Best Selling Books by Adam Roberts

“A fast track to culinary bliss.”—Frank Bruni, New York Times • “A sort of Rachael Ray for young foodie urbanites.”—Boston Globe Self-taught chef and creator of the Amateur Gourmet website, Adam Roberts has written the ultimate “Kitchen 101” for anyone who’s ever wanted to enjoy the rewards of good eating without risking burning down the house! In this deliciously illuminating and hilarious new kitchen companion, Roberts has assembled a five-star lineup of some of the food world’s most eminent authorities. The result is a culinary education like no other. • Learn the “Ten Commandments of Dining Out” courtesy of Ruth Reichl, editor in chief of Gourmet magazine. • Discover why the New York Times’s Amanda Hesser urges you never to bring a grocery list to the market. • Get knife lessons from a top sous-chef at Manhattan’s famous Union Square Cafe, and much more. Packed with recipes, menu plans, shopping tips, and anecdotes, The Amateur Gourmet provides you with all the ingredients to savor the foodie lifestyle. All you need to add is a healthy appetite and a taste for adventure. Praise for The Amateur Gourmet “For anyone seeking to venture beyond toaster meals into the pleasurable world of sautéing and braising, Roberts is the perfect guide.”—Matt Lee and Ted Lee, authors of The Lee Bros. Southern Cookbook “A funny little guide—thanks to Roberts’ comic timing and frequent kitchen flops—to savoring life’s flavor in pursuit of good eats.”—New York Daily News “Amateurgourmet [online] is a food-world must read, offering an intelligent and witty view of food culture. . . . Now Roberts moves to the head of the table with his new book.”—Denver Post “A delightful and compelling new voice in the food world.”—Michael Ruhlman, author of Charcuterie and The Reach of a Chef

We know Stanislaw Lem, whether or not we consciously know that we do. He may only be recognised in the West as the author of the twice-filmed novel, Solaris, but the influence of his other work is legion. From computer games (The Sims was inspired by one of his short stories), to films (the red and blue pills of The Matrix owe much to his Futurological Congress); from the space comedies of Red Dwarf to the metaphysical satires of Douglas Adams... the presence of this masterly Polish writer can be traced far and wide. Nor was his genius confined to fiction. Lem''s essays and pseudo-essays borne out of the military industrial tensions of the Cold War have outlived their original context and speak to the most current developments in virtual reality, nanotechnology, and artificial intelligence. To celebrate his name, as well as his vision, this anthology brings together writers, critics and scientists who continue to grapple with his concerns. British and Polish novelists join screenwriters, poets, computer engineers, and artists, to celebrate and explore Lem''s legacy through short stories and essays - two literary forms that, as Lem knew well, can blend together to create something altogether new. As one of the barriers to Lem''s fame was language, this book also features specially commissioned translations: three stories never to have appeared in English before. Lem was always ahead of us. It''s time we caught up.

Award nominated SF author Adam Roberts takes on Dickens in this festive zombie gorefest. Marley was dead. To begin with. The legendary Ebenezeer Scrooge sits in his house counting money. The boards that he has nailed up over the doors and the windows shudder and shake under the blows from the endless zombie hordes that crowd the streets hungering for his flesh and his miserly braaaaiiiiiinns! Just how did the happiest day of the year slip into a welter of blood, innards and shambling, ravenous undead on the snowy streets of old London town? Will the ghosts of Christmas Past, Present and Future be able to stop the world from drowning under a top-hatted and crinolined zombie horde? It''s the Dickensian Zombie Apocalypse - God Bless us, one and all!

Tighe lives on the wall. It towers above his village and falls away below it. It is vast and unforgiving and it is everything he knows. Life is hard on the wall, little more than a clinging on for dear life. And then one day Tighe falls off the wall. And falls, and falls, and falls ... Lavishly praised everywhere from Asimov''s magazine to Interzone, ON is proof positive that Adam Roberts is a new author whose potential for greatness is rapidly being realised. ON is at once a vertiginous concept novel, a coming of age saga, a picaresque journey across a changed world and an epic adventure in the very best traditions of SF.

