Most Popular Books by Julian Barnes

Bestselling author Julian Barnes illuminates the process of how minds are changed—about politics, books, words, memories, and more—in this wise and fascinating new book. “We always believe that changing our mind is an improvement, bringing a greater truthfulness to our dealings with the world and other people. It puts an end to vacillation, uncertainty, weak-mindedness. It seems to make us stronger and more mature. Well, we would think that, wouldn't we?” In these engaging and erudite essays, critically acclaimed writer Julian Barnes explores what is involved when we change our minds: about words, about politics, about books, about memories, about age and time.

Master prose stylist Julian Barnes presents a collection of stories whose characters are growing old and facing the end of their lives—some with bitterness, some with resignation and others with raging defiance. “Life is just a premature reaction to death,” was what Viv’s husband used to say. Once her lover and friend, he is now Viv’s semi-helpless charge, who is daily sinking ever deeper into dementia. In “Appetite,” Viv has found a way to reach her husband: by reading aloud snippets of recipe books until he calls out indelible—and sometimes unfortunate—scenes locked away in his brain. In “The Things You Know,” two elderly friends enjoy their monthly breakfast meetings that neither would ever think of missing. Of course, all they really have in common is a fondness for flat suede shoes and a propensity for thinking spiteful, unspoken thoughts about one another’s dead husbands. “The Fruit Cage” is narrated by a middle-aged man whose seemingly orderly upbringing is harrowingly undone when he discovers that his parents’ old age is not necessarily a time of serenity but actually an age of aroused, perhaps violent, passions. In these stories, Julian Barnes displays the erudition, wit and uncanny insight into the human mind that mark him as one of today’s great writers, one whose intellect and humour never obscure a genuine affection for his characters.

Follows a middle-aged man as he reflects on a past he thought was behind him, until he is presented with a legacy that forces him to reconsider different decisions, and to revise his place in the world.

"I don’t believe in God, but I miss him." So begins Julian Barnes’s brilliant new book that is, among many things, a family memoir, an exchange with his brother (a philosopher), a meditation on mortality and the fear of death, a celebration of art, an argument with and about God and a homage to the writer Jules Renard. Barnes also draws poignant portraits of the last days of his parents, recalled with great detail, affection and exasperation. Other examples he takes up include writers, "most of them dead and quite a few of them French," as well as some composers, for good measure. The grace with which Barnes weaves together all of these threads makes the experience of reading the book nothing less than exhilarating. Although he cautions us that "this is not my autobiography," the book nonetheless reveals much about Barnes the man and the novelist: how he thinks and how he writes and how he lives. At once deadly serious and dazzlingly playful, Nothing to Be Frightened Of is a wise, funny and constantly surprising tour of the human condition.

On the occasion of his eightieth birthday, one of our great novelists delivers a playful and profound work about memory, love, and the writer's endgame. Shortly after our narrator, a writer named Julian, begins this compact book by discussing the workings of involuntary memory, he interrupts himself with a bulletin to the reader: "There will be a story—or a story within the story—but not just yet.” Of course, whether Departure(s) is mostly fiction or not, there is a lot of its author in it, including Barnes's reckoning with the blood disorder he has been living with since he was diagnosed in 2020, his long preoccupation with dying and grief, and his mordant sense of the indignities and lost opportunities we're prey to in love. The story he promises to deliver is a love story, that of two friends he met at university in the 1960s, that time of touted but rarely experienced sexual freedom. Julian played matchmaker to Stephen (tall, gangling, uncertain) and Jean (tart and attractive); as the third wheel he was deeply invested in the success of their love and insulted when they broke up. Time is swift, and forty years later, he tries again, watching as their rekindled affair produces joys, betrayals, and disappointments of a different order. "Life and memory can be so . . . quixotic, don't you find?" Barnes uses both his novelistic memory and his (real?) personal diary entries to examine not just the quixotic relationship of Jean and Stephen but his writer's eye upon it, and how his efforts in their behalf add up in the end. Having promised them he'd never write about them, he breaks the promise to fulfill one, amply, to his readers, in this delightful and poignant novelist’s game that only Julian Barnes knows how to play.

