Best Selling Books by Julian Barnes

Bestselling author Julian Barnes illuminates the process of how minds are changed—about politics, books, words, memories, and more—in this wise and fascinating new book. “We always believe that changing our mind is an improvement, bringing a greater truthfulness to our dealings with the world and other people. It puts an end to vacillation, uncertainty, weak-mindedness. It seems to make us stronger and more mature. Well, we would think that, wouldn''t we?” In these engaging and erudite essays, critically acclaimed writer Julian Barnes explores what is involved when we change our minds: about words, about politics, about books, about memories, about age and time.

Follows a middle-aged man as he reflects on a past he thought was behind him, until he is presented with a legacy that forces him to reconsider different decisions, and to revise his place in the world.

National Bestseller Finalist for the Booker Prize A Globe and Mail Best Book A Kirkus Reviews Best Fiction Book of the 21st Century From the Booker Award-winning writer comes a true-life tale about a long-forgotten mystery . . . Arthur and George grow up worlds apart in late nineteenth-century Britain: Arthur in shabby-genteel Edinburgh, George in the vicarage of a small Staffordshire village. Arthur is to become one of the most famous men of his age, creating the world’s most famous detective while in love with a woman who is not his wife. Meanwhile, George remains in hard-working obscurity, struggling with his identity in a world hostile to his ancestry. But as the new century begins, they’re brought together by a sequence of events that made sensational headlines at the time as The Great Wyrley Outrages. Written with a mixture of intense research and vivid imagination, Arthur & George is a masterful novel about low crime and high spirituality, guilt and innocence, identity, nationality and race. Most of all, it’s a profound and witty meditation on the fateful differences between what we believe, what we know and what we can prove.

On the occasion of his eightieth birthday, one of our great novelists delivers a playful and profound work about memory, love, and the writer''s endgame. Shortly after our narrator, a writer named Julian, begins this compact book by discussing the workings of involuntary memory, he interrupts himself with a bulletin to the reader: "There will be a story—or a story within the story—but not just yet.” Of course, whether Departure(s) is mostly fiction or not, there is a lot of its author in it, including Barnes''s reckoning with the blood disorder he has been living with since he was diagnosed in 2020, his long preoccupation with dying and grief, and his mordant sense of the indignities and lost opportunities we''re prey to in love. The story he promises to deliver is a love story, that of two friends he met at university in the 1960s, that time of touted but rarely experienced sexual freedom. Julian played matchmaker to Stephen (tall, gangling, uncertain) and Jean (tart and attractive); as the third wheel he was deeply invested in the success of their love and insulted when they broke up. Time is swift, and forty years later, he tries again, watching as their rekindled affair produces joys, betrayals, and disappointments of a different order. "Life and memory can be so . . . quixotic, don''t you find?" Barnes uses both his novelistic memory and his (real?) personal diary entries to examine not just the quixotic relationship of Jean and Stephen but his writer''s eye upon it, and how his efforts in their behalf add up in the end. Having promised them he''d never write about them, he breaks the promise to fulfill one, amply, to his readers, in this delightful and poignant novelist’s game that only Julian Barnes knows how to play.

In this widely acclaimed collection of short stories, the bestselling, Booker Prize-winning author of The Sense of an Ending addresses the most poignant aspect of the human condition: growing old. "A master at work…. Sweet, sour, bitter, wistful, ruminative, comic, elegiac … A joy to read." —San Francisco Chronicle The characters in The Lemon Table are facing the ends of their lives—some with bitter regret, others with resignation, and others still with defiant rage. Their circumstances are just as varied as their responses. In 19th-century Sweden, three brief conversations provide the basis for a lifetime of longing. In today’s England, a retired army major heads into the city for his regimental dinner—and his annual appointment with a professional lady named Babs. Somewhere nearby, a devoted wife calms (or perhaps torments) her ailing husband by reading him recipes. In stories brimming with life and our desire to hang on to it one way or another, Barnes proves himself by turns wise, funny, clever, and profound—a writer of astonishing powers of empathy and invention.

Geoffrey Braithwaite, a retired physician, devotes his final years to a manic examination of literary facts concerning his favourite author. Hilarious in many of its details, yet serious in its search for clues to Flaubert''s character. Nominated for the 1984 Booker Prize.

NATIONAL BESTSELLER • From the bestselling, Booker Prize-winning author of Sense of an Ending, “an elegant memoir and meditation” (The New York Times Book Review) that grapples with the most natural thing in the world: the fear of death. A memoir on mortality as only Julian Barnes can write it, one that touches on faith and science and family as well as a rich array of exemplary figures who over the centuries have confronted the same questions he now poses about the most basic fact of life: its inevitable extinction. If the fear of death is “the most rational thing in the world,” how does one contend with it? An atheist at twenty and an agnostic at sixty, Barnes looks into the various arguments for, against, and with God, and at his own bloodline, which has become, following his parents’ death, another realm of mystery. Deadly serious, masterfully playful, and surprisingly hilarious, Nothing to Be Frightened Of is a riveting display of how this supremely gifted writer goes about his business and a highly personal tour of the human condition and what might follow the final diagnosis.