The new Adam Roberts novel is a story of global apocalypse, old hatreds and new beginnings. It is his best novel to date. And this is how the world will end ... ''The snow started falling on the sixth of September, soft noiseless flakes filling the sky like a swarm of white moths, or like static interference on your TV screen - whichever metaphor, nature or technology, you find the more evocative. Snow everywhere, all through the air, with that distinctive sense of hurrying that a vigorous snowfall brings with it. Everything in a rush, busy-busy snowflakes. And, simultaneously, paradoxically, everything is hushed, calm, as quiet as cancer, as white as death. And at the beginning people were happy.'' But the snow doesn''t stop. It falls and falls and falls. Until it lies three miles thick across the whole of the earth. Six billion people have died. Perhaps 150,000 survive. But those 150,000 need help, they need support, they need organising, governing. And so the lies begin. Lies about how the snow started. Lies about who is to blame. Lies about who is left. Lies about what really lies beneath.

A gothic tale of murder and corruption set in 1840s Victorian London, taking inspiration from our most famous 19th century writers. The 1840s. Railway Baron Sir Martin Malprelate has been laying waste to the warren of Camden; buying up houses and clearing streets for his new railway line linking King’s Cross with the prosperous town of Middlemarch. He stands to make his fortune ever more vast and to earn the loathing of all who attempt to stand up to him. Little wonder, then, that he meets a violent end on a foggy street after walking out of a particularly bitter meeting with outraged residents facing eviction. But the cause of his death causes more wonder. How could he have possibly fallen beneath the wells of a speeding spectral train running on tracks not yet even built? Sir Martin’s death is investigated by the police, but the company employ one of its senior engineers, Mr Bryde, to pursue his own investigation. Bryde uncovers a network of resentment and conspiracy, popular opposition to the expansion of the railways, agitating workers, scheming shareholders, corrupt politicians and a gallery of varied and grotesque characters, all of whom had some stake in the old man’s death. Lacing it’s realism with both social commentary and the gothic imaginations of the time The Murder of Sir Martin Malprelate is a vivid recreation of a London stalked by poverty and haunted by visions of demons and ghosts; a world of slums, lavish wealth and opium dens. The narrative is coloured by exotic characters all too ready to believe in the supernatural but the plot is driven by rationality and the all too real motivations of greed and revenge.

Solaris Rising 1.5 continues the exciting new series of SF anthologies from Solaris and editor Ian Whates, with an exclusive ebook! An anthology of nine short stories from some of the most exciting names in science fiction today. From both sides of the Atlantic – and further afield – these nine great writers offer you everything from a mystery about the nature of the universe to an inexplicable transmission to everyone on Earth, and from engineered giant spiders to Venetian palaces in space. So settle in, and enjoy yet more proof of the extraordinary breadth and depth of contemporary SF. Featuring Adam Roberts, Aliette de Bodard, Gareth L. Powell, Mike Resnick, Sarah Lotz, Phillip Vine, Tanith Lee, Paul Cornell, Paul di Filippo.

It is one of the world’s most iconic cities, the center of romance, cuisine, and high culture, a place we are all implored to visit in spring and then forever hold in our hearts: Paris. But behind these familiar notions lies a bustling and deeply complex metropolis, one that offers visitors an unending array of surprises. This book takes readers and travelers to this other Paris, a city of love and danger alike, a city imbued with over 2,000 years of history, which Adam Roberts lovingly recounts alongside an expert tour of the city’s sights, sounds, and flavors. Roberts tells the story of how a provincial backwater rose up to become one of the richest, most powerful, and most visited cities in Europe, a world leader in fashion, the arts, and gastronomy. He takes us back two millennia to when roaming Celtic tribes first set up camp on the banks of the Seine, and from there moves through turbulent centuries full of the fates and fortunes of kings, marked by invasions, revolutions, and magnificent buildings constructed one after the other. He explores the city’s renowned gothic architecture, the urban planning that has been revised throughout history, the mammoth museums that have been erected to preserve its artistic legacy, and the vibrant street culture that hosts markets, performers, and Paris’s own flâneurs every single day. Along the way, he points out countless hidden gems travelers rarely make it to: from a vintage candy shop to a museum of romantic life, from a hidden garden inside a hospital to a converted hair salon that hosts—of all things—table tennis tournaments. And of course he shows readers where to eat, catch a show, and go for gorgeous sunset strolls. Offering a comprehensive but easily digestible overview, Paris is the perfect book for anyone planning a visit to the city or anyone who simply loves it from afar.