Part history, part fiction, part memoir, Levels of Life is a powerfully personal and unforgettable book, and an immediate classic on the subject of grief. Levels of Life opens in the nineteenth century with balloonists, photographers and Sarah Bernhardt, whose adventures lead seamlessly into an entirely personal account of the author's own great loss. "You put together two things that have not been put together before. And the world is changed." Levels of Life is about ballooning, photography, love and grief; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded him the Booker Prize described Barnes as "an unparalleled magus of the heart." This book confirms that opinion.

It's a hilariously revisionist account of Noah's ark, narrated by a passenger who doesn't appear in Genesis. It's a sneak preview of heaven. It encompasses the stories of a cruise ship hijacked by terrorists and of woodworms tried for blasphemy in sixteenth-century France. It explores the relationship of fact to fabulation and the antagonism between history and love. In short, A History of the World in 10½ Chapters is a grandly ambitious and inventive work of fiction, in the traditions of Joyce and Calvino, from the author of the widely acclaimed Flaubert's Parrot.

The bestselling, Booker Prize-winning author of The Sense of an Ending traces the life of a seemingly ordinary woman with an extraordinary disdain for wisdom in this “marvelous literary epiphany” (The New York Times Book Review). In this wonderfully provocative novel, Barnes follows Jean Serjeant from her childhood in the 1920s to her flight into the sun in the year 2021, confronting readers with the fruits of her relentless curiosity: pilgrimages to China and the Grand Canyon; a catalogue of 1940s sexual euphemisms; and a glimpse of technology in the twenty-first century (when The Absolute Truth can be universally accessed). Elegant, funny and intellectually subversive, Staring at the Sun is Julian Barnes at his most dazzlingly original.

Geoffrey Braithwaite, a retired physician, devotes his final years to a manic examination of literary facts concerning his favourite author. Hilarious in many of its details, yet serious in its search for clues to Flaubert's character. Nominated for the 1984 Booker Prize.

Conversations with Julian Barnes collects eighteen interviews, conducted over nearly three decades, by journalists and correspondents throughout the world with the author (b. 1946) of such highly praised novels as Flaubert's Parrot and Arthur & George. The interviews collectively address the entirety of Julian Barnes's varied works and provide readers the most vivid portrait yet of contexts and influences behind his ten novels, his short stories, and his essays. The interviews focus not only on the author's fiction but also on his essays, translations, and pseudonymous writings. Barnes's evolving understanding of the themes developed in his works (history, truth, love, art, and death), his views on the art of the writing process, and the role of authors in contemporary society are also discussed at length.

The Sunday Times Bestseller from the Winner of the Booker Prize She will change the way you see the world . . . 'I'll remember Elizabeth Finch when most other characters I've met this year have faded' The Times Elizabeth Finch was a teacher, a thinker, an inspiration. Neil is just one of many who fell under her spell during his time in her class. Tasked with unpacking her notebooks after her death, Neil encounters once again Elizabeth's astonishing ideas on the past and on how to make sense of the present. But Elizabeth was much more than a scholar. Her secrets are waiting to be revealed . . . and will change Neil's view of the world forever. 'Enthralling . . . A connoisseur and master of irony himself, [Barnes] fills this book with instances of its exhilarating power' Sunday Times 'A lyrical, thoughtful and intriguing exploration of love, grief and the collective myths of history' Booklist

National Bestseller Finalist for the Booker Prize A Globe and Mail Best Book A Kirkus Reviews Best Fiction Book of the 21st Century From the Booker Award-winning writer comes a true-life tale about a long-forgotten mystery . . . Arthur and George grow up worlds apart in late nineteenth-century Britain: Arthur in shabby-genteel Edinburgh, George in the vicarage of a small Staffordshire village. Arthur is to become one of the most famous men of his age, creating the world’s most famous detective while in love with a woman who is not his wife. Meanwhile, George remains in hard-working obscurity, struggling with his identity in a world hostile to his ancestry. But as the new century begins, they’re brought together by a sequence of events that made sensational headlines at the time as The Great Wyrley Outrages. Written with a mixture of intense research and vivid imagination, Arthur & George is a masterful novel about low crime and high spirituality, guilt and innocence, identity, nationality and race. Most of all, it’s a profound and witty meditation on the fateful differences between what we believe, what we know and what we can prove.