Shy, sensible banker Stuart has trouble with women; that is, until a fortuitous singles night, where he meets Gillian, a picture restorer recovering from a destructive affair. Stuart''s best friend Oliver is his complete opposite - a language teacher who ''talks like a dictionary'', brash and feckless. Soon Stuart and Gillian are married, but it is not long before a tentative friendship between the three evolves into something far different. Talking it Over is a brilliant and intimate account of love''s vicissitudes. It begins as a comedy of errors, then slowly darkens and deepens, drawing us compellingly into the quagmires of the heart. “An interplay of serious thought and dazzling wit. . . . It''s moving, it''s funny, it''s frightening . . . fiction at its best.” —New York Times Book Review

From the best-selling, award-winning author of The Sense of an Ending, a magnetic tale that centers on the presence of a vivid and particular woman, whose loss becomes the occasion for a man’s deeper examination of love, friendship, and biography. "I’ll remember Elizabeth Finch when most other characters I’ve met this year have faded." –John Self, The Times This beautiful, spare novel of platonic unrequited love springs into being around the singular character of the stoic, exacting Professor Elizabeth Finch. Neil, the narrator, takes her class “Culture and Civilisation,” taught not for undergraduates but for adults of all ages; we are drawn into his intellectual crush on this private, withholding, yet commanding woman. While other personal relationships and even his family drift from Neil’s grasp, Elizabeth’s application of her material to the matter of daily living remains important to him, even after her death, in a way that nothing else does. In Elizabeth Finch, we are treated to everything we cherish in Barnes: his eye for the unorthodox forms love can take between two people, a compelling swerve into nonfictional material (this time, through Neil’s obsessive study of Julian the Apostate, following on notes Elizabeth left for him to discover after her death), and the forcefully moving undercurrent of history, and biography in particular, as nourishment and guide in our current lives.

From the bestselling, Booker Prize-winning author of The Sense of an Ending comes an extraordinary fictional portrait of the relentlessly fascinating Russian musician and composer Dmitri Shostakovich and a stunning meditation on the meaning of art and its place in society. • “Brilliant…. As elegantly constructed as a concerto.” —NPR 1936: Dmitri Shostakovich, just thirty years old, reckons with the first of three conversations with power that will irrevocably shape his life. Stalin, hitherto a distant figure, has suddenly denounced the young composer’s latest opera. Certain he will be exiled to Siberia (or, more likely, shot dead on the spot), Shostakovich reflects on his predicament, his personal history, his parents, his daughter—all of those hanging in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, he will twice more be swept up by the forces of despotism: coerced into praising the Soviet state at a cultural conference in New York in 1948, and finally bullied into joining the Party in 1960. All the while, he is compelled to constantly weigh the specter of power against the integrity of his music.

From the bestselling, Booker Prize-winning author of The Sense of an Ending comes “a brilliant, rueful look at love—what we do for it, how we experience it and what makes it die” (People). One summer in the sixties, in a staid suburb south of London, nineteen-year-old Paul comes home from university and is urged by his mother to join the tennis club. There he’s partnered with Susan Macleod, a fine player who’s forty-eight, confident, witty, and married, with two nearly adult daughters. She is a warm companion, her bond with Paul immediate. And soon, inevitably, they are lovers. Basking in the glow of one another, they set up house together in London. Decades later, Paul looks back at how they fell in love and how—gradually, relentlessly—everything fell apart. As he turns over his only story in his mind, examining it from different vantage points, he finds himself confronted with the contradictions and slips of his own memory—and the ways in which our narratives and our lives shape one another. Poignant, vivid and profound, The Only Story is a searing novel of memory, devotion, and how first love fixes a life forever.

Part history, part fiction, part memoir, Levels of Life is a powerfully personal and unforgettable book, and an immediate classic on the subject of grief. Levels of Life opens in the nineteenth century with balloonists, photographers and Sarah Bernhardt, whose adventures lead seamlessly into an entirely personal account of the author''s own great loss. "You put together two things that have not been put together before. And the world is changed." Levels of Life is about ballooning, photography, love and grief; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded him the Booker Prize described Barnes as "an unparalleled magus of the heart." This book confirms that opinion.