Something fishy is going on in the world of artistic scholarship. How can there possibly be a link between the hidden cod of Leonardo Da Vinci''s paintings and the over fishing of the North Atlantic fish stocks? Could it be that Leonardo Da Vinci, the greatest genius of his age and inventor of the photocopier and mouse mat, had a chilling insight into European Union Fishing policies. Only one man can find out. Robert Hangdog, international scholar, master spy and action hero. Oh and Bezu Fish.

Private Investigator Alma is caught up in another impossible murder. One of the world''s four richest people may be dead - but nobody is sure which one. Hired to discover the truth behind the increasingly bizarre behaviour of the ultra-rich, Alma must juggle treating her terminally ill lover with a case which may not have a victim. Inspired by the films of Kubrick, this stand-alone novel returns to the near-future of THE REAL-TOWN MURDERS, and puts Alma on a path to a world she can barely understand. Witty, moving and with a mystery deep at its heart, this novel again shows Adam Roberts'' mastery of the form.

Adam Roberts¿ fourth novel is his most ambitious yet. In a feat of extraordinary world building he creates a universe where a breathable atmosphere extends out between the planets, where aristocrats cruise interstellar space in biplanes, and skywhals make mysterious distant orbits. Then, with bravura plotting he undermines our own notions of reality and leaves the reader unsure which universe to believe. Gaining a reputation as one of the UK¿s leading SF stylists and masters of the high-concept Roberts, shortlisted for the Arthur C. Clarke award with his debut novel SALT, confirms his extraordinary potential with POLYSTOM.

Cleanness, both in the sense of a neoclassical stylistic purity and of an individual moral and political probity, was centrally important to Walter Savage Landor''s writing, both in his prose and poetry. At the same time, this commitment to purity was contaminated in a variety of eloquent and complicating uncleannesses: his own fiery temper and frequent rages; his sometimes scurrilous and sexually explicit Latin poems; and the innovative, compacted, proto-Modernist verse style of works such as his epic Gebir, as stylistically-tangled and potent a poem ever produced in the Romantic era. The present study, the first comprehensive study of Landor''s writing for nearly half a century, addresses the whole of Landor''s prodigious output over the seven decades of his writing life, in verse, prose, and drama, in English and Latin: from the brief lyrics by which (if at all) he is remembered today up to his idylls, tragedies, and epics; from his pamphlets and essays to historical novels like Pericles and Aspasia and the textual colossus of the Imaginary Conversations. ''Cleanness'' becomes the organising principle by which this heterogeneous and multivocal body of work is read. At once a survey of Landor''s output and life, a critically engaged reading of his work and an interrogation of the principles of poetry itself, Landor''s Cleanness seeks to reconfigure the map of Romantic and Victorian writing, and move Landor''s reputation at least some way in the direction of the eminence he once enjoyed: as a major writer of his time, both intensely characteristic of the nineteenth-century and startlingly relevant to the twenty-first.

It is the dawn of the twentieth century. Following the Martians'' failed invasion of Earth, the British Empire has seized their technology and unlocked its secrets for themselves. It is a Golden Age of discovery, adventure, culture, invention—and of domination, and rebellion. Scarlet Traces reveals a world of ant-headed nightmares; vacuum salesmen; war machines; deadly secrets; clockwork marvels; and Sherlock Holmes, T. S. Eliot and Thomas Edison as you''ve never seen them before... Including stories by Stephen Baxter, I. N. J. Culbard, Adam Roberts, Emma Beeby, James Lovegrove, Nathan Duck, Mark Morris, Dan Whitehead, Chris Roberson, Maura McHugh, Jonathan Green and Andrew Lane.

