalji neixen a mitjan segle XIX a la Gran Bretanya. Els seus mons són distants: Arthur és metge i més tard escriptor de fama mundial gràcies a Sherlock Holmes; George, d'origen indi, fa d'advocat a Birmingham i treballa sense cap notorietat pública. Però a principis del segle XX uns misteriosos esdeveniments faran que els dos personatges coincideixin: es veuran involucrats en una trama policial amb cartes anònimes, atacs nocturns i enigmàtics assassinats que van trasbalsar l'opinió pública britànica. Fruit d'una intensa recerca, basada en un cas real, i de la brillant imaginació de Julian Barnes, Arthur i George retrata magníficament la societat victoriana i recrea les vides de dos personatges que esdevenen extraordinaris: George Edalji, acusat falsament i empresonat per motius racistes, i Arthur Conan Doyle, que va investigar el seu cas i va defensar públicament la seva innocència. Traducció d'Albert Torrescasana i Joan Puntí. 'Des del primer parràgraf, sabem que estem a les mans d'un gran novel·lista, que ens transporta a una irresistible narració, i que combina de manera genial biografia, història i l'emoció d'una trama d'intriga real. Barnes, en plena forma.' [PD James, The Times] Julian Barnes Nascut a Leicester (Regne Unit) el 1946, Julian Barnes és un dels escriptors britànics més prestigiosos, de la generació de Kazuo Ishiguro, Martin Amis i Graham Swift. Irònic, imprevisible i intel·ligent, Barnes és autor de les novel·les Metroland (1981), El lloro de Flaubert (1984) (Prix Médicis, 1986), Història del món en deu capítols i mig (1989), Anglaterra, Anglaterra (1998), Amor, etc. (2000), els reculls de contes Cross Channel (1996) i The Lemon Table (2004), entre altres. Ha rebut nombrosos premis literaris i importants distincions -E.M. Forster de l'American Academy of Arts and Letters (1986), William Shakespeare de la Fundació FvS (1993), el Premi Àustria de literatura estrangera (2004) i Commandeur de l'Ordre des Arts et des Lettres (2004). Arthur i George fou seleccionada per al Man Booker Prize el 2005. Julian Barnes viu actualment a Londres. Web de Julian Barnes Arthur i George, de Julian Barnes (Portàtil) Res a témer, de Julian Barnes Pulsacions, de Julian Barnes

La historia del mundo que nos cuenta Julian Barnes comienza en el arca de Noe y termina en el Paraiso, y entretanto la cruzan navios diversos: la balsa de la Medusa, que inspira la celebre pintura de Gericault; el Saint Louis, un barco de B+condenadosB; , que tras zarpar rumbo a La Habana con 937 judios alemanes expulsados de carceles y campos de concentracion, recorrio medio mundo sin que ningun pais aceptara su cargamento, por lo que tuvo que poner rumbo a Alemania; la fragil barca en la que se hace a la mar australiana desesperada y quiza loca, convencida de que el mundo ha sido arrasado por la guerra atomica; y hasta la nave espacial de un astronauta que encuentra a Dios en los espacios - nunca mejor dicho que cada uno tiene el Dios que se merece - y acaba B+redescubriendoB; el arca de Noe en el monte Ararat, en uno de los ironicos equivocos con que Barnes obsequia a sus lectores.B+Un libro quiza muy dificil de resumir, pero en absoluto dificil de leer. Serio e impertinente, fantastico y absolutamente realista, poetico y satirico, enormemente inteligente y muy, muy divertidoB; (R. Irwing, The Listener).B+Julian Barnes ha escrito un libro brillante, imaginativo, audaz, iconoclasta, original, y un verdadero placer para el lector. Que mas se podria pedir?B; (Salman Rushdie).

Acest roman fascinant gravitează în jurul stoicei și exigentei Elizabeth Finch, lector universitar, un personaj cu adevărat memorabil. Neil, naratorul, se înscrie la cursul ei de cultură și civilizație pentru adulți de toate vârstele și este captivat de personalitatea acesteia. Un roman provocator și experimental, care se concentrează pe necesitatea de a reexamina și de a reevalua constant ceea ce credem că știm despre istorie, dar și despre dragoste sau prietenie. Cursul ei schimbă felul în care vedem lumea. În Elizabeth Finch, vom regăsi tot ceea ce prețuim la Barnes: atenția sa pentru formele neortodoxe ale iubirii dintre doi oameni, un viraj convingător către non-ficțiune, impactul istoriei și, în special, al biografiei, ca hrană și ghid în viețile noastre actuale. „O explorare lirică, atentă și captivantă a iubirii, a durerii și a miturilor colective ale istoriei.“ Booklist Elizabeth Finch e compusă din „două treimi ficțiune și o treime non-ficțiune. Partea literară are drept protagonistă o femeie care nu e doar inteligentă, ci de-a dreptul înțeleaptă, un lector universitar care predă cursuri adulților și care are un impact deosebit asupra vieții naratorului, dar și asupra modului său de a gândi. Partea de non-ficțiune se concentrează asupra lui Iulian Apostatul, cel din urmă împărat roman păgân, după uciderea căruia creștinismul a rămas triumfător vreme de vreo cincisprezece secole. [...] Elizabeth Finch este o femeie care nu aparține vremurilor sale, un personaj în afara timpului, care scrutează cu atenție realitatea, care vede lucrurile mai clar decât studenții săi.“ Julian Barnes