Julian Barnes continues to reinvigorate the novel with his pyrotechnic verbal skill and playful manipulation of plot and character. In Love, etc. he uses all the surprising, sophisticated ingredients of a delightful farce to create a tragicomedy of human frailties and needs. After spending a decade in America as a successful businessman, Stuart returns to London and decides to look up his ex-wife Gillian. Their relationship had ended years before when Stuart’s witty, feckless, former best friend Oliver stole her away. But now Stuart finds that the intervening years have left Oliver’s artistic ambitions in ruins and his relationship with Gillian on less than solid footing. When Stuart begins to suspect that he may be able to undo the results of their betrayal, he resolves to act. Written as an intimate series of crosscutting monologues that allow each character to whisper their secrets and interpretations directly to the reader, Love, etc. is an unsettling examination of confessional culture and a profound refection on the power of perspective.

From the bestselling, Booker Prize-winning author of A Sense of an Ending comes a comedy of sexual awakening in the 1960s that is “wonderfully fresh, crackling with nostalgic irreverence” (Vogue). Only the author of Flaubert''s Parrot could give us a novel that is at once a note-perfect rendition of the angsts and attitudes of English adolescence, a giddy comedy of sexual awakening, and a portrait of the accommodations that some of us call "growing up" and others "selling out.

For anyone who loves France (or just feels strongly about it) comes a “beautifully written” collection of essays (The New York Times Book Review) on the country and its culture—from the bestselling, Booker Prize-winning author of The Sense of an Ending. Julian Barnes’s appreciation extends from France’s vanishing peasantry to its hyper-literate pop singers, from the gleeful iconoclasm of nouvelle vague cinema to the orgy of drugs and suffering that is the Tour de France. Above all, Barnes is an unparalleled connoisseur of French writing and writers. Here are the prolific and priapic Simenon, Baudelaire, Sand and Sartre, and several dazzling excursions on the prickly genius of Flaubert. Lively yet discriminating in its enthusiasm, seemingly infinite in its range of reference, and written in prose as stylish as haute couture, Something to Declare is an unadulterated joy.

Graham was an historian: he was meant to be an expert on the past. But there were aspects of it, he discovered, that couldn''t be subdued, that simply carried on, lively and painful, as if they were the present. He began to mind. He minded very much indeed. While those around him look on - with concern, with contempt, with amusement - Graham''s meticulous passion gradually begins to run out of control. Julian Barnes presents an unnerving version of sexual jealousy and shows it to be not just living, but reasonable, ordinary, funny, dangerous and consuming.

From the Man Booker Prize-winning author of The Sense of an Ending—a rich, witty, revelatory tour of Belle Époque Paris, told through the remarkable life story of the pioneering surgeon, Samuel Pozzi. • “A pleasure to read in every way.” —The New York Times Book Review In the summer of 1885, three Frenchmen arrived in London for a few days'' intellectual shopping: a prince, a count, and a commoner with an Italian name. In time, each of these men would achieve a certain level of renown, but who were they then and what was the significance of their sojourn to England? Answering these questions, Julian Barnes unfurls the stories of their lives which play out against the backdrop of the Belle Époque in Paris. Our guide through this world is Samuel Pozzi, the society doctor, free-thinker and man of science with a famously complicated private life who was the subject of one of John Singer Sargent''s greatest portraits. In this vivid tapestry of people (Henry James, Sarah Bernhardt, Oscar Wilde, Proust, James Whistler, among many others), place, and time, we see not merely an epoch of glamour and pleasure, but, surprisingly, one of violence, prejudice, and nativism—with more parallels to our own age than we might imagine. The Man in the Red Coat is, at once, a fresh portrait of the Belle Époque; an illuminating look at the longstanding exchange of ideas between Britain and France; and a life of a man who lived passionately in the moment but whose ideas and achievements were far ahead of his time.

The bestselling, Booker Prize-winning author of The Sense of an Ending trains his laser-bright prose on the collapse of Communism in Eastern Europe. Stoyo Petkanov, the deposed Party leader, is placed on trial for crimes that range from corruption to political murder. Petkanov''s guilt—and the righteousness of his opponents—would seem to be self-evident. But, as brilliantly imagined by Barnes, the trial of this cunning and unrepentant dictator illuminates the shadowy frontier between the rusted myths of the Communist past and a capitalist future in which everything is up for grabs.

From the winner of the Man Booker Prize for Fiction 2011, an extraordinary true-life tale about a long-forgotten mystery... Arthur and George grow up worlds and miles apart in late nineteenth-century Britain: Arthur in shabby-genteel Edinburgh, George in the vicarage of a small Staffordshire village. Arthur becomes a doctor, and then a writer; George a solicitor in Birmingham. Arthur is to become one of the most famous men of his age, George remains in hardworking obscurity. But as the new century begins, they are brought together by a sequence of events which made sensational headlines at the time as The Great Wyrley Outrages. With a mixture of detailed research and vivid imagination, Julian Barnes brings to life not just this long-forgotten case, but the inner workings of these two very different men. This is a novel in which the events of a hundred years ago constantly set off contemporary echoes, a novel about low crime and high spirituality, guilt and innocence, identity, nationality and race. Most of all it is a profound and moving meditation on the fateful difference between what we believe, what we know and what we can prove.