In March 2004 Nick Du Toit confessed to ''the Wonga Coup'' - an attempt to overthrow the government of Equatorial Guinea. This is the story of how the coup was set up and why it failed. On 7 March 2004, Zimbabwean police impounded a plane which flew in from South Africa with 64 alleged mercenaries on board. The group, led by Nick Du Toit and former SAS member Simon Mann, were planning a coup in Equatorial Guinea. Within a few days of the failed takeover, Du Toit appeared on TV and admitted everything, almost certainly after torture. Investigators soon found that the plot was funded not by oil tycoons but by celebrity investors. Several names were put forward, including Sir Mark Thatcher and a "J. H. Archer". In November 2004 Britain''s foreign secretary, Jack Straw, admitted that his government knew about the plot three months before it took place. The target of the coup was Obiang Nguema, the president of Equatorial Guinea and one of the last relics of old-fashioned tyranny in Africa. But the plotters were not campaigning for democracy. Equatorial Guinea is Africa''s third largest producer of oil, and the coup plotters wanted a share of these oil billions. The story echoes Frederick Forsyth''s The Dogs of War, uncannily... Adam Roberts tells the amazing tale of the coup, recounting the drama in detail - how it was set up and then called off at the last moment, and how the plotters were tortured. He also explains the wider significance of the events and their aftermath, providing a rich understanding of a continent that is still all too poorly known and the great scramble for control of the continent''s bountiful resources. A video of a recent author event can be found on YouTube.

Two communities of colonists arrive on the planet Salt, though once united, they soon find they are divided by a cultural misunderstanding which erupts into a full-scale war.

Neutralitet; Sverige; Jugoslavien og dets doktrin; Begrænsninger; Alternativ.

The relationship between sleep and storytelling is an ancient one. For centuries, sleep has provided writers with a magical ingredient – a passage of time during which great changes miraculously occur, an Orpheus-like voyage through the subconscious daubed with the fantastic. But over the last ten years, our scientific understanding of sleep has been revolutionised. No longer is sleep viewed as a time of simple rest and recuperation. Instead, it is proving to be an intensely dynamic period of brain activity: a vital stage in the re-wiring of memories, the learning of new skills, and the processing of problems and emotions. How will storytelling respond to this new and emerging science of sleep? Here, 14 authors have been invited to work with key scientists to explore various aspects of sleep research: from the possibilities of ‘sleep engineering’ and ‘overnight therapies’, to future-tech ways of harnessing sleep’s problem-solving powers, to the challenges posed by our increasingly 24-hour lifestyles. Just as new hypotheses are being put forward, old hunches are also being confirmed (there’s now a scientific basis for the time-worn advice ‘to sleep on a problem’). As these responses show, sleep and the spinning of stories are still very much entwined. Featuring scientific contributions from: Prof Russell G. Foster, Isabel Hutchison, Dr. Simon Kyle, Dr. Penny Lewis, Dr. Paul Reading, Stephanie Romiszewski, Prof Robert Stickgold, Prof Manuel Schabus, Prof Ed Watkins, Prof Adam Zeman, Dr. Thomas Wehr. This project was supported by the Wellcome Trust.

What makes for a good short story? Being short, you might think the story''s structure would yield an answer to this question more readily than, say, the novel. But for as long as the short story has been around, arguments have raged as to what it should and shouldn''t be made up of, what it should and shouldn''t do. Here ,15 leading contemporary practitioners offer structural appreciations of past masters of the form as well as their own perspectives on what the short story does so well. The best short stories don''t have closure, argues one contributor, ''because life doesn''t have closure''; ''plot must be written with the denouement constantly in view,'' quotes another. Covering a century of writing that arguably saw all the major short forms emerge, from Hawthorne''s ''Twice Told Tales'' to Kafka''s modernist nightmares, these essays offer new and unique inroads into classic texts, both for the literature student and aspiring writer.

First published in 1999, this is a guide which provides easy access to a fairly complete range of the long poetry written in the Romantic and Victorian periods: epics, narrative poems, verse-novels and other work of over a certain length. The format provides title, author, length of work and prosodic description. Texts are then summarized according to the internal divisions. Each poem is accompanied by an objective summary and the poems as a whole are preceded by an introduction which advances a particular argument as to why the nineteenth century was so fascinated with the length that was the ultimate aesthetic rationale for the long poem.