The bestselling, Booker Prize-winning author of The Sense of an Ending delivers a tragicomedy about a successful businessman who wants to undo the results of his former best friend’s betrayal and get his ex-wife back. • “An alarmingly perfect novel.” —The New York Review of Books Shortlisted twice for the Booker Prize, Julian Barnes continues to reinvigorate the novel with his pyrotechnic verbal skill and playful manipulation of plot and character. In Love, etc. he uses all the surprising, sophisticated ingredients of a delightful farce to create a tragicomedy of human frailties and needs. After spending a decade in America as a successful businessman, Stuart returns to London and decides to look up his ex-wife Gillian. Their relationship had ended years before when Stuart’s witty, feckless, former best friend Oliver stole her away. But now Stuart finds that the intervening years have left Oliver’s artistic ambitions in ruins and his relationship with Gillian on less than solid footing. When Stuart begins to suspect that he may be able to undo the results of their betrayal, he resolves to act. Written as an intimate series of crosscutting monologues that allow each character to whisper their secrets and interpretations directly to the reader, Love, etc. is an unsettling examination of confessional culture and a profound reflection on the power of perspective.

From the bestselling, Booker Prize-winning author of The Sense of an Ending comes an extraordinary fictional portrait of the relentlessly fascinating Russian musician and composer Dmitri Shostakovich and a stunning meditation on the meaning of art and its place in society. • “Brilliant…. As elegantly constructed as a concerto.” —NPR 1936: Dmitri Shostakovich, just thirty years old, reckons with the first of three conversations with power that will irrevocably shape his life. Stalin, hitherto a distant figure, has suddenly denounced the young composer’s latest opera. Certain he will be exiled to Siberia (or, more likely, shot dead on the spot), Shostakovich reflects on his predicament, his personal history, his parents, his daughter—all of those hanging in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, he will twice more be swept up by the forces of despotism: coerced into praising the Soviet state at a cultural conference in New York in 1948, and finally bullied into joining the Party in 1960. All the while, he is compelled to constantly weigh the specter of power against the integrity of his music.

For anyone who loves France (or just feels strongly about it) comes a “beautifully written” collection of essays (The New York Times Book Review) on the country and its culture—from the bestselling, Booker Prize-winning author of The Sense of an Ending. Julian Barnes’s appreciation extends from France’s vanishing peasantry to its hyper-literate pop singers, from the gleeful iconoclasm of nouvelle vague cinema to the orgy of drugs and suffering that is the Tour de France. Above all, Barnes is an unparalleled connoisseur of French writing and writers. Here are the prolific and priapic Simenon, Baudelaire, Sand and Sartre, and several dazzling excursions on the prickly genius of Flaubert. Lively yet discriminating in its enthusiasm, seemingly infinite in its range of reference, and written in prose as stylish as haute couture, Something to Declare is an unadulterated joy.

Grotesque visionary Sir Jack Pitman has an idea. Since most people are too lazy to travel from landmark to landmark, why not simplify things and create a new England on the Isle of Wight? Unfortunately, his idea is a huge success, and the resulting theme park threatens to supersede the original. Called England, England, it has all the elements of "Old England" in one convenient location. Wander into the new Sherwood Forest and you may spot Robin Hood and his now sexually ambiguous Merrie Men. Or take a stroll to see Stonehenge and Anne Hathaway's Cottage, enjoy a ploughman's lunch atop the White Cliffs of Dover, then pop over to see the Royals, now on contract to Sir Jack, in their scaled-down version of Buckingham Palace. Every detail has been considered: even the postcards come pre-stamped! Julian Barnes' first novel in six years is a ferociously funny examination of the search for authenticity and truth in a fabricated world.

The bestselling, Booker Prize-winning author of The Sense of an Ending delivers “a remarkably original and subtle book” (The New York Review of Books) about the nature of love and jealousy. At the start of this fiendishly comic and suspenseful novel, a mild-mannered English academic chuckles as he watches his wife commit adultery. The action takes place before she met him. But lines between film and reality, past and present become terrifyingly blurred in this sad and funny tour de force from the author of Flaubert's Parrot.

In this powerfully affecting Flaubert's Parrot gives readers a brilliant take on the deceptions that make up the quivering substrata of erotic love. "An interplay of serious thought and dazzling wit. . . . It's moving, it's funny, it's frightening . . . fiction at its best."--New York Times Book Review.