''Highly engaging and fascinating... this thought-provoking collection reminded me why I used to like science fiction so much... Eventually, one hopes, science fiction will regain its rightful place - as once again stranger than science.'' - The Guardian, 20 Dec 09. ''All hit, no miss... thought-provoking at worst, and stunning at best... shows that science can inspire anyone and everyone.'' – New Scientist, 5 Dec 09. ''Inspiring'' – THE, 19 Nov 09. ''A diamond of compression.'' – Financial Times, 20 Dec 09. When It Changed is an attempt to put authors and scientists back in touch with each other, to re-introduce research ideas with literary concerns, and to re-forge the alloy that once made SF great. Composed collaboratively – through a series of visits and conversations between leading authors and practicing scientists – it offers fictionalised glimpses into the far corners of current research fields, be they in nanotechnology, invertebrate physiology, particle physics, or software archaeology. From Planck''s Length (the smallest indivisible distance) to Plankton (potential saviours of the Earth''s ecosystem), from virtual encounters between Witgenstein and Turing, to future civilisations torn asunder by different readings of the Standard Model, together these stories represent a literary ''experiment'' in the true sense of the word, and endeavour to isolate a whole new strain of the SF bug. * * Featuring Sara Maitland''s ''Moss Witch'' - Runner Up in the BBC National Short Story Prize 2009.* *

Humanity Among The Stars What happens when we reach out into the vastness of space? What hope for us amongst the stars? Multi-award winning editor Jonathan Strahan brings us fourteen new tales of the future, from some of the finest science fiction writers in the field. The fourteen startling stories in this anthology feature the work of Greg Egan, Aliette de Bodard, Ian McDonald, Karl Schroeder, Pat Cadigan, Karen Lord, Ellen Klages, Adam Roberts, Linda Nagata, Hannu Rajaniemi, Kathleen Ann Goonan, Ken MacLeod, Alastair Reynolds and Peter Watts.

Computers are changing. Soon the silicon chip will seem like a clunky antique amid the bounty of more exotic processes on offer. Robots are changing too; material evolution and swarm intelligence are creating a new generation of devices that will diverge and disperse into a balanced ecosystem of humans and ‘robjects’ (robotic objects). Somewhere in between, we humans will have to change also… in the way we interact with technology, the roles we adopt in an increasingly ‘intelligent’ environment, and how we interface with each other. The driving motors behind many of these changes will be artificial life (A-Life) and unconventional computing. How exactly they will impact on our world is still an open question. But in the spirit of collective intelligence, this anthology brings together 38 scientists and authors, working in pairs, to imagine what life (and A-Life) will look like in the year 2070. Every kind of technology is imagined: from lie-detection glasses to military swarmbots, brain-interfacing implants to synthetically ‘grown’ skyscrapers, revolution-inciting computer games to synthetically engineered haute cuisine. All artificial life is here. Featuring scientific contributions from: Martyn Amos, J. Mark Bishop, Seth Bullock, Stephen Dunne, James Dyke, Christian Jantzen, Francesco Mondada, James D. O''Shea, Andrew Philippides, Lenka Pitonakova, Steen Rasmussen, Thomas S. Ray, Micah Rosenkind, James Snowdon, Susan Stepney, Germán Terrazas, Andrew Vardy and Alan Winfield. Supported by TRUCE (Training and Research in Unconventional Computation in Europe).

Two experimental essays engaging with the science fiction concepts of ''Alien'' and ''Star''.

[The] CD contains articles from the Teledyne quarterly and annual reports from 1969 through 1995. These articles were written by Robert J. McVicker, Teledyne''s staff writer ... They reflect Teledyne''s participation in various emerging ... technologies with new products and as a resource to many government research and development programs. The articles are in PDF formatted files. A directory of all reports, which have been indexed by date, title and Teledyne company featured, is in a PDF file on this disk and also included in the Appendix of the book [p.295-303] .... To find a specific issue ..., open the directory file and click on the issue or title or Teledyne company name. - Publisher.